Christmas Stories. Чарльз Диккенс
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Название: Christmas Stories

Автор: Чарльз Диккенс

Издательство: HarperCollins

Жанр: Классическая проза

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isbn: 9780008110635

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СКАЧАТЬ rates. Dickens wanted to address these problems by penning stories that might inspire a general sense of social responsibility among the classes who were most likely to read his literature and have the power to enact change.

      An understanding of the historical context in which his literary works were written gives the reader a broader framework to appreciate Dickens’ literary motivations. As both a social commentator and a storyteller, Dickens was fairly unusual for his time. The Chimes, the first novella to follow A Christmas Carol, was highly anticipated, and received mixed reviews on publication. Many critics aligned themselves with Dickens’ politics, but others considered them too radical for the times. The Cricket on the Hearth was written quickly, in just over a month, and was considered more overtly sentimental than his previous Christmas books.

      Three short stories in this collection are taken from Household Words, a popular weekly magazine edited by Charles Dickens in the 1850s in which he included an annual Christmas tale – by this point he had stopped writing standalone Christmas books. Many were attributed to the author alone (‘A Christmas Tree’ from the first 1850 edition, and ‘What Christmas Is, As We Grow Older’, from 1851), but some were collaborations with other writers. ‘Seven Poor Travellers’, published in the 1854 edition, was written with Wilkie Collins, among others.

      ‘A Christmas Dinner’ – an early essay published in 1835 when Dickens was a young man, and his first with Christmas at its heart – complements these stories. Since this pre-dates A Christmas Carol by almost a decade, it implies that Dickens was already inspired by many of the ideas found in his most popular seasonal tale. The sheer number of festive stories produced during the 1840s and 50s indicate that their appeal did not wane, either for Dickens or the Victorian reader.

THE CHIMES

       CHAPTER 1

       First Quarter

      There are not many people—and as it is desirable that a story-teller and a story-reader should establish a mutual understanding as soon as possible, I beg it to be noticed that I confine this observation neither to young people nor to little people, but extend it to all conditions of people: little and big, young and old: yet growing up, or already growing down again—there are not, I say, many people who would care to sleep in a church. I don’t mean at sermon-time in warm weather (when the thing has actually been done, once or twice), but in the night, and alone. A great multitude of persons will be violently astonished, I know, by this position, in the broad bold Day. But it applies to Night. It must be argued by night, and I will undertake to maintain it successfully on any gusty winter’s night appointed for the purpose, with any one opponent chosen from the rest, who will meet me singly in an old churchyard, before an old church-door; and will previously empower me to lock him in, if needful to his satisfaction, until morning.

      For the night-wind has a dismal trick of wandering round and round a building of that sort, and moaning as it goes; and of trying, with its unseen hand, the windows and the doors; and seeking out some crevices by which to enter. And when it has got in; as one not finding what it seeks, whatever that may be, it wails and howls to issue forth again: and not content with stalking through the aisles, and gliding round and round the pillars, and tempting the deep organ, soars up to the roof, and strives to rend the rafters: then flings itself despairingly upon the stones below, and passes, muttering, into the vaults. Anon, it comes up stealthily, and creeps along the walls, seeming to read, in whispers, the Inscriptions sacred to the Dead. At some of these, it breaks out shrilly, as with laughter; and at others, moans and cries as if it were lamenting. It has a ghostly sound too, lingering within the altar; where it seems to chaunt, in its wild way, of Wrong and Murder done, and false Gods worshipped, in defiance of the Tables of the Law, which look so fair and smooth, but are so flawed and broken. Ugh! Heaven preserve us, sitting snugly round the fire! It has an awful voice, that wind at Midnight, singing in a church!

      But, high up in the steeple! There the foul blast roars and whistles! High up in the steeple, where it is free to come and go through many an airy arch and loophole, and to twist and twine itself about the giddy stair, and twirl the groaning weathercock, and make the very tower shake and shiver! High up in the steeple, where the belfry is, and iron rails are ragged with rust, and sheets of lead and copper, shrivelled by the changing weather, crackle and heave beneath the unaccustomed tread; and birds stuff shabby nests into corners of old oaken joists and beams; and dust grows old and grey; and speckled spiders, indolent and fat with long security, swing idly to and fro in the vibration of the bells, and never loose their hold upon their thread-spun castles in the air, or climb up sailor-like in quick alarm, or drop upon the ground and ply a score of nimble legs to save one life! High up in the steeple of an old church, far above the light and murmur of the town and far below the flying clouds that shadow it, is the wild and dreary place at night: and high up in the steeple of an old church, dwelt the Chimes I tell of.

      They were old Chimes, trust me. Centuries ago, these Bells had been baptized by bishops: so many centuries ago, that the register of their baptism was lost long, long before the memory of man, and no one knew their names. They had had their Godfathers and Godmothers, these Bells (for my own part, by the way, I would rather incur the responsibility of being Godfather to a Bell than a Boy), and had their silver mugs no doubt, besides. But Time had mowed down their sponsors, and Henry the Eighth had melted down their mugs; and they now hung, nameless and mugless, in the church-tower.

      Not speechless, though. Far from it. They had clear, loud, lusty, sounding voices, had these Bells; and far and wide they might be heard upon the wind. Much too sturdy Chimes were they, to be dependent on the pleasure of the wind, moreover; for, fighting gallantly against it when it took an adverse whim, they would pour their cheerful notes into a listening ear right royally; and bent on being heard on stormy nights, by some poor mother watching a sick child, or some lone wife whose husband was at sea, they had been sometimes known to beat a blustering Nor’ Wester; aye, “all to fits,” as Toby Veck said;—for though they chose to call him Trotty Veck, his name was Toby, and nobody could make it anything else either (except Tobias) without a special act of parliament; he having been as lawfully christened in his day as the Bells had been in theirs, though with not quite so much of solemnity or public rejoicing.

      For my part, I confess myself of Toby Veck’s belief, for I am sure he had opportunities enough of forming a correct one. And whatever Toby Veck said, I say. And I take my stand by Toby Veck, although he did stand all day long (and weary work it was) just outside the church-door. In fact he was a ticket-porter, Toby Veck, and waited there for jobs.

      And a breezy, goose-skinned, blue-nosed, red-eyed, stony-toed, tooth-chattering place it was, to wait in, in the winter-time, as Toby Veck well knew. The wind came tearing round the corner—especially the east wind—as if it had sallied forth, express, from the confines of the earth, to have a blow at Toby. And oftentimes it seemed to come upon him sooner than it had expected, for bouncing round the corner, and passing Toby, it would suddenly wheel round again, as if it cried “Why, here he is!” Incontinently his little white apron would be caught up over his head like a naughty boy’s garments, and his feeble little cane would be seen to wrestle and struggle unavailingly in his hand, and his legs would undergo tremendous agitation, and Toby himself all aslant, and facing now in this direction, now in that, would be so banged and buffeted, and touzled, and worried, and hustled, and lifted off his feet, as to render it a state of things but one degree removed from a positive miracle, that he wasn’t carried up bodily into the air as a colony of frogs or snails or other very portable creatures sometimes are, and rained down again, to the great astonishment of the natives, on some strange corner of the world where ticket-porters are unknown.

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