The Kill Call. Stephen Booth

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       March 2009, Tuesday

      Old buildings drew Sean Crabbe like a bee to honey. The more neglected they were, the better he liked them. He couldn’t really explain the appeal. It might have been something to do with the history that clung to the walls, the lives of long-dead people written in the dust, their stories forever trapped in cobwebs hanging from broken ceilings.

      That was why the old Nissen huts above Birchlow were one of his favourite places. He made his way there whenever he got the chance, bunking off from college or just disappearing on a weekend, when no one cared what he was up to. No one else ever went up to the huts any more – not since the homeless man had died there, wrapped up in a roll of plastic sheeting with empty cans scattered around him, a cold morning light glinting on the last drops of his beer as they dribbled across the floor.

      Sean had been there on that morning, had found the old derelict lying in his pool of Special Brew, and had walked away to try somewhere else. Next day, he’d watched from the hillside as the police and paramedics made their way to the site. He wondered why they’d sent an ambulance when any fool could see that the man was long since dead.

      Some folk said that the place was cursed now, haunted by the ghost of the drunken vagrant. So that was why Sean was always on his own at the old huts. And it was just the way he liked it.

      There was one big building that was almost intact, with damp brick walls and corrugated-iron sheets banging in the wind. Its purpose was a mystery to him, but he didn’t really care. There were a few small rooms that might have been offices, a kitchen that still had a filthy sink in it, and a bigger space with a concrete floor and shelves along the walls, like a workshop. He liked the narrow corridors best, the floorboards that had warped from the damp and seemed to move with him as he crossed from room to room, and the peeling paint of the doorways where he could imagine anything waiting behind them to be found.

      In a way, whenever he pushed open one of those doors, he was entering a different world, stepping through into the past. He wondered if the past had been a better world than the one he was in right now.

      This morning, Sean’s need to escape had been urgent. His BTEC course at the further education college was turning out to be a waste of time, useless for his chances of finding the media career he’d dreamed of. The money he’d saved doing holiday jobs had long since run out. All those hours washing caravans and picking up rubbish hadn’t kept him in course fees for long, and now he owed his parents for a loan to see him through. His girlfriend had dumped him weeks ago, because she said he was mean. If he could call her a girlfriend. Most of the girls thought he was geeky. But, if he was a geek, why wasn’t he cleverer at passing exams and doing assignments?

      And, to cap it all, a bunch of kids had mugged him last night outside the pub and nicked his phone. Lucky he didn’t have his iPod with him at the time, but losing the Nokia was a real pain. His parents had shelled out for it, and he couldn’t face telling them that he’d lost it.

      It was pity there was no sun, though. A patch of thin, lattice-like wood had been exposed up there in the roof space, and when the sunlight shone through, it cast shadows across the floor. Then Sean could pretend he was a child, avoiding the cracks on the pavement. Here, he could step from light to light, avoiding the dark shadows as if they were traps, holes where evil lurked. Step from light to light, and avoid the shadows. If only life was so easy.

      But there was no sun today. Just the rain clattering on the corrugated iron, blowing through the splintered windows, streaming down the walls. He was already wet when he arrived at the huts, and the chill made him shiver inside his parka.

      Mouldy, fusty, stale and mildewed. Those were the familiar smells of the hut. If the weather was warm, he could scent an underlying odour of oil or grease, saturated into the concrete from whatever had gone on in here. That smell must have lasted decades. Fifty, sixty years? The buildings must be from about that time. They were so old-fashioned, so last century. It was hard for him to imagine what anyone might have done up here, stuck on an empty hillside in Derbyshire.

      Now and then, he smoked a spliff up here at the huts, but he couldn’t afford that now. Instead, he plugged in the earphones of his iPod and selected some Coldplay. A feeling of peace settled over him as he listened to Chris Martin’s plaintive vocals coming in on ‘A Rush of Blood to the Head’. He could forget everything else for a while once the music was playing.

      Today, though, Sean knew something was different. He tugged out the earphones and stayed completely still, his eyes tightly closed, his ears straining for a sound. The scurrying of a mouse under the floorboards, maybe, or a bird scratching a nest in the roof. But there was no sound.

      He squinted at the dust swirling slowly around him, disturbed only by the current of his own breath. The room looked the same as always. Nothing had been moved or disturbed since his last visit. It was always a worry that someone else would find the derelict buildings – another vagrant sleeping rough, a couple of kids finding a place to have sex or take drugs. Or, worst of all, the owner coming to check on his property, or a builder with a plan to demolish it.

      Sean closed his eyes, trying to recapture the moment that had been lost. But he finally had to acknowledge that something really was different today. It wasn’t a sound, or anything that looked out of place. It was in the very quality of the mustiness, an underlying odour that was too sweet to be oil or grease. He couldn’t deny the message that was hitting his nostrils.

      The difference was in the smell.

      It had been raining for six hours by the time they found the body. Since the early hours of the morning, sheets of water had been swirling into the valley, soaking the corpse and the ground around it. Pools of water had gathered in the hollows of the fields below Longstone Moor, and a new stream had formed between two hawthorns, washing their roots bare of earth.

      Detective Sergeant Diane Fry wiped the rain from her face and cursed under her breath as she watched the medical examiner and an assistant turn the body on to its side. Rivulets of blood-soaked water streamed off the sleeves of a green coat the victim was wearing. A crime-scene photographer crouched under the edge of the body tent to capture the moment. Big, fat drops bounced off his paper suit, ricocheting like bullets.

      Shivering, Fry made a mental note to find out the manufacturer of the victim’s coat. Her own jacket was barely shower proof, and it would never have withstood the amount of rain that had fallen during the night. Her shoulders already felt damp, though she’d been standing in the field no more than ten minutes. If she didn’t get back to her car soon, her clothes would be sticking to her all day, with no chance of a hot shower for hours yet. She’d be unpopular back at the office, too. No one liked sharing their nice, warm working space with a drowned rat.

      ‘Haven’t we got any cover up here yet?’ she said. ‘Where’s the mobile control unit?’

      ‘On its way, Sarge. It’s a difficult spot to get to.’

      ‘Tell me about it.’

      She’d left her Peugeot way back somewhere in a muddy gateway, two fields off at least. Her trek to reach the scene had been across hundreds of yards of damp, scrubby grass, dodging sheep droppings, hoping not to twist an ankle in the treacherous holes that opened up everywhere in this kind of area. The remains of old lead mines, she’d been told. The legacy of thousands of years of men burrowing into the hills like rabbits.

      And then, when she arrived, she’d discovered a delay by the first officers attending the call to get a body tent up. The FOAs’ vehicle had been short of the required equipment. What a surprise.

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