Barrow Hill. Jane Wainwright

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СКАЧАТЬ Mine (National Theatre), The Lady's Not for Burning (Chichester Festival Theatre), Troilus and Cressida (Royal Shakespeare Company), A Month in the Country (Leatherhead Theatre) and To Kill A Mockingbird (Courtyard Theatre, Leeds and UK Tour).

      Television includes Lewis, Holby City, Ashes to Ashes, Derailed, If, Wire in the Blood, The Lakes, Peak Practice, Kavanagh QC, Silent Witness, Inspector Morse, Minder, Shackleton and Brideshead Revisited.

Tom Spink | Boy Theatre includes South Downs (Harold Pinter Theatre). Film includes Harry Potter and the Deathly Hallows. Television includes Casualty.

Mark Weinman | Lucasz Wozniac Trained at the University of Manchester. Theatre includes The Hairy Ape (Southwark Playhouse), Captain Amazing (Live Theatre, Newcastle), Some Scary Stories (Royal Exchange Theatre, Manchester), Step 9 (of 12) for which he received a nomination for Best Actor in the OffWestEnd Awards (Britannia Theatre),

      Fast Burn (KneeHigh Theatre), Herons (Stephen Joseph Theatre, Scarborough, and Library Theatre, Manchester), Amphibians (Bridewell Theatre), Edmond (Theatre Royal Haymarket), The Emperor Jones (National Theatre), Still Killing Time (National Youth Theatre at the Soho Theatre), Nettles and Europe (Contact Theatre, Manchester), Pale Horse (John Thaw Theatre) and Scenes from Abroad (Watford Palace Theatre).

      Film includes Waves, Shinos Show and This is Love. Television includes Derren Brown: The Experiments.

Cath Whitefield | Alison Bilby Trained at École Internationale de Théâtre Jacques Lecoq, Theatre du Soleil and The State Institute of Theatrical Art, Moscow. Theatre includes Bitch Boxer (Soho Theatre), The Legend of Captain Crow's Teeth (Unicorn Theatre), Electra, How To Be An Other Woman, The Sexual Neuroses of our Parents

      (Gate Theatre, London), Elektra (The Young Vic), Othello (Royal Shakespeare Company), Between Dog and Wolf (Paines Plough), The Caucasian Chalk Circle (Filter and National Theatre), Mancub, Gobbo, and Home for which she received a nomination for Best Actress in the Scottish Critics Awards (National Theatre of Scotland), Charlotte's Web (Citizen's Theatre, Glasgow), Lost Ones (Vanishing Point Theatre), A State of Grace (King's Head Theatre), Platform (ICA), Mother Courage (Watford Palace Theatre), Grid Iron which won the award for The Best Ensemble in The Stage Awards (Fierce), Earth (Perdu Theatre, Amsterdam), Sara, Decomposition, Princess Ivona, Into the Woods and Trial By Jury (Paris), Don Quixote (Festival France), The Song of Love and Death of Christopher Rilke (National Theatre Campage), The Resistible Rise of Arturo Ui (National Tour), Les Quatre Morts de Marie and Cabaret Flottant (Aria Festival Corsica), Metamorphosis (National Tour), First Love (Maddermarket Theatre, Norwich), Kingfisherbreastbone (Brockley Jack Theatre), Transient Blues (Tristan Bates Theatre), Julia (Germany and Poland Tour), All The World's a Biscuit and The Bald Prima Donna (Edinburgh Festival), The Government Inspector (National Tour) and Yerma (Donald Roy Theatre, Hull).

      Film includes Hell's Pavement. Television includes Above Suspicion: The Red Dahlia and The Bill.

