Mr. Burns and Other Plays. Anne Washburn

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СКАЧАТЬ notes, and to Robert Icke, whose thoughts while working on the Almeida production took the play to its very final form. I want to especially thank Howard Shalwitz of Woolly Mammoth, who cottoned on to the first ragged draft of the play and rather boldly determined not only to produce it but also to develop it along with Seattle Repertory Theatre. Deep thanks to Jerry Manning and Tim Sanford. Special thanks to Carey Perloff, and thanks much to Jeremy Wechsler who let me sit in on his great production in Chicago.

      And I very especially want to thank the original group of Civilians’ actors who worked on the first stirrings of this play, and after whom the characters are named. To the Seattle actors who helped us workshop the play, as well as the first full cast in D.C., who were very brave and bold and great under a slew of revisions. And the New York cast who put up with a lot in that department as well, with verve. And everyone who has tackled the play since—it is not an easy show to make and the willingness and invention which so many have brought to it have been unspeakably moving.

      Thank you Jon Vitti!

      Special thanks to Mark Rucker.

      Two of these plays were produced in Clubbed Thumb’s crucial Summerworks. A real debt of enthusiastic gratitude to Maria Striar for producing both plays as well as so many other great shows which have been ongoing sources of pleasure and inspiration and juice thoughout the years.

      Soho Rep. has everything to do with how and why I have been able to make theater in New York. A very deep thanks to Sarah Benson and Daniel Aukin—and for the very great pleasure of working on 10 Out of 12. Additional thanks to Meropi Peponides and Cynthia Flowers as well as to director Les Waters, the cast, and the creative team—no play is easy to make, but this play was an unusual challenge to which everyone involved rose gloriously! Extra special thanks to Bray Poor and Sam Kusnetz for sound design ultra-heroics, and to Amanda Spooner for stage management ultra-heroics.

      Very large thanks to Val Day for years of support and encouragement.

      For inspiration, assistance, conspiracies and collaboration, special thanks to:

      Craig Clinton, Anne de Mare, Emily DeVoti, Bret Fetzer, Ana and Nicolae Golici, Madeleine George, Rob Handel, Anne Kauffman, Todd London, Matt Maher, Johanna McKeon, Michelle Memran, New Dramatists, Ken Rus Schmoll, Jenny Schwartz, Maria Striar, Mark Subias, Les Waters, Barb Wiechmann, Mac Wellman, Gary Winter.

      As well as to my family for their ongoing, and at times, improbable enthusiasm for my weird profession.

      And, always, to Gordon Dahlquist.

      A fond fond good-bye to the late and lamented Ohio Theatre, and to Walker Space.

      CONTENTS

I Have Loved Strangers

The Small

      Mr. Burns

      10 Out of 12

       I HAVE LOVED STRANGERS

      PRODUCTION HISTORY

      I Have Loved Strangers was developed at the Williamstown Theatre Festival (Roger Rees, Artistic Director) in the summer of 2005 in Williamstown, MA, as part of the leapFROG project with the Act 1 Company. It was directed by Johanna McKeon. The set design was by Lara Fabian, the costume design was by Luke Brown, the lighting design was by Driscoll Otto, original music was by Berke Marye, the sound design was by Dave Sanderson, the choreography was by Danny Mefford, and the fight choreography was by Ian Unterman. This play owes a great deal to the talent, commitment, interests, and spirit of the acting company and director. The cast was:

JEREMIAH	Danny Deferrari
HANANIAH	Danny Mefford
THE NON-PROPHET	Greg Hildreth
RUTHIE	Sara Montgomery
EMILY	Xanthe Elbrick
PT	Randolph Adams
BARUCH	Jenny Gammello
THE KING	Lance Rubin
EBEDIAH	Lindsey Gordon
THE WHORE OF BABYLON	Lisa Birnbaum

      I Have Loved Strangers was originally produced by Clubbed Thumb (Maria Striar, Artistic Director) in Summerworks 2006 at the Ohio Theatre in New York City. It was directed by Johanna McKeon. The set design was by Michael Carnahan, the costume design was by Carol Ann Pelletier, the lighting design was by Driscoll Otto, the sound design was by Emily Wright, and the choreography was by Karinne Keithley; the production stage manager was Colleen Danaher. The cast was:

JEREMIAH	T. Ryder Smith
HANANIAH	James Stanley
THE NON-PROPHET/THE KING	Jay Smith
RUTHIE	Jennifer Ruby Morris
EMILY	Laura Flanagan
PT	Jeff Biehl
BARUCH/EBEDIAH/THE WHORE OF BABYLON	Elliotte Crowell

      CHARACTERS

JEREMIAH	a prophet
HANANIAH	a prophet
THE NON-PROPHET	not a prophet
RUTHIE	a wife
EMILY	several people
PT	master of the unexpected
BARUCH	the one who wroteitalldown
THE KING	the king
EBEDIAH	an assistant to the king
THE WHORE OF BABYLON	as described
THE CITIZENS OF NEW YORK	delineated by letters

      SETTING

      Ancient New York.

      NOTE

      This play was initially developed with ten actors. Through double-casting the number of actors can be reduced to seven.

      Included in the play are excerpts from the King James translation of the Book of Jeremiah, and material overheard on the streets of New York by the playwright and by members of Williamstown’s 2005 Act 1 Company.

      This play is inspired by the Book of Jeremiah, and the activities of the Weather Underground. In understanding this play it is not necessary, or even helpful, to have read the book of Jeremiah, or to be familiar with the activities of the Weather Underground.

      NOTES ON NOTATION

      Words or phrases in square brackets are thought/implied, but not said.

      Sentences which don’t end in periods are thoughts which have come to a close but not been entirely concluded or dropped.

      A slash ( / ) indicates the moment when the next line begins.

      Long sections of text with minimal punctuation are not an invitation to speed forward.

       Withhold thy foot from being unshod

       and thy throat from thirst:

       but thou saidst: there is no hope,

       no: for I have loved strangers,

       and after them will I go.

      —Jeremiah 2:25

      CHAPTER 1

       The citizens of Ancient New York, on the streets of Ancient New York. Prophets roam among them.

      ALL (Sung, lightly):

       (Be ye astonished oh ye heavens, be ye horribly afraid)

      BARUCH: СКАЧАТЬ