Название: The Tenant of Wildfell Hall
Автор: Энн Бронте
Издательство: HarperCollins
Жанр: Классическая проза
isbn: 9780007477531
isbn:
As the story of ‘Agnes Grey’ was accused of extravagant over-colouring in those very parts that were carefully copied from the life, with a most scrupulous avoidance of all exaggeration, so, in the present work, I find myself censured for depicting con amore, with ‘a morbid love of the coarse, if not of the brutal,’ those scenes which, I will venture to say, have not been more painful for the most fastidious of my critics to read than they were for me to describe. I may have gone too far; in which case I shall be careful not to trouble myself or my readers in the same way again; but when we have to do with vice and vicious characters, I maintain it is better to depict them as they really are than as they would wish to appear. To represent a bad thing in its least offensive light is, doubtless, the most agreeable course for a writer of fiction to pursue; but is it the most honest, or the safest? Is it better to reveal the snares and pitfalls of life to the young and thoughtless traveller, or to cover them with branches and flowers? Oh, reader! if there were less of this delicate concealment of facts – this whispering, ‘Peace, peace,’ when there is no peace, there would be less of sin and misery to the young of both sexes who are left to wring their bitter knowledge from experience.
I would not be understood to suppose that the proceedings of the unhappy scapegrace, with his few profligate companions I have here introduced, are a specimen of the common practices of society – the case is an extreme one, as I trusted none would fail to perceive; but I know that such characters do exist, and if I have warned one rash youth from following in their steps, or prevented one thoughtless girl from falling into the very natural error of my heroine, the book has not been written in vain. But, at the same time, if any honest reader shall have derived more pain than pleasure from its perusal, and have closed the last volume with a disagreeable impression on his mind, I humbly crave his pardon, for such was far from my intention; and I will endeavour to do better another time, for I love to give innocent pleasure. Yet, be it understood, I shall not limit my ambition to this – or even to producing ‘a perfect work of art’: time and talents so spent, I should consider wasted and misapplied. Such humble talents as God has given me I will endeavour to put to their greatest use; if I am able to amuse, I will try to benefit too; and when I feel it my duty to speak an unpalatable truth, with the help of God, I will speak it, though it be to the prejudice of my name and to the detriment of my reader’s immediate pleasure as well as my own.
One word more, and I have done. Respecting the author’s identity, I would have it to be distinctly understood that Acton Bell is neither Currer nor Ellis Bell, and therefore let not his faults be attributed to them. As to whether the name be real or fictitious, it cannot greatly signify to those who know him only by his works. As little, I should think, can it matter whether the writer so designated is a man, or a woman, as one or two of my critics profess to have discovered. I take the imputation in good part, as a compliment to the just delineation of my female characters; and though I am bound to attribute much of the severity of my censors to this suspicion, I make no effort to refute it, because, in my own mind, I am satisfied that if a book is a good one, it is so whatever the sex of the author may be. All novels are, or should be, written for both men and women to read, and I am at a loss to conceive how a man should permit himself to write anything that would be really disgraceful to a woman, or why a woman should be censured for writing anything that would be proper and becoming for a man.
Anne Brontë
July 22nd, 1848
Dear Halford,
When we were together last, you gave me a very particular and interesting account of the most remarkable occurrences of your early life, previous to our acquaintance; and then you requested a return of confidence from me. Not being in a story-telling humour at the time, I declined, under the plea of having nothing to tell, and the like shuffling excuses, which were regarded as wholly inadmissible by you; for though you instantly turned the conversation, it was with the air of an uncomplaining, but deeply injured man, and your face was overshadowed with a cloud which darkened it to the end of our interview, and, for what I know, darkens it still; for your letters have, ever since, been distinguished by a certain dignified, semi-melancholy stiffness and reserve, that would have been very affecting, if my conscience had accused me of deserving it.
Are you not ashamed, old boy – at your age, and when we have known each other so intimately and so long, and when I have already given you so many proofs of frankness and confidence, and never resented your comparative closeness and taciturnity? – But there it is, I suppose; you are not naturally communicative, and you thought you had done great things, and given an unparalleled proof of friendly confidence on that memorable occasion – which, doubtless, you have sworn shall be the last of the kind, – and you deemed that the smallest return I could make for so mighty a favour would be to follow your example without a moment’s hesitation. –
Well! – I did not take up my pen to reproach you, nor to defend myself, nor to apologize for past offences, but, if possible, to atone for them.
It is a soaking, rainy day, the family are absent on a visit, I am alone in my library, and have been looking over certain musty old letters and papers, and musing on past times; so that I am now in a very proper frame of mind for amusing you with an old world story; – and, having withdrawn my well-roasted feet from the hobs, wheeled round to the table, and indited the above lines to my crusty old friend, I am about to give him a sketch – no not a sketch, – a full and faithful account of certain circumstances connected with the most important event of my life – previous to my acquaintance with Jack Halford at least; – and when you have read it, charge me with ingratitude and unfriendly reserve if you can.
I know you like a long story, and are as great a stickler for particularities and circumstantial details as my grandmother, so I will not spare you: my own patience and leisure shall be my only limits.
Among the letters and papers I spoke of, there is a certain faded old journal of mine, which I mention by way of assurance that I have not my memory alone – tenacious as it is – to depend upon; in order that your credulity may not be too severely taxed in following me through the minute details of my narrative. – To begin then, at once, with Chapter First, – for it shall be a tale of many chapters.
You must go back with me to the autumn of 1827.
My father, as you know, was a sort of gentleman farmer in—shire; and I, by his express desire, succeeded him in the same quiet occupation, not very willingly, for ambition urged me to higher aims, and self-conceit assured me that, in disregarding its voice, I was burying my talent in the earth, and hiding my light under a bushel. My mother had done her utmost to persuade me that I was capable of great achievements; but my father, who thought ambition was the surest road to ruin, and change but another word for destruction, would listen to no scheme for bettering either my own condition, or that of my fellow mortals. He assured me it was all rubbish, and exhorted me, with his dying breath, to continue in the good old way, to follow his steps, and those of his father before him, and let my highest ambition be, to walk honestly through the world, looking neither to the right hand nor to the left, and to transmit the paternal acres to my children in, at least, as flourishing a condition as СКАЧАТЬ