      Jane Wainwright | Playwright Jane was born in Derbyshire. She was a member of the Royal Court Theatre's Young Writers Programme, their Invitation Group for Playwrights and their ‘Supergroup’ of twelve specially selected writers. Plays include Photos of You Sleeping (Hampstead Theatre – Start Night), Barrow Hill, performed as part of Vibrant – An Anniversary Festival of Finborough Playwrights (Finborough Theatre), In World, performed as part of Vibrant – A Festival of Finborough Playwrights (Finbrough Theatre), Hands Free, part of ‘AVE IT!, in the Coming Up Later season (The Old Vic Tunnels) and Pet's Corner (The Miniaturists at the Arcola Theatre). She was shortlisted for the WritersRoom 10 scheme and the BBC Heartlands new writing scheme, and her play In World was part of the final shortlist in last year's PapaTango New Writing Competition. Jane is ‘fostered’ by OffWestEnd.com's Adopt A Playwright Award.

      Abbey Wright | Director Abbey has directed a string of critically acclaimed productions including Bitch Boxer (Soho), Dublin Carol (Donmar Warehouse at Trafalgar Studios), Sixty-Six Books (Bush), Rose (Pleasance Forth, Edinburgh), Lakeboat and Prairie du Chien by David Mamet (Arcola Theatre), The Occupied Times (Arcola Theatre), National Theatre Connections 2012 (National Theatre), The Song of Deborah (The Lowry, Manchester), Hidden Glory (The Lowry, Manchester, and Tour), The Ones That Flutter (Theatre503), Restoration Sketch Show (Theatre Royal Haymarket) and The Gay Man's Guide (The Drill Hall). Abbey was Resident Assistant Director at the Donmar Warehouse from 2008–09, during which time she worked with such notable directors as Michael Grandage, Alan Rickman, Jeremy Herrin, Peter Gill, Sean Holmes, Jamie Lloyd and John Tiffany. She was Staff Director to Danny Boyle on Frankenstein at the National Theatre in 2010–11.

      Natalie Moggridge | Designer Trained at Motley and Arts Institute Bournemouth. Theatre includes Chelsea Hotel (RADA), Little Women (Lost Theatre), Sixty-Six Books (Bush Theatre), I Still Get Excited When I See a Ladybird (Theatre503), Ein Abend Met Ruby (Battersea Barge, Jermyn Street Theatre and Riverside Studios), Three Chekhov Farces (Arts Educational Schools), Alfie (Baron's Court) and They Shoot Horses Don't They? (Pavilion Ballroom, Bournemouth). Television and Film includes The Charles Dickens Show and Stanley Pickle. Awards include the 2011 Distinctive Achievement for Costume Design (Independent Wild Rose Film Festival, USA).

      Miguel Vincente | Lighting Designer At the Finborough Theatre, Miguel was Lighting Designer for Through the Night (2011), Autumn Fire (2012), Merrie England (2012) and The Fear of Breathing (2012). Trained at the London Academy of Music and Dramatic Art. Designs include Missing (Tristan Bates Theatre), Normal? (Oval House Theatre), Miss Julie (Theatro Technis), The Happy Prince (Little Angel Theatre) and Chapel Street (Old Red Lion Theatre). Other credits include Kindertransport, The Last Days of Judas Iscariot and Hedda Gabler (Linbury Studio Theatre at LAMDA).

      Max Pappenheim | Sound Designer and Original Composition At the Finborough Theatre, Max designed the sound for The Fear of Breathing (2012) and directed Perchance to Dream (2011). Sound Designs include Borderland, Kafka v Kafka (Brockley Jack Studio Theatre), Being Tommy Cooper (Old Red Lion Theatre), Four Corners One Heart (Theatre503), Tangent (New Diorama Theatre) and Werther's Sorrows and Salome (Edinburgh Festival). Directing includes San Giuda (Southwark Cathedral), The Charmed Life (King's Head Theatre), Finchley Road (LOST Theatre) and Quid Pro Quo (Riverside Studios). Max was nominated for an OffWestEnd Award 2012 for Best Sound Design.

      Susan Crothers | Assistant Director Trained at East 15 and with Di Trevis. As a director, Susan has worked with The Collective, The Suitcase Cabaret, The Feral Pigeons, Particular Theatre and most recently directed Under the Sofa by Tim Price and her own play, Nice Girl (Pick'n’Mix Festival at the New Mac, Belfast). As a writer, Susan's work has been performed at The Pleasance Islington (Graft Playwrights’ Collective), the Arcola Theatre (Miniaturists СКАЧАТЬ