Death in Ecstasy. Ngaio Marsh

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СКАЧАТЬ shall not attend it,’ cried Nigel in a rage.

      â€˜That is as you please.’

      Nigel perceived very clearly that he had made a fool of himself. He could not understand why he felt so disproportionately put out at being refused entrance to a ceremony of which he knew nothing and, he told himself, cared less. However he was already a little ashamed of his churlish behaviour and with the idea of appeasing the doorkeeper he turned once again to the notice.

      At the top was a neat red torch set in a circle of other symbols, with most of which he was unfamiliar. Outside these again were the signs of the Zodiac. With a returning sense of chagrin he reflected that this was precisely the sort of thing his mood had demanded. Undoubtedly the service would be strange and full of an exotic mumbo-jumbo. He might even have got a story from it. A muffled sound of chanting beyond the doors increased his vexation. However he read on:

      In the Light of the Sacred Flame all mysteries are but different facets of the One Mystery, all Gods but different aspects of one Godhead. Time is but an aspect of Eternity, and the doorway to Eternity is Spiritual Ecstasy.

      JASPER GARNETTE

      â€˜Tell me,’ said Nigel, turning to the doorkeeper, ‘who is Jasper Garnette?’

      â€˜Our Founder,’ answered the young man stiffly, ‘and our Priest.’

      â€˜You mean that not only does he write about eternity but he actually provides the doorway which he mentions in this notice?’

      â€˜You may say,’ said the young man with a glint of genuine fervour in his eye, ‘that this is The Doorway.’

      â€˜And are you fated to stay for ever on the threshold, shutting out yourself and all later arrivals?’ inquired Nigel, who was beginning to enjoy himself.

      â€˜We take it in turns.’

      â€˜I see. I can hear a voice raised in something that sounds like a lament. Is that the voice of Mr Jasper Garnette?’

      â€˜Yes. It is not a lament. It is an Invocation.’

      â€˜What is he invoking?’

      â€˜You really should attend the Neophytes’ Class at six-fifteen on Wednesdays. It is against our Rule for me to gossip while I am On Guard,’ pronounced the doorkeeper, who seemed to speak in capitals.

      â€˜I should hardly call this gossip,’ Nigel objected. Suddenly he jumped violently. A loud knock had sounded on the inside of the door. It was twice repeated.

      â€˜Please get out of the way,’ cried the young man. He removed the wire guard in front of the torch. Then he took a key from his pocket and with this he opened the double doors.

      Nigel drew to one side hurriedly. There was a small recess by the doors. He backed into it.

      Over the threshold came two youths dressed in long vermilion robes and short overgarments of embroidered purple. They had long fuzzy hair brushed straight back. One of them was red-headed with a pointed nose and prominent teeth. The other was dark with languorous eyes and full lips. They carried censers and advanced one to each side of the torch making obeisances. They were followed by an extremely tall man clad in embroidered white robes of a Druidical cut and flavour. He was of a remarkable appearance, having a great mane of silver hair, large sunken eyes and black brows. The bone of his face was much emphasized, the flesh heavily grooved. His mouth was abnormally wide with a heavy underlip. It might have been the head of an actor, a saint, or a Middle-West American purveyor of patent medicines. Nigel had ample opportunity to observe him, for he stood in front of the torch with his short hands folded over an unlighted taper. He whispered and muttered for some time, genuflected thrice, and then advanced his taper to the flame. When it was lit he held it aloft. The doorkeeper and the two acolytes went down on their knees, the priest closed his eyes, and Nigel walked into the hall.

      He found himself in a darkness that at first seemed to be absolute. In a few seconds, however, he could make out certain large shapes and masses. In the distance, perhaps on an altar, a tiny red light shone. His feet sank into a thick carpet and made no sound. He smelt incense. He felt the presence of a large number of people all close to him, all quite silent. A little reflected light came in through the doors. Nigel moved cautiously away from it towards his right and, since he met with no obstruction, thought that he must be in a cross-aisle. His eyes became accustomed to the darkness, he saw veils of moving smoke, lighter shapes that suggested vast nudities, then rows of bent heads with blurred outlines. He discovered that he was moving across the back of the church behind the last row of pews. There seemed to be an empty seat in the far corner. He made for this and had slid into it when a flicker of light, the merest paling of gloom, announced the return of the priest – surely Jasper Garnette himself – with his taper. He appeared in the centre aisle, his face and the rich embroidery of his robe lit from beneath by the taper. The face seemed to float slowly up the church until it changed into the back of a head with a yellow nimbus. The taper was held aloft. Then, with a formidable plop, an enormous flame sprang up out of the dark. The congregation burst into an alarming uproar. An organ uttered two or three of those nerve-racking groans that are characteristic of this instrument and red lamps came to life at intervals along the walls.

      For several minutes the noise was intolerable, but gradually it revealed itself as a sort of a chant. Next to Nigel was a large lady with a shrill voice. He listened attentively but could make nothing of her utterances, which seemed to be in no known language.

      â€˜Ee-ai-ee-yah-ee,’ chanted this lady.

      Presently the organ and the congregation together unexpectedly roared out a recognisable Amen. Everyone slid back from their knees into their seats and there was silence.

      Nigel looked about him.

      The House of the Sacred Flame resembled, in plan, any Anglican or Roman church. Nave, transept, sanctuary and altar – all were there. On the left was a rostrum, on the right a reading-desk. With these few specious gestures, however, any appearance of orthodoxy ended. Indeed the hall looked like nothing so much as an ultramodern art exhibition gone completely demented. From above the altar projected a long sconce holding the bronze torch from which the sanctuary flame rose in all its naptha-like theatricality. On the altar itself was a feathered serpent, a figure carved in wood with protruding tongue and eyes made of pawa shell, a Wagnerian sort of god, a miniature totem-pole and various other bits of heathen bric-a-brac, as ill-assorted as a bunch of plenipotentiaries at Geneva. The signs of the Zodiac decorated the walls, and along the aisles were stationed at intervals some remarkable examples of modern sculpture. The treatment was abstract, but from the slithering curves and tortured angles emerged the forms of animals and birds – a lion, a bull, a serpent, a cat and a phoenix. Cheek by jowl with these, in gloomy astonishment, were ranged a number of figures whom Nigel supposed must represent the more robust gods and goddesses of Nordic legend. The gods wore helmets and beards, the goddesses helmets and boots. They all looked as though they had been begun by Epstein and finished by a frantic bricklayer. In the nearest of these figures Nigel fancied he recognized Odin. The god was draped in an angular cloak from the folds of which glared two disconsolate quadrupeds who might conceivably represent Geri and Freki, while from behind a pair of legs suggestive of an advanced condition of elephantiasis peered a brace of disconsolate fowls, possibly Huginn and Muninn. Incense burned all over the place. Everything was very expensive and lavish.

      Having seen this much, Nigel’s attention was arrested by a solitary voice of great beauty. The Rev. Jasper Garnette had СКАЧАТЬ