“You cut away more tissue?” Now Blue’s eyebrows lifted way up. “She already had this big hole in her leg. Why didn’t you just stitch it up?”
Impatiently the doctor said, “It’s difficult to stitch animal bites. By definition they are contaminated. Making sutures—you call them stitches—would be like leaving foreign bodies inside the wound—a perfect place for infection to localize. Bear saliva is very germy. But we were able to check for rabies, and the results came back negative. No rabies, so that’s good news.”
The doctor’s tone changed as she leaned over Heather to ask, “Feeling any better, honey? The pain pills and antibiotics ought to be helping.” Then, straightening, the doctor turned toward Olivia. “She’ll need plastic surgery to repair the wound, but her mother prefers to take her to the family’s own physicians in North Carolina, isn’t that right, Mrs. McDonald? Heather will be fit to travel by tomorrow.” Giving Heather’s hand a squeeze, the doctor told her, “I have to go now, sweetie, but I’ll back to check on you later, after all these people are gone.”
“Thanks for your time, Doctor,” Kip said.
“You’re welcome. By the way, who is that boy lurking around the door?”
Busted! Jack backed off fast, but not fast enough. It was Blue who came out to tell him, “Look, Jack, we’re still going to be here for a while, and you shouldn’t be out here—what did the doctor call it? ‘Lurking?’” Blue lowered his dark eyebrows in what could have been a frown, except that the corners of his mouth twitched in a little smile.
“Sorry,” Jack muttered.
“Anyway, I need you to do me a favor,” Blue said.
“Sure!” Jack exclaimed, glad that Blue didn’t seem angry. “What can I do for you?”
Motioning Jack to walk down the hall away from Heather’s room, Blue explained, “There’s a boy who’s been living at our house for a few days because he needs a place to stay. This boy’s mother is a real good friend of my wife, and the mother was in a bad car wreck last week. Really serious. She’s right here in this hospital, room 234. I need you to go to that room and tell Merle we’ll be ready to leave in a little while, and I want him to meet us in the parking lot so I can drive him back to our house.”
“Merle?” Jack asked. “Is that his first name?”
“Yeah, Merle. His last name’s Chapman. His mother is Arlene Chapman. She’s the patient in room 234, in the next wing over that way.” Blue pointed. “Tell Merle I’ll call his mother’s room when we’re ready to go. You stay there with him ’til the call comes.”
“OK.” That didn’t sound like anything Jack would really want to do, but at least he wasn’t getting slammed for eavesdropping. Blue turned to go back into Heather’s room, this time closing the door tightly behind him.
CHAPTER THREE
Arrows at the end of the hall pointed the way to rooms 220 through 240. Jack didn’t hurry. He was not anxious to go inside a hospital room where he’d have to look at a woman who’d been badly hurt in a car wreck. Heather McDonald’s leg, bandaged from hip to knee, had been disturbing enough to see. This Merle guy’s mother might look a whole lot worse.
But as he came close to room 234, Jack heard laughter and the chatter of female voices. For a minute he wondered if it was the right room. When he peered inside, he saw a boy standing at the foot of a hospital bed, holding a guitar straight up by the neck as it rested on the mattress. Sitting next to the guitar was a woman wearing a pale blue hospital gown dotted with darker blue flowers. The boy must be Merle, and the woman his mother. They might have looked alike if her face hadn’t been covered by two strips of tape that stretched from her forehead to her cheeks, crossing over her nose in a big X.
“Don’t make Arlene laugh,” a woman in a nurse’s aide uniform warned two other women. “She has a tube in her chest because of that punctured lung. Laughing hurts her. I mean, it doesn’t do any damage, it’s just painful.”
“Ooops! Sorry!” exclaimed one of the women, who was actually somewhere in between a woman and girl. Thin and pretty, she wore a nametag pinned to a green sweater, but she didn’t look like a nurse’s aide. Next to her, an older woman in a blue work shirt and jeans stood facing away from Jack so he couldn’t see her too well, but in her back pocket he noticed a pair of garden clippers.
“Uh…are you Merle?” Jack asked from the doorway.
“Yeah,” Merle answered. “Who are you?”
“My name’s Jack Landon. My mom is helping Ranger Firekiller investigate today’s bear attack. He said to tell you he’ll be leaving here pretty soon.”
Merle started to speak, but his mother held out her hand and said, “Pleased to meet you, Jack. I’m Arlene, and that cute young thing there is Corinn, and the hard-workin’ lady reachin’ out to shake your other hand is Bess. Poor Bess’s been havin’ to work twice as hard now that I’m not taggin’ around after her in Dollywood, like I usually do. Bess and Corinn came here to see if I was makin’ any progress. Wasn’t that nice?”
Arlene Chapman looked like she needed a lot more progress. Beneath the X- shaped bandage, her nose was black and blue. Her eyes looked even more bruised, and she panted a little when she spoke, probably from that collapsed lung with the tube in it.
Speaking up again, Merle told Jack. “I gotta be at my job in Gatlinburg by 5:30. Bess said she’d drive me there tonight, and my boss will drive me back to the Firekillers’ house after work.”
Bess, the woman wearing work clothes, spoke up, “But you gotta pay me back, Merle. For the ride, I mean.”
“How, Bess?” he asked.
“Sing one more song before we go.”
The nurse’s aide had left the room, but she poked her head around the door again, saying, “I heard that! Is Merle going to sing again? Sing loud, Merle, so I can hear you from the nurse’s station.”
So Merle was a singer? He didn’t look more than a year older than Jack. In fact, he looked something like Jack, only taller and stockier, with hair a little redder than Jack’s blond color and eyes more gray than blue.
Plucking a few strings on his guitar, Merle announced, “I’ll sing this one ’cause Mom likes it best.” He waited just a moment, strummed a chord, then began to sing:
Downtown by the neon lights
Where trouble runs and the young men fight
There’s a woman singin’ slow
Her voice is rough and low
And when she steps to the microphone
The songs she sings are all her own….
Jack straightened in surprise. Merle was good! Really good! The song went on:
Now I might seem as far apart
From Mona’s world as day from dark
But СКАЧАТЬ