The Voyage of the Narwhal. Andrea Barrett

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      THAT NIGHT ERASMUS was sleepless again. In the Repository, his family’s little natural history museum, he rose and paced the floors and tried to understand what he’d been doing. For twelve years he’d been camped out here, his world contracted to display cabinets stuffed with dead animals, boxes of seeds and trays of fossils, the occasional stray beam of light shining through the windows like a message from another planet. Framed engravings of eminent naturalists leaned down from the bookshelves, watching benignly as he bent to work that wasn’t work, and went nowhere. Who could understand that life? Or how he’d decided, finally, to leave it?

      Across the garden loomed the house he hadn’t slept in for more than a decade. Everything showed his father’s hand, from the carved ferns on the moldings to his own name. He was Erasmus Darwin for the British naturalist, grandfather to the young man who’d set off on the Beagle; his brothers were named after Copernicus, Linnaeus, and Alexander von Humboldt. Four boys gaping up at their father like nestlings waiting for worms. An engraver and printer by trade, Frank Wells’s passion had been natural history and his truest friends the Peales and the Bartrams, Thomas Nuttall and Thomas Say, Audubon of the beautiful birds and poor peculiar Rafinesque, who’d died in a garret downtown.

      On summer evenings, down by the creek, Mr. Wells had read Pliny’s Natural History to his sons. Pliny the Elder had died of his scientific curiosity, he’d said; the fumes of Vesuvius had choked him when he’d lingered to watch the smoke and lava. But before that he’d compiled a remarkable collection of what he’d believed to be facts. Some true, some false—but even the false still useful for the beauty with which they were expressed, and for what they said about the ways men conceived of each other, and of the world. Sometimes pacing, sometimes sitting on a tuft of grass, Erasmus’s father had passed down Pliny’s descriptions of extraordinary peoples living beyond the edge of the known. A race of nomads with legs like snakes; a race of forest dwellers running swiftly on feet pointed backward; a single-legged race who move by hopping and then rest by lying on their backs and raising their singular feet above their heads, like small umbrellas. Stories, not science—but useful as a way of thinking about the great variety and mutability of human nature. How easily, he’d said, might we not exist at all. How easily might we be transformed into something wholly different.

      In those old stories, he’d said, were lessons about gossip and the imagination and the perils of not observing the world directly. Yet although he was a great collector of explorers’ tales he’d traveled very little himself; Erasmus had never known what his father would most like to have seen. As a counterpoint to Pliny he’d offered his sons the living, breathing science of his friends. They’d helped design the Repository and delighted Erasmus and his brothers with accounts of their travels. When Lavinia was born, they’d named her after her dying mother and tried to distract their friend from his grief with bones and feathers.

      Now Erasmus followed the tracks of those men across the polished floor. He stopped at a wooden case holding trays of fossil teeth. Beneath the third tray was a false bottom, which only he knew about; in the secret space below the molars was a woman’s black calf walking boot. His mother’s; once he’d had a pair. Before the servants took her clothes away, to be given piece by piece to the poor, he’d stolen the boots she’d worn most often. For years he’d hidden them in his room, sometimes running his hands up the buttons as another boy might have fingered a rosary. Later, about to leave on his ill-fated first trip, he’d given Lavinia the left boot after swearing her to secrecy. This other he’d buried. Had it always been so small? The sole was hardly longer than his hand, the leather was cracking, the buttons loose. Where Lavinia’s was he had no idea.

      Four years ago, when his father died, he’d received the house, the Repository, a small income, and the care of Lavinia until she married. Which meant, he thought, that he’d inherited all the responsibility and none of the freedom or even the solid work. Was it his fault he hadn’t known what to do? The family firm had gone to his middle brothers, who’d settled side by side downtown, within walking distance of their work: two moons, circling a planet that didn’t interest him. Meanwhile Copernicus had headed west as soon as he received his share of the estate. Out there, among the Indians, he painted buffalo hunts and vast landscapes while Erasmus and Lavinia, left behind, leaned against each other in his absence.

      Copernicus sent paintings back, some of which had already been shown at the Academy of Fine Arts. And sometimes—when he remembered, when he could be bothered—he sent packets of seeds, shaken from random plants that had caught his eye. His afterthoughts, which had become Erasmus’s chief occupation. Erasmus had examined, classified, labeled, cataloged, added them to his lists. He filed them in tall wooden towers of tiny drawers, alongside the seeds his father’s friends had brought back from China and the Yucatan and the Malay Archipelago, СКАЧАТЬ