Sharpe’s Eagle: The Talavera Campaign, July 1809. Bernard Cornwell

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      This was the first book I wrote, and it is the only book of mine that I have never dared go back and re-read. I still do not dare, for I am sure I would be horrified by the crudity of its writing, but I am constantly told by readers that it is one of their favourites.

      It tells the story of the battle of Talavera, which occurred towards the beginning of the Peninsular War. It was not where I wanted to start the Sharpe series. I really wanted to begin with the tale of Badajoz (which turns up in Sharpe’s Company), because Badajoz is such an extraordinary and dramatic event, but I decided it would be a good idea to write a book or two before Badajoz, rather like a bowler warming up before he takes on the opening batsman. I had never written a novel before, never tried to write a novel before, and so Sharpe’s Eagle is where I was going to make all a beginner’s mistakes, and where, if I was successful in my ambition to write a series of tales about the adventures of a British rifleman in the Napoleonic Wars, I was going to learn some of the tricks of the trade. One of the first things I learned was that Sharpe’s enemies, by and large, had to be British. I had thought, before I began writing, that the French would provide him with enemies enough, but the circumstances of war meant that Sharpe spent much more time with the British than with the enemy French, and if he was to be unendingly challenged, irritated, obstructed and angered then the provocations had to come from people with whom he was constantly associated. In time Sharpe is to meet many foul enemies, but few, I think, are as nauseating as Sir Henry Simmerson who, I seem to remember, becomes a tax inspector in his later career.

      I said Sharpe’s enemies were British. In fact most of them, like me, are English, while his friends are often Irish. This arose from the happy fact that I had been living in Belfast in the years immediately prior to writing Sharpe and had acquired a fondness for Ireland which has never abated. It also reflected a truth that Wellington’s army was heavily recruited from the Irish, and indeed the Duke (as he was to become) had been born there. That was not a fact of which he was proud. ‘Being born in a stable,’ he once remarked, ‘does not make a man a horse.’ The Duke was a difficult, cold and snobbish man who was also one of the greatest soldiers ever to take the field. Like Sharpe I admire him, but would not particularly wish to dine with him. His story, though, is intimately linked with Sharpe’s, which is to Sharpe’s good fortune. But Sharpe, if he is to make his reputation, must do it with action, rather than by his distant connection with the Duke, and there was no act more admired on a battlefield than the capture of an enemy’s standard. In Napoleon’s army those standards took the form of small statuettes of eagles – thus the book’s title. I decided that if I was not to launch Sharpe against the great walls of Badajoz in his first adventure, then he should face another task just as impossible, and so I set him to capture an eagle. Poor Sharpe.

      But there were much greater events resting on his shoulders than the seizing of an eagle. I had fallen in love with Judy, an American to whom the book is dedicated and who, for family reasons, could not live in Britain, which meant I had to earn a crust in the United States if the course of true love was ever to flow smooth. The American Government, in its Simmerson-like wisdom, refused me a work permit so I airily told Judy that I would support us by writing books. Sharpe had to succeed if that irresponsible promise was to be kept. That was twenty-one years ago, and we are still married, so in truth Sharpe’s Eagle is a dazzling romance. And one day I shall read it again.

      PREFACE

      In 1809 the British army was divided into Regiments, as today, but most Regiments were described by numbers not by names; thus, for instance, the Bedfordshire Regiment was properly called the 14th, the Connaught Rangers the 88th and so on. The soldiers themselves preferred the names but had to wait until 1881 for their official adoption. I have deliberately not given the South Essex, a fictional Regiment, any number.

      A Regiment was an administrative unit; the basic fighting unit was the Battalion. Most Regiments consisted of at least two Battalions but a few, like the imaginary South Essex, were small single-Battalion Regiments. That is why, in Sharpe’s Eagle, the two words are used interchangeably of the South Essex. On paper a Battalion was supposed to have about a thousand men but disease and casualties, plus the shortage of recruits, meant that Battalions often went into battle with only five or six hundred troops.

      All Battalions were divided into ten companies. Two of these, the Light Company and the Grenadier Company, were the elite of the Battalion and the Light Companies, in particular, were so useful that whole Regiments of Light troops, like the 95th Rifles, were being raised or expanded.

      A Battalion was usually commanded by a Lieutenant Colonel, with two Majors, ten Captains, and below them the Lieutenants and Ensigns. None of these officers would have received any formal training; that was reserved for officers of the Engineers and the Artillery. About one officer in twenty was promoted from the ranks. Normal promotion was by seniority rather than merit but a rich man, as long as he had served a minimum period in his rank, could buy his next promotion and thus jump the queue. This system of purchase could lead to very unfair promotions but it is worth remembering that without it Britain’s most successful soldier, Sir Arthur Wellesley, later the Duke of Wellington, would never have risen to high rank early enough in his career to form the most brilliant army Britain has ever possessed; the army in which Richard Sharpe fought the French through Portugal, Spain, and into France between 1808 and 1814.

      CHAPTER ONE

      The guns could be heard long before they came into sight. Children clung to their mothers’ skirts and wondered what dreadful thing made such noises. The hooves of the great horses mixed with the jangling of traces and chains, the hollow rumbling of the blurring wheels, and above it all the crashes as tons of brass, iron and timber bounced on the town’s broken paving. Then they were in view; guns, limbers, horses and outriders, and the gunners looked as tough as the squat, blackened barrels that spoke of the СКАЧАТЬ