End Day. James Axler

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      Her thoughts returned to the Levinson problem.

      That there were always worse writers out there had been pounded into her by painful experience. “Better the bad writer you know” was the company’s longstanding philosophy. To overcome the failings of the stable, failings all too apparent to readers of the various series, and to keep her job, she’d had to master the relevant facts and skills herself. She had learned about weapons, tactics, martial arts, survival, engineering, astrophysics; the list went on and on. Despite the fact that she was only twenty-six, she was a mother figure to the writers she herded—a dispenser of sustenance, corrector of embarrassing mistakes, protector and defender. They were babies, all of them. Some white-haired or hairless, some toothless with age, but still helpless, whining babies.

      The cab pulled up in front of her brownstone on a street lined wall-to-wall with similar narrow, multistory houses, all of the same, roughly 1850, vintage. Sickly, leafless trees grew out of spike-ringed holes in the sidewalk.

      After paying the cabbie, she climbed the steep front stairs, unlocked the door and stepped into the small foyer. As she started up to her second-floor apartment, she considered blowing off work, putting her feet up and reading a good book for a change. A rumble from the floor above startled her. It sounded like a stampede of elephants. Looking up, she saw huge, dark figures lumbering down from the landing. They were as wide bodied as NFL players. The marble staircase shook under their combined weight. She flattened her back against the wall to keep from being trampled.

      As they poured past, she saw there were eight or nine of them, all dressed in a kind of uniform: royal-purple satin hoodies and black satin jogging pants. She couldn’t get a clear look at their faces because of the hoods and because they were moving so fast. She did see and recognize the skeletonized buttstocks of AKS-74U “Krinkovs,” some of them slung under the hoodies, the abbreviated autorifles looking like children’s toys. In the middle of the pack, apparently being guarded by the others, was a spindly, frail individual.

      Was that Bob Dylan? she thought, turning to look as they crossed the foyer below and trooped out the front door. A rumor had started going around the block that morning that the famous balladeer had bought the brownstone next to this one, but no one had actually seen him yet. What was Bob Dylan doing in her building? The odd smell left in their wake made her wrinkle her nose.

      When she peered over the second-floor landing, her heart sank. Her apartment door was standing wide open. Without thinking, she crossed the hall and rushed inside. The place had been trashed—furniture overturned, lamps broken, pictures knocked off the walls as if a whirlwind had struck. The television, stereo and computer were untouched. It smelled like a meth lab.

      “Talu, Petey!” she called. “Lucy!”

      The cats didn’t come.

      She found all three hiding, wide-eyed, in a corner under the bed. Much to her relief, they were unhurt.

      Nothing seemed to be missing from the bedroom; everything was just as she had left it. The autographed black-and-white photo of a bearded, smiling Robertson Davies sat atop her dresser.

      Oh crap, the Eagle! She jumped up and tore open her closet door. Behind cartons of neatly packed summer clothes on the top shelf, the lock box was still there. She opened it with the keypad and looked down with relief at the Bengal tiger–striped .44 Magnum Desert Eagle snug in its fitted foam case. It had been a strange gift from an even stranger man—restraining-order strange.

      Robert Marx, in addition to being bipolar and a con man, had authored a few books for the company’s Western soft-core-porn line, Ramrod—that series’ catch phrase was both obvious and literal. Veronica had never dated Marx, never saw him once outside the company offices, but he had become so enamored of her that out of the blue, he’d given her this $2,500, illegal-in-NYC pistol—the world’s most powerful handgun, in fact. Something Marx thought incredibly funny.

      Primarily to defend herself against him—and people like him—Veronica had learned at a range in Connecticut to shoot the monstrous thing. She’d initially had serious problems with muzzle control because of the weapon’s weight—four-and-a-half pounds, fully loaded—and its tremendous recoil. To master it, she’d had to strengthen her wrists and forearms with dumbbell finger curls.

      A loud, sudden noise from the living room made her stiffen. It sounded like something heavy had fallen. Maybe one of her floor-to-ceiling bookshelves had crashed to the floor.

      They’re back! was her only thought.

      Veronica kicked off her heels. With the ease of much practice—and without chipping a nail—she slapped home the pistol’s loaded magazine and chambered the first fat wadcutter round in the stack. Snatching the custom-molded earplugs from the case, she thumbed them into place as she moved to the bedroom door. When she burst into the living room with the autopistol in a two-handed grip, ready to fire, there was no one there. Above the toppled chairs and scattered manuscript pages, a weird gray mist swirled in the air.

      Something terrible was about to happen. She could feel it in the pit of her stomach.

      Firmly planting her feet, she aimed the Eagle at the churning, expanding cloud. As she stared over the iron sights, it occurred to her that she had finally and completely lost her mind.

       Chapter Two

      The pain didn’t stop when Ryan went blind in his one good eye.

      Or when he stopped breathing. Or when his heart stopped beating.

      Consciousness and sensation stubbornly remained while his body stretched and stretched, like a strand of spit, until it was a slithering ribbon a molecule high and a molecule wide. Until it was light years long. The cries of his companions were an unbroken wail, which he vibrated to, like a plucked guitar string.

      It was nothing like the jump nightmares he had experienced before. The random, twisted horror stories peopled by ex-lovers, bloodthirsty muties and archenemies of his past were at least a comprehensible agony, with beginnings, middles and ends. There were no time signposts in this version of hell, nothing to separate one excruciating instant from the next. He was being stretched and stretched, but to where? To what? Had they been tricked into an endless loop of matter transfer, never arriving, forever in transit?

      And the worst part of all: he had hit the button. Magus’s victory, their defeat, was by his own hand. His own bastard hand.

      Suddenly the pressure seemed to ease a bit; before he could come to grips with the change, it reversed entirely. Instead of stretching, there was compression. Violent, dramatic compression at both ends, like g-forces trying to crush him flat, to drive the back of his head into the base of his spine, his ankles into his hipbones. Caught between the downward and upward forces, his insides were squashed. He just managed to roll onto his side as he projectile-vomited.

      Choking and gasping for air, Ryan could feel the smooth floor beneath his cheek and temple.

      He opened his eye and could see a dim light in the heart of the swirling fog.

      They had arrived. Somewhere.

      As he crawled toward the brightness, he felt as if he had been run over by a convoy of wags. His skin crackled strangely, as if tissue paper had been stuffed under it. The others were moving on all fours, also apparently unable to stand. He counted the dark shapes on either side of him—all were accounted for.

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