Homicide. David Simon

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СКАЧАТЬ no matter how ass-backward. The blame therefore belonged, not to Worden, but to the command staff, and especially to the admin lieutenant and the captain who had taken the Monroe Street probe out of the regular chain of command. Too early in the investigation they discarded the possibility of a civilian suspect, McLarney thought, too early they sent Worden after the cops on the street. The admin lieutenant wasn’t an investigator, neither was the captain; for that reason alone McLarney believed they should never have taken the Scott case from him and D’Addario. More to the point, McLarney had been in the Western and they had not. He knew what could happen on the street and what couldn’t. And he believed that Monroe Street was lost the moment everyone involved decided that a cop had done the murder.

      It all made for a helluva speech, and among the detectives on his shift, no one was ready to deny that McLarney believed every word of it. Then again, he had to believe it. Because more than anything else in his life, what Terrence McLarney felt about the Western, about himself, could not be compromised. In McLarney’s mind, anyone who wanted the truth need not look farther than Gene Cassidy bleeding at the corner of Appleton and Mosher.

      That was police work in the Western District. And if everyone else in the police department couldn’t see that, well, McLarney could give eloquent expression to his feelings: fuck it and fuck them. He decided he would have nothing to do with the Monroe Street case. Instead, he would do something much more productive and satisfying: He would fix the Cassidy file.

      It was just after the news about Patti’s pregnancy that McLarney sent a note to the captain, requesting a detail of two men from the Western District beginning February 1, telling himself that if necessary, they would work the case right up to the May trial date. There was nothing else to do; to lose a police shooting, this police shooting, was too much to contemplate.

      The captain had given him the detail and the Western had sent him two of their best. They were a Mutt and Jeff pair: Gary Tuggle, a short, wiry black kid who worked in the district’s plainclothes unit, and Corey Belt, a tall, thick-necked monolith with the appearance and temperament of a defensive end, attributes that appealed to the varsity lineman in McLarney’s past. Both were smart, both were healthy and both were aggressive even by Western standards. Out on the street, McLarney took a certain amount of delight in the sheer spectacle of his new detail, the obvious contrast between a thickening thirty-five-year-old sergeant and the two well-proportioned carnivores in his charge.

      “We pull up to a corner and I get out of the car,” mused McLarney after a day’s adventures on the west side. “The criminals just look at me and figure, ‘No problem, I can outrun this derelict.’ Then these two get out of the car and automatically everyone just turns and puts their hands against the wall.”

      McLarney, Belt, Tuggle—since the first of the month, the trio had spent every working day on the streets of the Western, canvassing the streets near the shooting scene, jacking up witnesses, running down even the vaguest rumor.

      But now, after nine days, McLarney and his detail have nothing to show for the effort. No fresh witnesses. Still no weapon. Nothing beyond what they learned in October. There wasn’t even talk on the street about a shooting now four months old.

      Preparing to go back into the district again this morning, McLarney can feel his fear grow a little bit larger. Having once served as Cassidy’s sergeant, having called him a friend, he can regard the case as nothing less than a crusade. Not only because of what the case means to Cassidy, but because of what it means to McLarney, a man defined and obsessed by the badge as few men are anymore, a true believer in the brotherhood of cops, as pagan a religion as an honest Irishman may find.

      Terrence Patrick McLarney recognized his obsession years ago, the day he was working a Central District radio car and drew a bank alarm at Eutaw and North. Was there any greater feeling than racing up Pennsylvania Avenue with that blue strobe light show on top of the car and “Theme from Shaft” blasting from a tape player on the front seat? Was there a bigger kick than charging past stunned patrons into the bank lobby, a twenty-six-year-old centurion living by the big stick and the .38 bouncing around on his belt? Never mind that the alarm was sounded in error; it was the sheer spectacle of the thing. In a world of gray, weightless equivocation, McLarney was a good man in a city besieged by bad men. What other job could offer anything as pure as that?

      In time, McLarney grew into the part in a way that few men do, becoming a street-worn, self-mocking, hard-drinking cop of almost mythic proportions. He looked, laughed, drank and swore like some retrograde Irish patrolman whose waistline was losing a rearguard action against the weighty properties of domestic beer. Before his form congealed into that of a 230-pound detective sergeant, McLarney had played college football, and only over a period of years had the muscular contours of an offensive lineman succumbed to a daily regimen of radio car, barstool and bed.

      His wardrobe accelerated the suggestion of physical decline, and among his detectives there was a consensus that McLarney wouldn’t come to work until the family dog had a chance to drag his shirt and sport coat across the front lawn. McLarney repeatedly claimed to have no understanding of the phenomenon, insisting that his wife had ventured into a well-kept suburban mall and emerged with acceptable menswear. Within the confines of his Howard County home and for the first few miles of Interstate 95, the garments would appear attractive and well tailored. But somewhere between the Route 175 interchange and the city line, a sort of spontaneous explosion would occur. McLarney’s shirt collar would crease at an unspeakable angle, causing the knot of his tie to execute a contorted half twist. The cuffs of the sport coat would suddenly fray and jettison buttons. The jacket lining above the right hip would catch the butt of his revolver and begin tearing itself free. An ulcer would form on the bottom of one shoe.

      “I can’t control it,” McLarney would insist, acknowledging no dereliction except on those days when he was late for work and had ironed only the front of his shirt, confident that “it’s the only part that people are gonna look at anyhow.”

      Stout, fair-haired and possessed of a quick, chipped-tooth smile, Terry McLarney didn’t look like much of a thinker or even much of a wit. Yet to those who knew him well, McLarney’s appearance and behavior often seemed calculated to obscure his true character. He was a product of the middle-class suburbs of Washington, the son of a Defense Department analyst with a high GS rating. As a patrolman, McLarney had studied for a law degree out of the passenger seat of a Central District radio car, yet he had never bothered to take the Maryland bar exam. Among cops, some vague taint has always been attached to the title of lawyer, some grounded ethic that believes even the best and most devoted attorneys to be little more than well-paid monkey wrenches hurled into the criminal justice machine. Despite his legal training, McLarney adhered to that ethic: He was a cop, not a lawyer.

      Yet McLarney was also one of the most intelligent, self-aware men in homicide. He was the unit’s Falstaff, its true comedic chorus. Elaborate practical jokes and bizarre profanity were Jay Landsman’s steady contributions, but McLarney’s humor, subtle and self-effacing, often caught the peculiar camaraderie that results from police work. Generations from now, homicide detectives in Baltimore will still be telling T. P. McLarney stories. McLarney, who as a sergeant spent a single day sharing an office with Landsman before deadpanning a confidential memo to D’Addario: “Sgt. Landsman stares at me strangely. I am concerned that he views me as a sex object.” McLarney, who after four beers spoke in football metaphors and would always offer his detectives the same shred of advice: “My men should go into the game with a plan. I don’t want to know what it is, but they should have one.” McLarney, who once drove home on a busy shift to rescue his wife and son by using his .38 to shoot a rampaging mouse in the bedroom closet. (“I cleaned it up,” he explained on his return to the office. “But I thought about leaving it there as a warning to others.”)

      At the same time, McLarney was also a tireless investigator who worked cases with care and precision. His best moment came in 1982, as the lead investigator on the Bronstein murders, СКАЧАТЬ