Название: The Matter of Vision
Автор: Peter Wyeth
Издательство: Ingram
Жанр: Кинематограф, театр
isbn: 9780861969111
isbn:
Meaning is Emotion
Without emotion we don’t care
the emotion-engine is not engaged.
Care is subjective.
We care about what has engaged our Emotions.
Emotion is life in motion.
Motion is the founding moment of Life.
Life seeks survival.
Emotion is the reflection of that desire.
We care about things only insofar as they are related to survival.
Disinterested caring does not exist.
Selflessness is selfish as mutual interest aids survival.
Altruism has evolutionary purpose.
We are altruistic only better to survive.
Morality cannot be superimposed on evolution
nor extracted from evolution.
Evolution is disinterested.
It is.
Emotion is the engine of life76.
x
The Automatic
Consciousness handles ten bits per second77 The brain absorbs eleven million
Eleven million minus ten
with no word of its own.
Conscious and unconscious
ten v eleven million.
Un-conscious not just not conscious
but automatic all the time.
Automatic.
We are not aware of it.
Without our knowing
a billion tasks a second.
The Automatic.
If most of a film enters the brain
outside consciousness
enters the Automatic.
Then
Cinema a treasure-trove
of the Automatic.
experimental design
untangles
Conscious from Automatic
a priority for
Affective Neurobiology & Cinema
III. Cinema
i
Cinema is nature
Cinema is a matter of Vision
Vision is a matter of Emotion
Emotion is a matter of survival
Survival is a matter of nature
Nature becomes Culture in cinema
Cinema is nature
Nature becomes culture
Cinema is culture78.
ii
Movement I.
Cinema is moving images
Movement is fundamental to existence
Movement of a predator.
Life is movement
Death is no movement.
Vision captures movement.
Evolution favoured Vision
The eye is the first sense.
We follow the hero
As we follow the predator
A matter of life and death.
iii
Movement II.
Cinema is Emotion
Classical Hollywood made Emotion visible
The movement of Emotion became visible79.
We follow Emotional movement on the screen.
The fortunes of the hero/ine carry our attention
We watch their fate as it were our own.
iv
Movement III.
Movement attracts Emotion
Movement generates Emotion
Movement creates Emotion.
We are moved.
Movement of the hero across the frame
extended in time and space
by metaphorical movement
of emotions around him.
We care about the fate of the hero
Only because we care about our own.
The mechanism of Cinema
arouses the same processes
In the human brain
We follow the fate of the heroine
New information all the time
Adds to our knowledge about her.
Stars suspend a negative conclusion
Even when the hero is a baddie
(Hitchcock’s Uncle Charlie80)
The trajectory of the fate of the hero attracts us
As our own fate at the hands of a predator.
The graph of his rise and fall
attracts СКАЧАТЬ