Название: The Calling
Автор: James Frey
Издательство: HarperCollins
Жанр: Детская проза
isbn: 9780007585212
isbn:
“Come on! NOW!” It’s Christopher. Kind, brave, strong Christopher. His face is red with alarm and heat, his eyes watering, spit flying from his lips. She can see her parents and her brother at the bottom of the steps.
They have seconds.
Maybe less.
The morning sky darkens, turns black, and the fireball is upon them.
The heat is overwhelming. The sound is paralyzing.
They are going to die.
At the last moment Christopher vaults off the stage, pulling Sarah with him. The air fills with the smells of burning hair, wood, plastic. The necklace pulls so hard in the direction of the meteor that the chain digs into the skin of Sarah’s neck.
They shut their eyes and crumple onto the grass. Sarah feels the stone pull free. It sails into the air, seeking out the meteor, and at the last minute the huge fireball changes direction, stopping a thousand feet short and skipping over them like a flat rock on a smooth lake. It happens so quickly that no one can see it, but somehow, some way, for some reason, the ancient little stone has spared them.
The meteor flies over the cement grandstand and impacts a quarter mile to the east. The school building is there. The parking lot. Some basketball courts. The tennis courts.
Not anymore.
The meteor destroys them all.
Boom.
They’re gone.
Those comforting and familiar places where Sarah has spent her life—her normal life, anyway—are gone in an instant. Everything wiped away. A new chapter has begun, just not the one Sarah hoped for. A shock wave rushes out and over the field, carrying dust and darkness. It hits them hard, flattens them, knocks them down, blows out their eardrums.
The air is hot and choked with particles, gray and brown and black. It’s hard to see. Christopher is still with Sarah. Holding her. Shielding her. He pulls her close as they’re pelted with stones and dirt, fist-sized chunks of god-knows-what. There are others around them, some hurt. They cough. They can’t stop crying. They can’t stop shaking. It’s hard to breathe. Another shock wave passes through and pushes them farther into the ground. Sarah gets the wind knocked from her. Spears of fleeting light illuminate the dust. The ground shakes as things begin to fall around them. Hunks of cement and steel, twisted cars, furniture. They can do nothing but wait, praying that nothing lands on top of them. Christopher is holding her so hard it hurts. She is digging her nails into his back.
They have no idea how much time has elapsed when the air begins to clear and smaller sounds begin to return. People are wailing in pain. Names are being called. One of them is hers.
Her father.
“Sarah. SARAH!”
“Here!” she yells. Her voice sounds muffled and distant, even to herself.
Her ears are still ringing. “I’m here!”
Her father emerges from the dust cloud. His face is covered in blood and ash. Against the filth on his face, she can see the whites of his eyes, brilliant and clear. He knows what she knows.
Endgame.
“Sarah!” Her dad stumbles toward them and falls to his knees, wrapping both of them in his arms. They cry. Their bodies heave. People scream in every direction. Sarah opens her eyes for a second and sees Reena in front of her, dazed, in shock. Her best friend’s left arm is gone above the elbow; all that remains is blood and shredded skin and jagged bone. The graduation gown has been torn from her body, but somehow her cap has stayed on. She’s covered in soot. Sarah calls, “Reena! Reena!” but Reena doesn’t hear. She disappears back into the dust, and Sarah knows that she’ll never see Reena again.
“Where’s Mom?” she whispers, her lips on her dad’s ear.
“I was with her. I don’t know.”
“The stone, it … it …”
“I know.”
“Sarah?” her mom calls out.
“Here!” the three say together.
Sarah’s mom crawls toward them. All the hair on the right side of her head is gone. Her face is burned but not too badly. When she sees them she looks so happy. Her look is different from the one she gave Sarah when she walked onto the stage.
I was giving a speech, Sarah thinks. I was giving a speech at graduation. People were happy. So happy.
“Olowa,” Simon says quietly, reaching for his wife. “Tate?” Olowa shakes her head. “I don’t know.”
An explosion in the distance.
The air starts to clear, the carnage becoming more evident. There are bodies everywhere. The Alopays and Christopher are the lucky ones. Sarah sees a head. A leg. A torso. A cap falls to the ground near them. “Sarah, it’s on. It’s on for real.”
It’s Tate, walking toward them, his arms extended. One hand is in a fist; the other holds a grapefruit-sized hunk of gold-and-green rock streaked with black veins of metal.
He is amazingly clean, as if the whole thing passed him over. He smiles. His mouth is full of blood. Tate was a Player once, but no longer. Now he looks almost excited for his sister, in spite of all that’s happened around them. All the death, all the destruction, all that they know is coming.
“I found them!” Tate is 10 feet away now. Another small explosion from somewhere. He opens his fist and puts the small piece of stone that was around her neck into the bigger multicolored rock. “It fits perfectly.”
“Nukumi,” Simon says reverently.
“Nukumi,” Sarah says, much less reverently.
“What?” Christopher asks.
Sarah says, “Nothing—”
But she is cut short as an explosion sends shards of metal flying through the air. A six-foot-long piece of steel embeds itself into the middle of Tate’s chest. He is dead. Gone. Killed in an instant. He falls backward, Sarah’s stone pendant and the piece of green-veined rock still in his hand. Her mother screams; her father yells, “No!”
Sarah cannot speak. Christopher stares in shock. Blood oozes out of Tate’s chest. His eyes are open and staring, lifeless, to the sky. His feet twitch, the last bits of life leaving him. But the stone and the pendant, they are safe.
This is not accidental.
The stones have meaning.
Carry a message.
This is Endgame.