Название: Sleeping Murder
Автор: Агата Кристи
Издательство: HarperCollins
Жанр: Классическая проза
isbn: 9780007422814
isbn:
‘It was a nursery. There were bars on the windows.’
‘You see? It had this pretty gay paper of cornflowers and poppies. Children remember their nursery walls very well. I’ve always remembered the mauve irises on my nursery walls and yet I believe it was repapered when I was only three.’
‘And that’s why I thought at once of the toys, the dolls’ house and the toy cupboards?’
‘Yes. And the bathroom. The bath with the mahogany surround. You told me that you thought of sailing ducks in it as soon as you saw it.’
Gwenda said thoughtfully, ‘It’s true that I seemed to know right away just where everything was—the kitchen and the linen cupboard. And that I kept thinking there was a door through from the drawing-room to the dining-room. But surely it’s quite impossible that I should come to England and actually buy the identical house I’d lived in long ago?’
‘It’s not impossible, my dear. It’s just a very remarkable coincidence—and remarkable coincidences do happen. Your husband wanted a house on the south coast, you were looking for one, and you passed a house that stirred memories, and attracted you. It was the right size and a reasonable price and so you bought it. No, it’s not too wildly improbable. Had the house been merely what is called (perhaps rightly) a haunted house, you would have reacted differently, I think. But you had no feeling of violence or repulsion except, so you have told me, at one very definite moment, and that was when you were just starting to come down the staircase and looking down into the hall.’
Some of the scared expression came back into Gwenda’s eyes.
She said: ‘You mean—that—that Helen—that that’s true too?’
Miss Marple said very gently: ‘Well, I think so, my dear … I think we must face the position that if the other things are memories, that is a memory too …’
‘That I really saw someone killed—strangled—and lying there dead?’
‘I don’t suppose you knew consciously that she was strangled, that was suggested by the play last night and fits in with your adult recognition of what a blue convulsed face must mean. I think a very young child, creeping down the stairs, would realize violence and death and evil and associate them with a certain series of words—for I think there’s no doubt that the murderer actually said those words. It would be a very severe shock to a child. Children are odd little creatures. If they are badly frightened, especially by something they don’t understand, they don’t talk about it. They bottle it up. Seemingly, perhaps, they forget it. But the memory is still there deep down.’
Gwenda drew a deep breath.
‘And you think that’s what happened to me? But why don’t I remember it all now?’
‘One can’t remember to order. And often when one tries to, the memory goes further away. But I think there are one or two indications that that is what did happen. For instance when you told me just now about your experience in the theatre last night you used a very revealing turn of words. You said you seemed to be looking “through the banisters”—but normally, you know, one doesn’t look down into a hall through the banisters but over them. Only a child would look through.’
‘That’s clever of you,’ said Gwenda appreciatively.
‘These little things are very significant.’
‘But who was Helen?’ asked Gwenda in a bewildered way.
‘Tell me, my dear, are you still quite sure it was Helen?’
‘Yes … It’s frightfully odd, because I don’t know who “Helen” is—but at the same time I do know—I mean I know that it was “Helen” lying there … How am I going to find out more?’
‘Well, I think the obvious thing to do is to find out definitely if you ever were in England as a child, or if you could have been. Your relations—’
Gwenda interrupted. ‘Aunt Alison. She would know, I’m sure.’
‘Then I should write to her by air mail. Tell her circumstances have arisen which make it imperative for you to know if you have ever been in England. You would probably get an answer by air mail by the time your husband arrives.’
‘Oh, thank you, Miss Marple. You’ve been frightfully kind. And I do hope what you’ve suggested is true. Because if so, well, it’s quite all right. I mean, it won’t be anything supernatural.’
Miss Marple smiled.
‘I hope it turns out as we think. I am going to stay with some old friends of mine in the North of England the day after tomorrow. I shall be passing back through London in about ten days. If you and your husband are here then, or if you have received an answer to your letter, I should be very curious to know the result.’
‘Of course, dear Miss Marple! Anyway, I want you to meet Giles. He’s a perfect pet. And we’ll have a good pow-wow about the whole thing.’
Gwenda’s spirits were fully restored by now.
Miss Marple, however, looked thoughtful.
It was some ten days later that Miss Marple entered a small hotel in Mayfair, and was given an enthusiastic reception by young Mr and Mrs Reed.
‘This is my husband, Miss Marple. Giles, I can’t tell you how kind Miss Marple was to me.’
‘I’m delighted to meet you, Miss Marple. I hear Gwenda nearly panicked herself into a lunatic asylum.’
Miss Marple’s gentle blue eyes summed up Giles Reed favourably. A very likeable young man, tall and fair with a disarming way of blinking every now and then out of a natural shyness. She noted his determined chin and the set of his jaw.
‘We’ll have tea in the little writing-room, the dark one,’ said Gwenda. ‘Nobody ever comes there. And then we can show Miss Marple Aunt Alison’s letter.
‘Yes,’ she added, as Miss Marple looked up sharply. ‘It’s come, and it’s almost exactly what you thought.’
Tea over, the air mail letter was spread out and read.
Dearest Gwenda, (Miss Danby had written)
I was much disturbed to hear you had had some worrying experience. To tell you the truth, it had really entirely escaped my memory that you had actually resided for a short time in England as a young child.