The Hidden Child. Camilla Lackberg

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      ‘Mattias?’

      ‘What?’ his friend replied, sounding annoyed. He looking for somewhere to put his feet where he wouldn’t be stepping on dead flies.

      Adam didn’t answer. Instead he slowly moved towards the chair. He had a feeling that he should turn round, leave the way they’d come, and run until he couldn’t run any more. But curiosity got the better of him, and his feet seemed to move of their own accord, taking him to the chair.

      ‘Well, what is it?’ Mattias said, but then he fell silent when he saw Adam moving forward, tense and alert.

      He was still a half-metre from the chair when he reached out his hand. He noticed that it was shaking. Inch by inch, Adam moved his hand towards the back of the chair. The only sound in the room was the crunching under his feet. The leather of the chair felt cool to his fingertips. He pressed harder, shoving the chair to the left so that it began to rotate. He took a step back. Slowly the chair turned, gradually revealing what it held. Behind him Adam heard Mattias throw up.

      The eyes watching his every move were big and moist. Mellberg tried to ignore the animal, but with only partial success. The dog remained practically plastered to his side, looking at him with adoration. Finally Mellberg relented. He pulled out the bottom desk drawer, took out a coconut marshmallow and tossed it on the floor. In two seconds it was gone, and for a moment Mellberg thought the dog was smiling. Pure fantasy, no doubt. At least his fur was clean. Annika had done a good job of shampooing and rinsing him off. Even so, Bertil had found it a bit distasteful to wake up this morning and discover that during the night the dog had hopped up on the bed and stretched out next to him. He wasn’t convinced shampoo would get rid of fleas and the like. What if the animal’s fur was full of tiny vermin that wanted nothing more than to hop on to Mellberg’s ample body? But a close examination hadn’t revealed anything lurking in the fur, and Annika had sworn that she hadn’t found any fleas when she washed the dog. But he was damned if he’d allow the mutt to sleep on the bed again. There had to be a limit.

      ‘So, what are we going to call you?’ said Mellberg, instantly feeling foolish for talking to a creature who walked on all fours. But the dog needed a name. He thought it over as he looked about for something that might inspire him, but only stupid dog names whirled through his mind: Fido, Spot … No, that wouldn’t do. Then he gave a chuckle. He’d just had a brilliant idea. In all honesty he’d missed Ernst Lundgren, not much but at least a little, ever since he’d been forced to fire the man. So why not call the dog Ernst? There was a certain humour in the choice. He chuckled again.

      ‘Ernst. What do you say to that, old boy? Is that good, or what?’ He pulled out the desk drawer again and took out another marshmallow. Of course Ernst should have another one. It wasn’t his problem if the dog got fat. In a few days Annika would probably find somebody to take him, so it really made no difference if he got a marshmallow or two in the meantime.

      The shrill ring of the phone startled them both.

      ‘Bertil Mellberg.’ At first he couldn’t hear what the voice on the phone was saying, it was so high-pitched and hysterical.

      ‘Excuse me, but you’ll have to talk slower. What did you say?’ He listened hard and then raised his eyebrows when he finally understood.

      ‘A body, you say? Where?’ He sat up straighter in his chair. Ernst sat up too, pricking his ears. Mellberg wrote down an address on the notepad in front of him, ended the conversation by saying, ‘Stay where you are,’ and then jumped to his feet. The dog followed at his heels.

      ‘Stay here.’ Mellberg’s voice had taken on an unusually authoritative tone and, to his great surprise, he saw the dog come to an abrupt halt to await further instructions. ‘Stay!’ Mellberg ventured, pointing to the dog basket that Annika had put in a corner of the office. Ernst obeyed reluctantly, slinking over to the basket and lying down with his head resting on his paws, casting a hurt look at his temporary master. Energized by the novelty of someone actually acceding to his authority, Bertil Mellberg rushed down the hall shouting to everyone and no one: ‘We’ve had a report of a body.’

      Three heads poked out from three different doorways: one red, belonging to Martin Molin, one grey, belonging to Gösta Flygare, and one raven-black, belonging to Paula Morales.

      ‘A body?’ said Martin, emerging into the corridor. Now even Annika appeared from the reception area.

      ‘A teenage boy just rang to report it. Apparently he and a mate were larking about and decided to break into a house between Fjällbacka and Hamburgsund. Inside they found a body.’

      ‘The owner of the house?’ asked Gösta.

      Mellberg shrugged. ‘That’s all I know. I told the boys to stay there. We’ll drive over right now. Martin, you and Paula take one car; Gösta and I will take the other.’

      ‘Shouldn’t we call Patrik?’ asked Gösta cautiously.

      ‘Who’s Patrik?’ asked Paula, looking from Gösta to Mellberg.

      ‘Patrik Hedström,’ explained Martin. ‘He works here too, but he’s on paternity leave, starting today.’

      ‘Why on earth should we ring Hedström?’ said Mellberg with a scornful snort. ‘I’m here,’ he added pompously, setting off at a trot towards the garage.

      ‘Yippee,’ muttered Martin when Mellberg was out of earshot. Paula raised her eyebrows quizzically. ‘Oh, never mind,’ said Martin apologetically, but he couldn’t resist adding, ‘You’ll understand soon enough.’

      Paula was still looking bewildered, but she let it go. She’d suss out the workplace dynamics soon enough.

      Erica sighed. It was quiet in the house now. Too quiet. For a year her ears had been attuned to the slightest whimper or cry. But now it was totally and completely quiet. The cursor was blinking in her Word document. In half an hour she hadn’t typed a single letter. Her brain was becalmed. So far she’d paged through her notes and looked at the articles that she’d copied during the summer. After sending several letters, she’d finally managed to get an appointment with the central figure in the case – the murderer – but that was still three weeks away. Until then she’d have to make do with the archival material. The problem was, she couldn’t think how to begin. The words weren’t exactly tumbling into place, and now doubt had set in. The doubt that authors always had to contend with. Were there any words left? Had she written her last sentence, used up her quota? Did she have any more books in her at all? Logic told her that she almost always felt this way on starting a new book, but that didn’t help. It was a form of torture, a process that she had to go through each time. Almost like giving birth. But today she felt especially sluggish.

      She absently popped a Dumlekola chocolate caramel in her mouth to console herself as she eyed the notebooks lying on the desk next to the computer. Her mother’s fluid script was clamouring for her attention. She was torn between fear of looking at what her mother had written and curiosity about what she might find. Slowly she reached for the first notebook. She weighed it in her hand. It was thin, rather like the small notebooks used in elementary school. Erica ran her fingers over the cover. The name had been written with a pen, but the years had made the blue ink fade considerably. Elsy Moström. That was her mother’s maiden name. She’d taken the surname Falck when she married Erica’s father. Slowly Erica opened the notebook. The pages had thin blue lines. At the top was the date: 3 September 1943. She read the first sentence:

       Will this war never end?

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