Название: The Chronology of Water
Автор: Lidia Yuknavitch
Издательство: Ingram
Жанр: Биографии и Мемуары
isbn: 9780983304906
isbn:
Now.
After months of collecting, when your house is full and swollen, when you begin to experience contractions and dilation, after you check the color of the too red blood, after you use a timepiece to record the seconds, minutes, after you begin to regulate your breathing and abandon your thinking to the story you have been told about this, and, after your baby is born dead in the morning - which you cannot find in the story you were told - after you think of the words “born” and “dead” next to one another, turn to the rocks. Turn to the rocks and hear seas echoed from as far away as the Ukraine. Smell kelp and taste salt; feel that underwater animals have brushed near you. Remember parts of your body are scattered in water all over the earth. Know land is made from you. Lie all the baby clothes that have been given to you as scripts or gifts on the floor in lines. Sit with the tiny clothes and your rocks and think of nothing at all. Have endless patterns and repetitions accompanying your thoughtlessness, as if to say let go of that other more linear story, with its beginning, middle, and end, with its transcendent end, let go, we are the poem, we have come miles of life, we have survived this far to tell you, go on, go on.
You will see you have an underlying tone and plot to your life underneath the one you’ ve been told. Circular and image bound. Something near tragic, near unbearable, but contained by your irreducible imagination -who would have thought of it but you - your ability to metamorphose like organic material in contact with changing elements. The rocks. They carry the chronology of water. All things simultaneously living and dead in your hands.
On Sound and Speech
IN MY HOUSE ONE OF THE CORNERS OF THE LIVING room was called the crybaby corner. When you cried, you had to go stand there facing the corner. The principle was one of shame. My sister tells me that when she was sent to the crybaby corner she would cease crying almost immediately. I can picture her leaving the wall with a face as stoic as a nun’s. Almost like an adult.
By the time I arrived in the family, eight years after my sister, the laws of the house were in place. But none of them seemed to work on me. By the time I was four, when I cried, I wailed. Epically. And I cried all the time. I cried when I had to go to bed. I cried in the night. I cried when people I didn’t know looked at me. I cried when people I did know talked to me. I cried when someone tried to take my picture. I cried being dropped off at school. I cried when new food was presented to me. I cried when sad music played. I cried when we put the ornaments on our Christmas trees. When people would open the door to my “trick or treat” at Halloween. I cried every single time I had to go to a public restroom. Or in bathrooms in anyone’s house. Or bathrooms at school. Until I was in seventh grade.
I cried when bees came near me. I cried when I wet my pants - in kindergarten, first, second, third, and sixth grades. When I got any bruise or scratch or cut. I cried when they put me to bed in the dark. When strangers spoke to me. When children were mean, when my hair was tangled or ice cream hurt my head or my underwear was inside-out or I had to wear galoshes. I cried when they threw me in Lake Washington for my first swimming lesson. When I got shots. At the dentist. When I got lost in grocery stores. When I went to movies with my family - in fact, one of the more famous of my crying stories happened when they took me to see Gone With the Wind. When the little girl has the pony accident and Rhett leaves Scarlett my grief was inconsolable. For about a week.
I cried when my father yelled - but I also cried sometimes just when he entered the room.
When my mother or sister were sent to retrieve me, the victories were small. About the size of a child.
It was my voice that left.
In my house the sound of leather on the skin of my sister’s bare bottom stole my very voice out of my throat for years. The great thwack of the sister who goes before you. Taking everything before you are born. The sound of the belt on the skin of her made me bite my own lip. I’d close my eyes and grip my knees and rock in the corner of my room. Sometimes I’d bang my head rhythmically against the wall.
I still cannot bear her silence while being whipped. She must have been eleven. Twelve. Thirteen. Before it stopped. Alone in my room I put a pillow over my head. Alone in my room I got my parka out of the closet and buried my skull in it. Alone in my room I drew on the walls - knowing the punishment - pushing the waxen color as hard as I could against the wall. Until it broke. Until I heard it stop. Until I heard my sister going into the bathroom. I would steal inside and hug her knees. My silent mother ghost would make a bubble bath. My sister and I would sit in it together. Voiceless, we would soap each other’s backs and make skin pictures with our fingernails. If the picture was on your back, you had to guess what it was. I drew a flower. I drew a smiley face. I drew a Christmas tree that made my sister cry - but only into her hands. No one could have heard her. Only her shoulders and back moved. The red marks of a child’s fingernails remaining even after the soap washes off.
When my sister left the house I was 10.
I didn’t speak to anyone outside of my immediate family until I was about 13. Not even when called upon at school. I’d look up, my throat the size of a straw, my eyes watering. Nothing. Nothing. Or this: if an adult required me to speak, I’d hold one leg up stork like with one hand, and my other arm I’d put behind my head in an “L” shape, and I’d rock until I lost balance. Instead of talking. Little bird ballet. Little girl making an “L” for Lidia with her arm. Anything but speech. All those years with my sister in front of me I was silent. And after she left. Terror stealing the voice of a girl.
Sometimes I think my voice arrived on paper. I had a journal I hid under my bed. I didn’t know what a journal was. It was just a red notebook that I wrote pictures and true things and lies in. Interchangeably. It made me feel-like someone else. I wrote about my father’s angry loud voice. How I hated it. How I wished I could kill it. I wrote about swimming. How I loved it. About how girls made my skin hot. About boys and how being around them made my head hurt. About radio songs and movies and my best friends Christy and how I was jealous of Katie but also wanted to lick her and how much I loved my swim coach Ron Koch.
I wrote about my mother … the back of her head driving me to and from swim practice. СКАЧАТЬ