Speaking of the Fantastic III. Брайан Герберт

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СКАЧАТЬ think of Upton Sinclair’s The Jungle, which is unrelievedly grim, totally without humor. Yes, it did galvanize people to reform some of the practices of the meat-packing houses, but that wasn’t an artistic accomplishment. One critic made a remark to the effect that Sinclair “aimed to touch people’s hearts and ended up hitting them in the stomach.” Readers were repulsed to learn that the meat that ended up on their dinner table very likely contained bits of rat meat.

      I’ve started an historical novel that will be in some ways analogous to The Last Witchfinder. I want to dramatize the story of Charles Darwin and the arrival of that universe, today’s universe, in which we perceive ourselves as animals and understand they we’re evidently connected to all the other species on the planet, and they’re connected to each other as well. It won’t be a biographical novel about Darwin, but rather an epic about the exploits of a character who’s living during Darwin’s life and times.

      The whole story will elapse between the voyage of the Beagle, which ended in 1834, and Darwin’s publication of his theory in 1859. Many years went by during which Darwin temporized and procrastinated and anguished over going public with his big idea. I have what I think is a pretty neat plot device whereby a clever woman, scheming but sympathetic—I think her name will be Chlöe—she has occasion to recapitulate Darwin’s travels, collecting the very same specimens. Chlöe is hoping to claim a huge cash prize being offered by a Percy Bysshe Shelley cult. They’ll award it to anyone who can prove or disprove the existence of God. Chlöe herself doesn’t care about the God question one way or the other, but she plans to argue the case for atheism because she needs the money. Her nautical adventures will be as mimetic and dramatic as I can make them.

      At the same time, I’m once again going to use a postmodern, playful element, whereby an insane bishop locked up in an asylum will be visited by homing pigeons, which are reporting in to him from a second expedition—one that’s out to find Noah’s ark on Mount Ararat in Turkey. The Noah’s ark team also hopes to claim the big prize, by proving God’s existence. It will soon become clear to the reader that, as a function of the bishop’s insanity, the pigeon messages are actually from the future: accounts of evolutionary thinking post-Darwin, such as Mendelian genetics and the deciphering of the DNA molecule. And, of course—because the Bishop is crazy—these messages also contain far more information than you could squeeze onto a piece of paper wrapped around a pigeon’s leg.

      Q: This is pretty much what you’ve always done with fantastic elements from the beginning of your career, use them satirically. I observe the paradox that most fantasy is about things we don’t believe in and don’t want to believe in. It is much easier to write a story in which witches or demons are real than one in which they are not. Do you have a sense of this?

      Morrow: I think the reason that William Morrow ultimately published The Last Witchfinder as mainstream historical fiction—and I’d have to say that, because of that decision, the book got a lot more critical attention than normal—is that my witches do not have supernatural powers. My demons and devils are purely human inventions. The world of the novel is non-supernatural—anti-supernatural, really, as we’ve been saying—even though at the same time there’s this crazy central conceit of a conscious book.

      I guess my fantasy novels are ultimately pretty paradoxical. They use the supernatural to argue against the supernatural. In the case of Only Begotten Daughter I took the Christian argument at face-value. There is a creator God, and this deity has a particular interest in our species and this particular planet. But after taking that claim at face-value, I began exploring the possible psychology of a supernatural being, so that my heroine Julie Katz, who happens to be the daughter of God and the half-sister of Jesus Christ, decides she doesn’t really want to be divine. She ends up hating supernaturalism. She becomes an advocate of evolution and subscribes to the scientific understanding of reality. I guess the book is questioning the assumption that embracing the Christian worldview—or any other variety of supernaturalism—is some sort of accomplishment or end state. Something like the opposite, I’d say. There are always more questions to ask.

      You mentioned the Universal horror movies that are satirized at one point in The Last Witchfinder. I always find it strange how in, say, the Mummy series—most of which starred Lon Chaney, Jr.—when we get to the end of the picture, the characters don’t seem to have noticed that the entire fabric of consensus reality has evidently changed completely. Everything that modern humans assume about Nature being driven by rational laws, without a supernatural substratum, has just been proven utterly wrong—and yet the characters go right back to living their mundane little lives, as if the paradigm shift hadn’t occurred. It’s a very bizarre convention. Because if you really had a mummy running around in Louisiana or New England that would throw the entire Enlightenment argument about how the world works out the window. The Universal monster movies always beg the question of why the heroes and heroines don’t have nervous breakdowns at the end.

      True, in the universe of these movies, the vampires and werewolves and mummies operate by laws, too, and so you have Edward Van Sloan knowing exactly what it takes to vaporize a vampire, or Turhan Bey knowing exactly how many tana leaves it takes to get Kharis’s heart beating, and how many it takes to get him shuffling around and abducting people. But these aren’t remotely scientific principles. There’s no explanatory mechanism involved. They’re magic. Maybe someday I’ll write a mummy novel in which the characters think through the full epistemological implications of their adventures, and end up going insane.

      Q: I suspect that the serious answer to this is that most Americans today still live in the witch-universe. The Enlightenment has not penetrated below the level of the intellectuals. Even to this day most people believe in psychics, UFOs, astrology, ghosts, and such. They probably do believe in forms of magic. Certainly a lot of them do. Then there is the Christian Fundamentalist side of the population, which is enormous, who would probably be afraid to read your book because it would evoke the Devil. So I think the real answer is they’re still in the witch-universe.

      Morrow: Good point. I suppose The Last Witchfinder is not about the death of the witch-universe per se. It’s about the death of the witch-universe as a political force that made courts and magistrates behave in abominable ways toward people we would now regard as innocent of any demonic compact. Of course, these victims weren’t necessarily people of tremendous virtue. They weren’t John Proctor in The Crucible. They weren’t pure of heart. They were the outcasts. They were the people upon whom this sort of persecution could be performed with impunity.

      I guess I’m saying that, yes, as individual private selves, we all want to live in a supernatural universe. It’s instinctive, and we all have a right to our private fantasies. Nevertheless, the reining intellectual consensus, thank God, is that promiscuous supernaturalism is not the case, and we have no business putting gods and demons at the center of our political institutions. It’s been remarked that the most important word in the United States Constitution is the one that isn’t there—the word “God.” I think that’s genuine progress.

      Now, I know that our postmodern brethren have problematized, I think legitimately, the notion of progress. You always have to ask, “Progress for whom?” But I think even the Bush Administration recognizes that fundamentalism is a terrible idea. I am continually struck by the irony of Bush and his henchmen being perfectly happy to allow a low-grade, smiley-face, feel-good theocracy emerge on these shores, even as they pursue the opposite agenda in Iraq. I think of the recent Supreme Court decision that taxpayers cannot sue the government for having recently broken down the wall between church and state through so-called faith-based grants. I think of Bush going on record as saying he thinks Intelligent Design is commensurate with Darwinism and should also be taught in public school classroom. I think of his canceling stem-cell research for reasons that ultimately trace to his supposed personal relationship with Jesus.

      At the same time, we have the Bushies realizing that what they want in the Middle East is a process we would have to call secular and rational. Saddam Hussein constantly used religion СКАЧАТЬ