The Second Christmas Megapack. Гарриет Бичер-Стоу

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СКАЧАТЬ making restitution, though in such manner as would give him something akin to the old thrill that he experienced when he enjoyed the reputation of being one of the most skillful yeggs in the country. The successful thief is of necessity an imaginative person; he must be able to visualize the unseen and to deal with a thousand hidden contingencies. At best the chances are against him; with all his ingenuity the broad, heavy hand of the law is likely at any moment to close upon him from some unexpected quarter. The Hopper knew this, and knew, too, that in yielding to the exhilaration of the hour he was likely to come to grief. Justice has a long memory, and if he again made himself the object of police scrutiny that little forty-thousand-dollar affair in Maine might still be fixed upon him.

      When he reached the house from whose gate he had removed the roadster with Shaver attached, he studied it with the eye of an experienced strategist. No gleam anywhere published the presence of frantic parents bewailing the loss of a baby. The cottage lay snugly behind its barrier of elms and shrubbery as though its young heir had not vanished into the void. The Hopper was a deliberating being and he gave careful weight to these circumstances as he crept round the walk, in which the snow lay undisturbed, and investigated the rear of the premises. The lattice door of the summer kitchen opened readily, and, after satisfying himself that no one was stirring in the lower part of the house, he pried up the sash of a window and stepped in. The larder was well stocked, as though in preparation for a Christmas feast, and he passed on to the dining-room, whose appointments spoke for good taste and a degree of prosperity in the householder.

      Cautious flashes of his lamp disclosed on the table a hamper, in which were packed a silver cup, plate, and bowl which at once awoke the Hopper’s interest. Here indubitably was proof that this was the home of Shaver, now sleeping sweetly in Humpy’s bed, and this was the porridge bowl for which Shaver’s soul had yearned. If Shaver did not belong to the house, he had at least been a visitor there, and it struck The Hopper as a reasonable assumption that Shaver had been deposited in the roadster while his lawful guardians returned to the cottage for the hamper preparatory to an excursion of some sort. But The Hopper groped in the dark for an explanation of the calmness with which the householders accepted the loss of the child. It was not in human nature for the parents of a youngster so handsome and in every way so delightful as Shaver to permit him to be stolen from under their very noses without making an outcry. The Hopper examined the silver pieces and found them engraved with the name borne by the locket. He crept through a living-room and came to a Christmas tree—the smallest of Christmas trees. Beside it lay a number of packages designed clearly for none other than young Roger Livingston Talbot.

      Housebreaking is a very different business from the forcible entry of country post-offices, and The Hopper was nervous. This particular house seemed utterly deserted. He stole upstairs and found doors open and a disorder indicative of the occupants’ hasty departure. His attention was arrested by a small room finished in white, with a white enameled bed, and other furniture to match. A generous litter of toys was the last proof needed to establish the house as Shaver’s true domicile. Indeed, there was every indication that Shaver was the central figure of this home of whose charm and atmosphere The Hopper was vaguely sensible. A frieze of dancing children and watercolor sketches of Shaver’s head, dabbed here and there in the most unlooked-for places, hinted at an artistic household. This impression was strengthened when The Hopper, bewildered and baffled, returned to the lower floor and found a studio opening off the living room. The Hopper had never visited a studio before, and satisfied now that he was the sole occupant of the house, he passed passed about shooting his light upon unfinished canvases, pausing finally before an easel supporting a portrait of Shaver—newly finished, he discovered, by poking his finger into the wet paint. Something fell to the floor and he picked up a large sheet of drawing paper on which this message was written in charcoal:

      Six-thirty.

      Dear Sweetheart:

      This is a fine trick you have played on me, you dear girl! I’ve been expecting you back all afternoon. At six I decided that you were going to spend the night with your infuriated parent and thought I’d try my luck with mine! I put Billie into the roadster and, leaving him there, ran over to the Flemings’s to say Merry Christmas and tell ’em we were off for the night. They kept me just a minute to look at those new Jap prints Jim’s so crazy about, and while I was gone you came along and skipped with Billie and the car! I suppose this means that you’ve been making headway with your dad and want to try the effect of Billie’s blandishments. Good luck! But you might have stopped long enough to tell me about it! How fine it would be if everything could be straightened out for Christmas! Do you remember the first time I kissed you—it was on Christmas Eve four years ago at the Billings’s dance! I’m just trolleying out to father’s to see what an evening session will do. I’ll be back early in the morning.

      Love always,

      ROGER

      Billie was undoubtedly Shaver’s nickname. This delighted The Hopper. That they should possess the same name appeared to create a strong bond of comradeship. The writer of the note was presumably the child’s father and the “Dear Sweetheart” the youngster’s mother. The Hopper was not reassured by these disclosures. The return of Shaver to his parents was far from being the pleasant little Christmas Eve adventure he had imagined. He had only the lowest opinion of a father who would, on a winter evening, carelessly leave his baby in a motor-car while he looked at pictures, and who, finding both motor and baby gone, would take it for granted that the baby’s mother had run off with them. But these people were artists, and artists, The Hopper had heard, were a queer breed, sadly lacking in common sense. He tore the note into strips which he stuffed into his pocket.

      Depressed by the impenetrable wall of mystery along which he was groping, he returned to the living-room, raised one of the windows and unbolted the front door to make sure of an exit in case these strange, foolish Talbots should unexpectedly return. The shades were up and he shielded his light carefully with his cap as he passed rapidly about the room. It began to look very much as though Shaver would spend Christmas at Happy Hill Farm—a possibility that had not figured in The Hopper’s calculations.

      Flashing his lamp for a last survey a letter propped against a lamp on the table arrested his eye. He dropped to the floor and crawled into a corner where he turned his light upon the note and read, not without difficulty, the following:

      Seven o’clock.

      Dear Roger

      I’ve just got back from father’s where I spent the last three hours talking over our troubles. I didn’t tell you I was going, knowing you would think it foolish, but it seemed best, dear, and I hope you’ll forgive me. And now I find that you’ve gone off with Billie, and I’m guessing that you’ve gone to your father’s to see what you can do. I’m taking the trolley into New Haven to ask Mamie Palmer about that cook she thought we might get, and if possible I’ll bring the girl home with me. Don’t trouble about me, as I’ll be perfectly safe, and, as you know, I rather enjoy prowling around at night. You’ll certainly get back before I do, but if I’m not here don’t be alarmed.

      We are so happy in each other, dear, and if only we could get our foolish fathers to stop hating each other, how beautiful everything would be! And we could all have such a merry, merry Christmas!

      MURIEL

      The Hopper’s acquaintance with the epistolary art was the slightest, but even to a mind unfamiliar with this branch of literature it was plain that Shaver’s parents were involved in some difficulty that was attributable, not to any lessening of affection between them, but to a row of some sort between their respective fathers. Muriel, running into the house to write her note, had failed to see Roger’s letter in the studio, and this was very fortunate for The Hopper; but Muriel might return at any moment, and it would add nothing to the plausibility of the story he meant to tell if he were found in the house.

      VI.

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