The Sons of Scarlatti. John McNally

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       FIVE

      “Mr President.”

      “Commander King.”

      “Prime Minister.”

      “King. Mr President.”

      “Prime Minister.”

      “Guten Tag, Frau Chancellor…”

      King went through the introductory motions.

      Finn thought, I’m supposed to be in double geography right now.

      The President of the USA was in shirtsleeves – the Oval Office in the background familiar, if a little less tidy than in its TV incarnations. The British Prime Minister was in a large, book-lined room – not the smooth PM of news bulletins, but an alarmed posh little man. The German Chancellor settled herself into a reclaimed pine ‘ergonomische stuhl’ as the President of France came online from the gilt and ornate Élysée Palace.

      “Is Allenby there?” said the US President.

      Al leant into shot and waved so that the leaders of the free world could see him.

      “Guys,” said Al.

      Guys? Finn thought.

      “So. What have we got, Commander King?” asked Al.

      The room fell silent. The lights dimmed.

      “Slide,” ordered King.

      A digital projection lit up a wall-sized screen and showed… nothing.

      Or at least nothing but a blank whiteness with a black dot in the middle.

      King snapped, “Bring it up to scale.”

      The lens zoomed in on the dot and suddenly the creature exploded across the screen.

      Projected to the size of a man, a vile black, yellow and red-flecked monster, fresh and newborn-slick from its final moult. Its exoskeleton was extended, exaggerated; its thorax like a clutch of girders; its head a felt and fang atrocity; its silver-black wings still plastered against its abdomen which, cruelly coloured, scaled and distended, hung bulbous from its thorax like a great droplet of buzz-fresh poison. And, at its end, an ugly cluster of three barbed, glossy harpoon stings.

      Finn froze and the hairs on the back of his neck prickled. For a moment he tasted his own fear. The fear of death he sometimes got when he thought about his mother. A sense of something terrible, unstoppable and unknowable. He gulped it back.

      A mouse click and the next image flashed up. A rear shot of the insect with a better view of the array of stings emerging from the bulbous abdomen.

      Click. The underside, amour-plated and beetle-black. How does this thing fly? Finn thought.

      Click. In the next image, the answer: silver-black wings fully extended, as long as a dragonfly’s, but broader.

      Wow.

      Click. The head and mouthparts, feelers and proboscis. Finn felt his stomach turn. He didn’t want to look, yet couldn’t tear his eyes away.

      Click. The egg pouch and reproductive organ.

      The six legs.

      The black and yellow and red-tinged whole, like some vile bullet that in flight must look like… Who only knew what.

      And the sound? thought Finn. What evil bass buzz would those wings make?

      Al watched, face frozen, King pleasantly surprised to observe that even he was stilled by the sight.

      “Meet Scarlatti,” said King. “Named after the eighteenth-century Italian composer noted for writing five hundred and fifty-five piano sonatas, because it registers a score of five hundred and fifty-five on the Porton Scale: that used to measure the lethal potential of weaponised organisms. A single Scarlatti could theoretically kill five hundred and fifty-five human beings.”

      “Sacré bleu…” said the French President, without a hint of irony.

      “During the Cold War, all sides developed and produced biological weapons. One of the main branches of study at our research institute at Porton Down was entomology, the study of insects, and how they could be adapted to carry and spread disease. In 1983 a geneticist accidentally developed a whole new genotype of insect by exposing the embryo of a highly engineered smallpox-carrying wasp – phenotype Vespula cruoris – to gamma radiation. The result was… Scarlatti.”

      An old video recording came up onscreen of live Scarlattis being studied in a laboratory.

      “Scarlatti is an asexual self-multiplier that, given a sufficient supply of simple protein – the body of a dead mammal say – can lay up to fifty eggs. It’s pesticide resistant, seventy-five millimetres long (the size of a hummingbird or a human thumb) and is all but physically indestructible. It nurtures supplies of a unique and fatal strain of smallpox in the poison sacs of its abdomen. Accelerated development means a single egg can become a viable СКАЧАТЬ