The E.F. Benson MEGAPACK ®. E.F. Benson

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СКАЧАТЬ then followed a little mocking, bleating laugh. Then was silence again; only the rain hissed on the shrubs.

      All this was but the affair of a moment, and without pause either to put on clothes or light a candle, Darcy was already fumbling at his door-handle. Even as he opened it he met a terror-stricken face outside, that of the man-servant who carried a light.

      “Did you hear?” he asked.

      The man’s face was bleached to a dull shining whiteness.

      “Yes, sir,” he said. “It was the master’s voice.”

      Together they hurried down the stairs, and through the dining-room where an orderly table for breakfast had already been laid, and out on to the terrace. The rain for the moment had been utterly stayed, as if the tap of the heavens had been turned off, and under the lowering black sky, not quite dark, since the moon rode somewhere serene behind the conglomerated thunder-clouds, Darcy stumbled into the garden, followed by the servant with the candle. The monstrous leaping shadow of himself was cast before him on the lawn; lost and wandering odors of rose and lily and damp earth were thick about him, but more pungent was some sharp and acrid smell that suddenly reminded him of a certain châlet in which he had once taken refuge in the Alps. In the blackness of the hazy light from the sky, and the vague tossing of the candle behind him, he saw that the hammock in which Frank so often lay was tenanted. A gleam of white shirt was there, as if a man sitting up in it, but across that there was an obscure dark shadow, and as he approached the acrid odor grew more intense.

      He was now only some few yards away, when suddenly the black shadow seemed to jump into the air, then came down with tappings of hard hoofs on the brick path that ran down the pergola, and with frolicsome skippings galloped off into the bushes. When that was gone Darcy could see quite clearly that a shirted figure sat up in the hammock. For one moment, from sheer terror of the unseen, he hung on his step, and the servant joining him they walked together to the hammock.

      It was Frank. He was in shirt and trousers only, and he sat up with braced arms. For one half-second he stared at them, his face a mask of horrible contorted terror. His upper lip was drawn back so that the gums of the teeth appeared, and his eyes were focused not on the two who approached him but on something quite close to him; his nostrils were widely expanded, as if he panted for breath, and terror incarnate and repulsion and deathly anguish ruled dreadful lines on his smooth cheeks and forehead. Then even as they looked the body sank backwards, and the ropes of the hammock wheezed and strained.

      Darcy lifted him out and carried him indoors. Once he thought there was a faint convulsive stir of the limbs that lay with so dead a weight in his arms, but when they got inside, there was no trace of life. But the look of supreme terror and agony of fear had gone from his face, a boy tired with play but still smiling in his sleep was the burden he laid on the floor. His eyes had closed, and the beautiful mouth lay in smiling curves, even as when a few mornings ago, in the meadow by the weir, it had quivered to the music of the unheard melody of Pan’s pipes. Then they looked further.

      Frank had come back from his bath before dinner that night in his usual costume of shirt and trousers only. He had not dressed, and during dinner, so Darcy remembered, he had rolled up the sleeves of his shirt to above the elbow. Later, as they sat and talked after dinner on the close sultriness of the evening, he had unbuttoned the front of his shirt to let what little breath of wind there was play on his skin. The sleeves were rolled up now, the front of the shirt was unbuttoned, and on his arms and on the brown skin of his chest were strange discolorations which grew momently more clear and defined, till they saw that the marks were pointed prints, as if caused by the hoofs of some monstrous goat that had leaped and stamped upon him.

      THE CAT

      Many people will doubtless, remember that exhibition at the Royal Academy, not so many seasons ago which came to be known as Alingham’s year, when Dick Alingham vaulted, with one bound, as it were, out of the crowd of strugglers and seated himself with admirably certain poise on the very topmost pinnacle of contemporary fame. He exhibited three portraits, each a masterpiece, which killed every picture within range. But since that year nobody cared anything for pictures whether in or out of range except those three, it did not signify so greatly. The phenomenon of his appearance was as sudden as that of the meteor, coming from nowhere and sliding large and luminous across the remote and star-sown sky, as inexplicable as the bursting of a spring on some dust-ridden rocky hillside. Some fairy godmother, one might conjecture, had bethought herself of her forgotten godson, and with a wave of her wand bestowed on him this transcendent gift. But, as the Irish say, she held her wand in her left hand, for her gift had another side to it. Or perhaps, again, Jim Merwick is right, and the theory he propounds in his monograph, “On certain obscure lesions of the nerve centres,” says the final word on the subject.

      Dick Alingham himself, as was indeed natural, was delighted with his fairy godmother or his obscure lesion (whichever was responsible), and (the monograph spoken of above was written after Dick’s death) confessed frankly to his friend Merwick, who was still struggling through the crowd of rising young medical practitioners, that it was all quite as inexplicable to himself as it was to anyone else.

      “All I know about it,” he said, “is that last autumn I went through two months of mental depression so hideous that I thought again and again that I must go off my head. For hours daily, I sat here, waiting for something to crack, which as far as I am concerned would end everything.

      “Yes, there was a cause; you know it.”

      He paused a moment and poured into his glass a fairly liberal allowance of whisky, filled it half up from a syphon, and lit a cigarette. The cause, indeed, had no need to be enlarged on, for Merwick quite well remembered how the girl Dick had been engaged to threw him over with an abruptness that was almost superb, when a more eligible suitor made his appearance. The latter was certainly very eligible indeed with his good looks, his title, and his million of money, and Lady Madingley—ex-future Mrs. Alingham—was perfectly content with what she had done.

      She was one of those blonde, lithe, silken girls, who, happily for the peace of men’s minds, are rather rare, and who remind one of some humanised yet celestial and bestial cat.

      “I needn’t speak of the cause,” Dick continued, “but, as I say, for those two months I soberly thought that the only end to it would be madness. Then one evening when I was sitting here alone—I was always sitting alone—something did snap in my head. I know I wondered, without caring at all, whether this was the madness which I had been expecting, or whether (which would be preferable) some more fatal breakage had happened. And even while I wondered, I was aware that I was not depressed or unhappy any longer.”

      He paused for so long in a smiling retrospect that Merwick indicated to him that he had a listener.

      “Well?” he said.

      “It was well indeed. I haven’t been unhappy since. I have been riotously happy instead. Some divine doctor, I suppose, just wiped off that stain on my brain that hurt so. Heavens, how it hurt! Have a drink, by the way?”

      “No, thanks,” said Merwick. “But what has all this got to do with your painting?”

      “Why, everything. For I had hardly realised the fact that I was happy again, when I was aware that everything looked different. The colours of all I saw were twice as vivid as they had been, shape and outline were intensified too. The whole visible world had been dusty and blurred before, and seen in a half-light. But now the lights were turned up, and there was a new heaven and a new earth. And in the same flash, I knew that I could paint things as I saw them. Which,” he concluded, “I have done.”

      There was something rather sublime about СКАЧАТЬ