The Dying of the Light. Derek Landy

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      Finally, he comes to the locked gate and waits there, the engine idling. He doesn’t get out and hit the intercom button. Same time every week, he’s here and she knows it. Hidden somewhere in the trees or the bushes, a camera is focused on his face. He’s stopped trying to spot it. He just knows it’s there. The gate clicks, opens slowly, and he drives through.

      The previous owner of this farm died when Danny was a teenager, and the buildings fell into disrepair and the fields, hundreds of acres of them, got overgrown with weeds and such. Now the fields are meadows, lush and vast and green, and the buildings have either been salvaged or rebuilt from scratch. A fence encircles the property, too tall to climb over, too sturdy to break. There are hidden cameras everywhere, and every last thing is rigged with alarms. Stories of the farm’s new owner swept through Meek Ridge like a tidal wave when she first moved in, and ever since the waters have been unsettled.

      There are those say she’s an actress who’s had a breakdown, or an heiress who rejected her family’s lavish lifestyle. Others reckon she’s in Witness Protection, or the widowed wife of a European gangster. The tidal wave has left behind it pools and streams of gossip in which rumours and stories and outright lies ebb and flow, and Danny doubts any of them even remotely touch upon the truth. Not that he knows what the truth is. The farm’s new owner is almost as much a mystery to him as to anyone else in town. Only difference between them is that he gets to meet her once a week.

      He pulls up to the farmhouse. She’s sitting in a rocking chair, an actual rocking chair, in the shade on the porch, something she likes to do most warm evenings with her dog curled up beside her. He takes the grocery bags, one in each arm, and walks up the steps as she puts down the book she’s reading and stands. She looks to be nineteen or thereabouts, with dark hair and dark eyes, but she’s been living here for over five years and she hasn’t changed a bit, so he reckons she’s somewhere around twenty-four or so.

      Pretty. Real pretty. She has a single dimple when she smiles, which isn’t quite so much a rare sight any more. Her legs are long and strong, tanned in cut-off jeans, scuffed hiking boots on her feet. This evening she wears a sleeveless T-shirt, the name of some band he’s never heard of emblazoned across it. She has a tattoo on her left arm, from the shoulder to the elbow. Some kind of tribal thing, maybe. Weird symbols that almost look like hieroglyphics.

      “Hi there,” he says.

      Xena, the German shepherd who never leaves her side, growls at him, showing teeth.

      “Xena, hold,” she says, talking quietly but with an edge to her voice. Xena stops growling, but those eyes never leave Danny’s throat. “You’re early,” she says, focusing on him at last.

      Danny shrugs. “Slow day. Decided to give myself some time off. That’s one of the advantages of being your own boss, you know?”

      She doesn’t respond. For a girl who lives up here with only a dog for company, she isn’t someone who embraces the gentle art of conversation.

      She pulls open the screen door, then the door beyond, beckons him through. He brings the groceries inside, Xena padding behind him like an armed escort. The farmhouse is big and old and bright and clean. Lots of wood. Everything is heavy and solid, the kind of solid you’d grab on to to stop yourself from floating away. Danny feels like that sometimes, as if one of these days, he’d just float away and no one would notice.

      He puts the groceries on the kitchen table, looks up to say something, realises he’s alone in here with the dog. Xena sits on her haunches, ears pricked, tail flat and still, staring at him.

      “Hi there,” he says softly.

      Xena growls.

      “Here,” she says from right beside him and Danny jumps, spins quickly to the dog in case she mistakes his sudden movement for aggressiveness. But Xena just sits there, no longer growling, looking entirely innocent and not unamused.

      Danny smiles self-consciously, takes the money he’s offered. “Sorry,” he says. “I always forget how quietly you walk. You’re like a ghost.”

      Something in the way she looks at him makes him regret his choice of words, but before he can try to make things better she’s already unpacking the bags.

      He stands awkwardly and tells himself to keep quiet. He knows the routine by now. As she busies herself with packing away the groceries, she will ask, in the most casual of tones—

      “How are things in town?”

      “Good,” Danny says, because that’s what he always says. “Things are quiet, but good. There’s gonna be a Starbucks opening on Main Street. Etta, she owns the coffee shop on the corner, she’s not too happy, and she tried to have a town meeting to stop it from happening. But no one went. People want Starbucks, I think. And they don’t really like Etta.”

      She nods like she cares, and then she asks, just as he knew she would, “Any new faces?”

      “Just the usual number of people passing through.”

      “No one asking about me?”

      Danny shakes his head. “No one.”

      She doesn’t respond. Doesn’t smile or sigh or look disappointed. It’s just a question she needs answered, a fact she needs confirmed. He’s never asked who she’s waiting for, or who she’s expecting, or if someone asking about her would be a good thing or a bad thing. He doesn’t ask because he knows she wouldn’t tell him.

      She closes the kitchen cabinet, folds one of the canvas bags into the other, hands them both back to Danny.

      “Could you bring some eggs next time?” Stephanie asks. “I think I’ll be in the mood for an omelette.”

      He smiles. “Sure,” he says. He’s always been a sucker for the Irish accent.

      

      he flickering lights of the trashed supermarket threw deep shadows from dark places, and Stephanie stepped through it all with one hand wrapped tightly round the golden Sceptre. Rows of shelves lay toppled against each other in a domino-sprawl of scattered food tins and ketchup bottles. She caught the scent of a small ocean of spilled vinegar and glanced to her right in time to catch a flash of pinstripe. Then she was alone again in this half-collapsed maze, the only sound the gentle hum from the freezers.

      She edged into the darkness and out again into the light. Slow steps and quiet ones and once more the darkness swallowed her in its cold hunger. The maze opened before her. A man hovered there, a metre off the ground, as if he were lying on an invisible bed. His hands were clasped on his belly, and his eyes were closed.

      Stephanie raised the Sceptre.

      One thought would be all it’d take for a bolt of black lightning to turn him to dust. One simple command that, less than a year ago, she wouldn’t have even hesitated to give. Ferrente Rhadaman was a threat. He was a danger to her and to others. He had stepped into the Accelerator and the boost to his СКАЧАТЬ