Colour Scheme. Ngaio Marsh

Чтение книги онлайн.

       CHAPTER TWO

       Mr Questing Goes Down for the First Time

      ‘We’ve heard from Dr Forster, sir,’ said Dikon Bell. He glanced anxiously at his employer. When Gaunt stood with his hands rammed down in the pockets of his dressing-gown and his shoulders hunched to his ears one watched one’s step. Gaunt turned away from the window, and Dikon noticed apprehensively that his leg was very stiff this morning.

      ‘Ha!’ said Gaunt.

      ‘He makes a suggestion.’

      ‘I won’t go to that sulphurous resort.’

      ‘Rotorua, sir?’

      ‘Is that what it’s called?’

      ‘He realises you want somewhere quiet, sir. He’s made inquiries about another place. It’s in the Northland. On the west coast. Subtropical climate.’

      ‘Sulphurous pneumonia?’

      ‘Well, sir, we do want to clear up that leg, don’t we?’

      ‘We do.’ With one of those swift changes of demeanour by which he so easily commanded devotion, Gaunt turned to his secretary and clapped him on the shoulder. ‘I think you’re as homesick as I am, Dikon. Isn’t that true? You’re a New Zealander, of course, but wouldn’t you ten thousand times rather be there? In London? Isn’t it exactly as if someone you loved was ill and you couldn’t get to them?’

      ‘A little like that, certainly,’ said Dikon drily.

      ‘I shouldn’t keep you here. Go back, my dear chap. I’ll find somebody in New Zealand,’ said Gaunt with a certain melancholy relish.

      ‘Are you giving me the sack, sir?’

      ‘If only they can patch me up …’

      ‘But they will, sir. Dr Forster said the leg ought to respond very quickly to hydrotherapy,’ said Dikon with a prime imitation of the doctor’s manner. ‘They simply hated the sight of me in the Australian recruiting offices. And I fancy I should have little more than refuse value at home. I’m as blind as a bat, you know. Of course, there’s office work.’

      ‘You must do what you think best,’ said Gaunt gloomily. ‘Leave me to stagnate. I’m no good to my country. Ha!’

      ‘If you can call raising twelve thousand for colonial patriotic funds no good …’

      ‘I’m a useless hulk,’ said Gaunt, and even Dikon was reminded of the penultimate scene in Jane Eyre.

      ‘What are you grinning at, blast you?’ Gaunt demanded.

      ‘You don’t look precisely like a useless hulk. I’ll stay a little longer if you’ll have me.’

      ‘Well, let’s hear about this new place. You’re looking wonderfully self-conscious. What hideous surprise have you got up your sleeve?’

      Dikon put his attaché case on the writing-table and opened it.

      ‘There’s a princely fan mail today,’ he said, and laid a stack of typed sheets and photographs on one side.

      ‘Good! I adore being adored. How many have written a little something themselves and wonder if I can advise them how to have their plays produced?’

      ‘Four. One lady has sent a copy of her piece. She has dedicated it to you. It’s a fantasy.’

      ‘God!’

      ‘Here is Dr Forster’s letter, and one enclosed from a Dr James Ackrington who appears to be a celebrity from Harley Street. Perhaps you’d like to read them.’

      ‘I should hate to read them.’

      ‘I think you’d better, sir.’

      Gaunt grimaced, took the letters and lowered himself into a chair by the writing-desk. Dikon watched him rather nervously.

      Geoffrey Gaunt had spent twenty-seven of his forty-five years on the stage, and the last sixteen had seen him firmly established in the first rank. He was what used to be called a romantic actor, but he was also an intelligent one. His greatest distinction lay in his genius for making an audience hear the sense as well as the music of Shakespearean verse. So accurate and clear was his tracing out of the speeches’ content that his art had about it something of mathematical precision and was saved from coldness only by the apparent profundity of his emotional understanding. How far this understanding was instinctive and how far intellectual, not even his secretary, who had been with him for six years, could decide. He was middle-sized, dark, and not particularly striking, but as an actor he possessed the two great assets: his skull was well-shaped, and his hands were beautiful. As for his disposition, Dikon Bell, writing six years before from London to a friend in New Zealand, had said, after a week in Gaunt’s employment: ‘He’s tricky, affected, clever as a bagful of monkeys, a bit of a bounder with the temper of a fury, and no end of an egotist, but I think I’m going to like him.’ He had never found reason to revise this first impression.

      Gaunt read Dr Forster’s note and then Dr Ackrington’s letter. ‘For heaven’s sake,’ he cried, ‘what sort of an antic is this old person? Have you noted the acid treatment of his relations? Does he call this letter a recommendation? Discomfort leavened with inefficient kindness is the bait he offers. Moreover, there’s a dirty little knock at me in the last paragraph. If Forster wants me to endure the place, one would have thought his policy would have been to suppress the letter. He’s a poor psychologist.’

      ‘The psychology,’ said Dikon modestly, ‘is mine. Forster wanted to suppress the letter. I took it upon myself to show it to you. I thought that if you jibbed at the Claires, sir, you wouldn’t be able to resist Dr Ackrington.’

      Gaunt shot a suspicious glance at his secretary. ‘You’re too clever by half, my friend,’ he said.

      ‘And he does say,’ Dikon added persuasively, ‘he does say “the mud may be miraculous”.’