Universal Anthems. Aadil Farook

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      Foreword By Prof. Dato’Dr. Baharudin Ahmad,

      Malaysia, 29th February, 2018

      The tradition of writing poetry has been a significant part of Islamic culture and heritage. Since the time of Saidina Ali, the fourth caliph, to Hassan al Basri and Rabiah until the recent time with the appearance of Sir Muhammad Iqbal in Pakistan, Amir Hamzah in the Malay World and Yunus Emre in Turkey, this tradition continues to survive and flow like the rivers of faith flowing into the sea of tawhid (oneness of God), the destination of Muslims’ inquiries of what constitutes reality? In any case, in the contemporary Muslim world, the number of poets and thinkers are not as many as they used to be. There are new issues of thought and fields of inquiries that are becoming dominant which involve the world of sciences and modern technologies. These in a way have acted as many challenges to religious doctrines and the intellectual traditions of Islam itself. Regarding this, the poems of Aadil Farook should be welcomed. His poetic expressions deal with the many intellectual aspects and issues that challenge the modern contemporary Muslim mind especially those who were exposed to the Western ways of understanding nature, God, mankind, human capacity and capability of knowing themselves. Even though Muslims in general and Muslim youth in particular are involved with various challenges which are facing the contemporary world and society, the inner yearning for truth and reality will always pose as the major challenge of life. They have to know who they are and who they should be, being men of religion as well as modern and post- modern men. Aadil Farook has shown the great talent as a poet. He reminds me of the great Pakistani poet Muhammad Iqbal who posted the various challenges to the modern minds of fellow Muslims of his time. Aadil travels from God to creation, to the questions of facing the world today and the final salvation of the human souls in the Spirit of Muhammad (Ruhul Muhammad) which has been discussed by poets throughout the Muslim world in the past and remain to be popular until recently. Contemporary writers like Hossein Nasr, Annmarie Schimmel, Naquib al-Attas and many more have made lengthy discussions on this cosmological and the spiritual reality of the Prophet of Islam. Aadil has managed to bring this doctrine in his poems which were beautifully written. I strongly believe that the major spiritual doctrines, the intellectual aspects of religion and the doctrine of human salvation should continue to occupy the central intellectual exploration so that the modern Muslim mind may not stick to the mundane and trivial aspects of life. Throughout the history of Islamic intellectual tradition, culture and heritage, all schools of thought whether legal, theological, philosophical or mystical have flourished in abundance. The writings of Aadil Farook have brought back glimpses of what the Muslim intellectuals have been discussing before. Looking from this aspect I should say that his poetic works have brought the tradition of Islamic intellectualism into the contemporary debates and discussions. I should congratulate him for his effort and talents.

      Reviews:

       SECTION 1:

      Diane Donovan, Editor, California Bookwatch, USA, 2017:

      Inspired Discourses presents reflections on God and greatness in a collection filled with references to Islam, tributes to caliphs, and insights on Islamic perspectives of life's tragedies and events, and is an especially recommended, inspirational pick for followers of Islam already well versed in its foundation concepts.

      The first thing to note about these reflections is their special admonitions to Muslims to better understand not only the spiritual foundations of Islam, but the historical, social and political impact of its presence in their modern lives. Readers should thus expect discourses that offer insights, enlightenment, and much food for thought about a range of events and issues which create new understandings of Islam's active presence in the world (i.e.: "The appointment of Abu Bakar as caliph wasn't through elections/but was simply taking a pledge or an oath of allegiance/To consider it as a modern voting process/is ignorance to Islam's original sources/Were the first four rightly guided caliphs politicians?/ If yes, they wouldn't have earned such reverence/They were men of the highest standard of excellence/who never desired societal status or prominence ...").

      This is not to say that spirituality isn't a key component of these discourses: the faith-based survey incorporates this at a basic level ("A Muslim should believe in goodness's eventual victory/Although it's in contradiction with the present history/God lives in both serial time and eternity/The glorious Quran affirms its possibility..."). It is a tribute to Aadil Farook's approach that these insights take on wider applications and meaning as they trace the history and impact of Muhammad and his followers in the world, providing verses rooted in historical facts, spiritual evolutionary processes, and individual pursuits of God: "Many companions were enlightened by Muhammad's radiant aura/Yet none was granted as much supervision as Ali Al-Murtaza/At 10, he was mature enough to accept Islam/Who knew what wonders lied in his palm/He grew into a man of innumerable shining traits..."

      By now, through just these few examples, it should be evident that Inspired Discourses cannot lay claim to being a 'poetry collection' per say, but is a series of lyrical discussions and tributes that outline some of the most deeply-held tenants of Islam, showing how different people reflected and fostered the growth of Islam in the world. These tributes don't limit themselves to ancient history, but include reflections on modern individuals, as in the poem 'Junaid Jamshed: 1964-2016,' about a famous Pakistani pop star who devoted his life to Islam. Written after his death, it reveals the icon's impact, through his music and presence in the world, as a reflection of Islamic faith: "The world may remember you as a musical icon/But preachers will mention you as Iqbal's falcon..."

      But, why write such a treatise? What motivates the heart and mind of the author to produce these reflections? Appropriately, this question is answered in 'My Autobiography', a personal reflection that remarks on those who have "stabbed in my heart" without motivation, who have made fun of his poetry, and who have attempted to thwart an artistic and spiritual journey. This piece should ideally be at the opening of this collection because it powerfully and succinctly captures the drive behind producing both this and a prior gathering: "For me, there is no art for art's sake/But a higher purpose I won't forsake/How many English Poets have chosen Islam as the aim of expression?/How many people write for years without a word of appreciation?/The laymen consider me firing empty guns in the dark/But scholars claim my works possess a special spark."

      If all poetry collections - particularly those which held deeper reflections about life and spirit - were to include such an opener, they would be more clearly understood and appreciated by their audiences right from the start.

      The purpose is clearly crafted in this revealing introduction: "My contributions to Islamic Thought aren't for the masses at all/But for thinkers who crave for Muslims to rise after their fall/For some people, religion does turn them into celebrities/But for me, it's a thankless job with no support or ease..."

      Even more revealing is the inclusion of a Q&A interview with the poet/author, which hopefully will conclude the effort and which also sums up the many perceptions and contentions of Islam which were outlined throughout the collection:

       "Q. If there would have been any prophet after Muhammad, who would it be?

       A. Umar

       Q. What is the most absurd error?

       A. Understanding Quran without reference to Sunnah.

       Q. What is the biggest delusion?

       A. The aspiration of bringing a revolution in the society without bringing a change within one's own self."

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