In the Country of Women. Susan Straight

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СКАЧАТЬ and take it away. Beatings came at the least little thing, from all members of the family, especially from the old woman, who was nearly bald and suffering from mouth cancer.”

      Fine wanted shoes. She wore rags, chopped wood, brought water from the well, and still the old woman beat her as if the beatings were the old woman’s work, the schedule and imprint of her former life. Maybe she had beaten children all her life, or maybe she chose to beat only this one child, who would not be subdued.

      Fine was in tatters and cold. She was hungry. Inside, she was a furious whirl of anger. She was skin

       and Bone

      in the yard: well and woodpile, field and house. The woodpile. The insatiable need for wood to cook and wash clothes and always more wood. Her bare feet. Her anger.

      One day there was a glint of metal on the ground.

      A bullet. All those bullets, balls of lead aimed at the heads of soldiers on both sides, and then freedmen and women, the countryside near Murfreesboro littered with bullets and cannonballs and bones and even unburied bodies. Decades of war and retribution. Hunting and killing of animals and humans.

      Fine put the bullet into the pocket of her apron. It was her talisman. She was about eleven years old. In her mind, having not a single human to help her, she was capable of murder. She didn’t know anything about gunpowder or firing pins. She only knew people died from bullets.

      John Sims said, “Grandma (we pronounced it Gramaw and still do) was out picking berries (she never went to school!) and came upon a cartridge lying by the side of the road. She thought it to be a weapon all by itself. With great care, she hid it away for just the right moment. One day while chopping wood for the family stoves, the old woman came out to watch her . . . Gramaw told her, ‘These wood chips flying and you liable to get hit!’ The old woman told her to shut up and get to work. Soon the opportune moment came. When the old woman was looking away, Gramaw took the bullet out of her apron pocket. With all her might, she threw it at the old woman’s head. It landed flush on the temple. A bloodcurdling scream from the old woman that could be heard all around the farm brought the rest of the family on the run. Gramaw told them she said to watch out for the wood chips, but she still got a beating, which was the least of her pain. The one weapon she thought would give her a taste of revenge was a bitter disappointment. How can it be? she wondered. I know it hit her. Why didn’t she die?”

      She had cheekbones like ledges of slate under her eyes, and black hair thick and long. She was thirteen. She wanted shoes. She headed to the blackberry thickets along the edges of the woods, picking buckets of berries to sell to people passing by in wagons. It was 1887. She met a young man by the roadside. Robert. He might have been seventeen or eighteen. Fine fell in love. (The word is always fell, not leaped or landed or rested or dived. Fell.) She ran away with him, and he took her to an old shack in the woods built for migrant workers. Soon she was pregnant.

      No one ever says whether the white family tried to find her, or how far she had gone to be with Robert. When she grew bigger with child, Robert left, but someone in the area helped Fine give birth to her first daughter, Jennie. The father was listed as Robert Hofford. Fine was listed as Fin Hofford.

      Shortly after, alone with the baby, Fine was up and about, picking cotton, picking and selling wild berries. Robert returned with the season, and left again, twice more. Fine gave birth to a son, Mack, and the following year, to another son, Floyd.

      Her husband never returned. She was maybe sixteen or seventeen.

      She lived in a series of migrant camps in the woods with three children. There was no way to survive, out in the wild between Murfreesboro and Nashville, where the landscape is full of mountains, hollows, creeks, forks, branches, and a vast area called the Barrens. The countryside had not recovered from the war, and the roads were full of people who had no work, no money, and no hope.

      She believed there was only one human who would help her. For three years, she picked crops and wild berries, sold whatever she could, wore rags and fed the children, until she’d saved enough for train tickets to Texas. She had heard her father, Henry Ely, had gone to Denton.

      Fine and the three children made it to Denton, which by 1900 was a city of five thousand people. She wandered the town, asking people about Henry Ely. No one knew anything about this man. The possibilities of what may have happened to a free man of color, whether he was Cherokee or part black, are endless. The Freedmen’s Bureau accounts of murder and kidnapping, of bodies dumped in rivers and woods, are only those of people who actually reported the crimes to government officials. The skeletons of freedmen and women were everywhere.

      She was overcome by everything, at the end of the first day. She and the children had not a single penny left, no food, and nowhere to sleep. She sat on a log near a piece of land just at the edge of town, crying.

      A man saw them from his farmhouse porch. She was sitting on the road below his land. His name was Zack Rawlings, or Zach Rollins, or several variations of those. He was fifty years old. She was maybe twenty-two. She was a beautiful young woman in desperate circumstances. He went outside to ask her whether she and the children needed a place to stay.

      She gathered up her children and followed Zack Rawlings inside. She had no idea of the violence that would ensue here—a continuation and catalyst that would change her life again.

      There is a single photograph of Fine, from the 1940s. Her cheekbones are high and wide, her hair curled carefully, her eyes large and brown, her lips held closed over her teeth. As a teenager, hearing these stories at my future husband’s house, in the driveway where her grandchildren were adults of immense physical presence, holding the ribs of pigs, talking about how she saved their lives, I imagined her as large and powerful. But she was slight and cautious. Watchful and intent. There was inside her a core of fury and independence and self-preservation, the genetic heritage of survival.

      McMinnville to Nashville, Tennessee, to Denton, Texas: 714 miles, not counting the miles walked from the woodpile and the well to the house of the woman who beat her, or the miles walked in the forest picking blackberries and selling them in pails along the road.

       3

       The Dance

       Ruby Triboulet, Colorado Prairie, 1921

      It’s the story we all heard, you three girls all saw in movies and on television and in songs, the fantasy and marriage: I fell in love with her the first time I laid eyes on her. The minute I saw her, there could never be another woman for me. Just one look, that’s all it took. I had to have her. I made sure no one else could have her.

      Romantic. It’s what we girls are given as true love—first sight, and no other suitors. When I finally heard the story of how Ruby Triboulet, my grandmother, met Robert Straight, my grandfather, I was fifty years old, the same age as she was when she died in Colorado. I had finally gone to visit my relatives in Nunn, on the prairie flatlands of northeast Colorado, near the borders of Wyoming, Kansas, and Nebraska, where the wind blows every day.

      In the small front room of a tiny house, night fell with absolute darkness as if a velvet blanket had dropped from the wide sky onto the dirt lanes of Nunn. There were only three hundred people left in СКАЧАТЬ