Название: Shirley
Автор: Шарлотта Бронте
Издательство: HarperCollins
Жанр: Классическая проза
isbn: 9780007480647
isbn:
“But you are rich and thriving, Moore?”
“I am very rich in cloth I cannot sell. You should step into my warehouse yonder, and observe how it is piled to the roof with pieces. Roakes and Pearson are in the same condition. America used to be their market, but the Orders in Council have cut that off.”
Malone did not seem prepared to carry on briskly a conversation of this sort. He began to knock the heels of his boots together, and to yawn.
“And then to think,” continued Mr. Moore who seemed too much taken up with the current of his own thoughts to note the symptoms of his guest’s ennui—“to think that these ridiculous gossips of Whinbury and Briarfield will keep pestering one about being married! As if there was nothing to be done in life but to ‘pay attention,’ as they say, to some young lady, and then to go to church with her, and then to start on a bridal tour, and then to run through a round of visits, and then, I suppose, to be ‘having a family.’ Oh, que le diable emporte!” He broke off the aspiration into which he was launching with a certain energy, and added, more calmly, “I believe women talk and think only of these things, and they naturally fancy men’s minds similarly occupied.”
“Of course—of course,” assented Malone; “but never mind them.” And he whistled, looked impatiently round, and seemed to feel a great want of something. This time Moore caught and, it appeared, comprehended his demonstrations.
“Mr. Malone,” said he, “you must require refreshment after your wet walk. I forget hospitality.”
“Not at all,” rejoined Malone; but he looked as if the right nail was at last hit on the head, nevertheless. Moore rose and opened a cupboard.
“It is my fancy,” said he, “to have every convenience within myself, and not to be dependent on the feminity in the cottage yonder for every mouthful I eat or every drop I drink. I often spend the evening and sup here alone, and sleep with Joe Scott in the mill. Sometimes I am my own watchman. I require little sleep, and it pleases me on a fine night to wander for an hour or two with my musket about the hollow. Mr. Malone, can you cook a mutton chop?”
“Try me. I’ve done it hundreds of times at college.”
“There’s a dishful, then, and there’s the gridiron. Turn them quickly. You know the secret of keeping the juices in?”
“Never fear me; you shall see. Hand a knife and fork, please.”
The curate turned up his coat-cuffs, and applied himself to the cookery with vigour. The manufacturer placed on the table plates, a loaf of bread, a black bottle, and two tumblers. He then produced a small copper kettle—still from the same well-stored recess, his cupboard—filled it with water from a large stone jar in a corner, set it on the fire beside the hissing gridiron, got lemons, sugar, and a small china punch-bowl; but while he was brewing the punch a tap at the door called him away.
“Is it you, Sarah?”
“Yes, sir. Will you come to supper, please, sir?”
“No; I shall not be in to-night; I shall sleep in the mill. So lock the doors, and tell your mistress to go to bed.”
He returned.
“You have your household in proper order,” observed Malone approvingly, as, with his fine face ruddy as the embers over which he bent, he assiduously turned the mutton chops. “You are not under petticoat government, like poor Sweeting, a man—whew! how the fat spits! it has burnt my hand—destined to be ruled by women. Now you and I, Moore—there’s a fine brown one for you, and full of gravy—you and I will have no gray mares in our stables when we marry.”
“I don’t know; I never think about it. If the gray mare is handsome and tractable, why not?”
“The chops are done. Is the punch brewed?”
“There is a glassful. Taste it. When Joe Scott and his minions return they shall have a share of this, provided they bring home the frames intact.”
Malone waxed very exultant over the supper. He laughed aloud at trifles, made bad jokes and applauded them himself, and, in short, grew unmeaningly noisy. His host, on the contrary, remained quiet as before. It is time, reader, that you should have some idea of the appearance of this same host. I must endeavour to sketch him as he sits at table.
He is what you would probably call, at first view, rather a strange-looking man; for he is thin, dark, sallow, very foreign of aspect, with shadowy hair carelessly streaking his forehead. It appears that he spends but little time at his toilet, or he would arrange it with more taste. He seems unconscious that his features are fine, that they have a southern symmetry, clearness, regularity in their chiselling; nor does a spectator become aware of this advantage till he has examined him well, for an anxious countenance and a hollow, somewhat haggard, outline of face disturb the idea of beauty with one of care. His eyes are large, and grave, and gray; their expression is intent and meditative, rather searching than soft, rather thoughtful than genial. When he parts his lips in a smile, his physiognomy is agreeable—not that it is frank or cheerful even then, but you feel the influence of a certain sedate charm, suggestive, whether truly or delusively, of a considerate, perhaps a kind nature, of feelings that may wear well at home—patient, forbearing, possibly faithful feelings. He is still young—not more than thirty; his stature is tall, his figure slender. His manner of speaking displeases. He has an outlandish accent, which, notwithstanding a studied carelessness of pronunciation and diction, grates on a British, and especially on a Yorkshire, ear.
Mr. Moore, indeed, was but half a Briton, and scarcely that. He came of a foreign ancestry by the mother’s side, and was himself born and partly reared on a foreign soil. A hybrid in nature, it is probable he had a hybrid’s feeling on many points—patriotism for one; it is likely that he was unapt to attach himself to parties, to sects, even to climes and customs; it is not impossible that he had a tendency to isolate his individual person from any community amidst which his lot might temporarily happen to be thrown, and that he felt it to be his best wisdom to push the interests of Robert Gerard Moore, to the exclusion of philanthropic consideration for general interests, with which he regarded the said Gerard Moore as in a great measure disconnected. Trade was Mr. Moore’s hereditary calling: the Gerards of Antwerp had been merchants for two centuries back. Once they had been wealthy merchants; but the uncertainties, the involvements, of business had come upon them; disastrous speculations had loosened by degrees the foundations of their credit. The house had stood on a tottering base for a dozen years; and at last, in the shock of the French Revolution, it had rushed down a total ruin. In its fall was involved the English and Yorkshire firm of Moore, closely connected with the Antwerp house, and of which one of the partners, resident in Antwerp, Robert Moore, had married Hortense Gerard, with the prospect of his bride inheriting her father Constantine Gerard’s share in the business. She inherited, as we have seen, but his share in the liabilities of the firm; and these liabilities, though duly set aside by a composition with creditors, some said her son Robert accepted, in his turn, as a legacy, and that he aspired one day to discharge them, and to rebuild the fallen house of Gerard and Moore on a scale at least equal to its former greatness. It was even supposed that he took by-past circumstances much to heart; and if a childhood passed at the side of a saturnine mother, under foreboding of coming evil, and a manhood drenched and blighted by the pitiless descent of the storm, could painfully impress the mind, his probably was impressed in no golden characters.
If, however, he had a great end of restoration in view, it was not in his power to employ great means for its attainment. He was obliged to be content СКАЧАТЬ