Dreams From My Father. Barack Obama

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СКАЧАТЬ dessert; her instincts warn her against making a scene. When the evening is over, they’ll both remark on how intelligent the young man seems, so dignified, with the measured gestures, the graceful draping of one leg over another—and how about that accent!

      But would they let their daughter marry one?

      We don’t know yet; the story to this point doesn’t explain enough. The truth is that, like most white Americans at the time, they had never really given black people much thought. Jim Crow had made its way north into Kansas well before my grandparents were born, but at least around Wichita it appeared in its more informal, genteel form, without much of the violence that pervaded the Deep South. The same unspoken codes that governed life among whites kept contact between the races to a minimum; when black people appear at all in the Kansas of my grandparents’ memories, the images are fleeting—black men who come around the oil fields once in a while, searching for work as hired hands; black women taking in the white folks’ laundry or helping clean white homes. Blacks are there but not there, like Sam the piano player or Beulah the maid or Amos and Andy on the radio—shadowy, silent presences that elicit neither passion nor fear.

      It wasn’t until my family moved to Texas, after the war, that questions of race began to intrude on their lives. During his first week on the job there, Gramps received some friendly advice from his fellow furniture salesmen about serving black and Mexican customers: “If the coloreds want to look at the merchandise, they need to come after hours and arrange for their own delivery.” Later, at the bank where she worked, Toot made the acquaintance of the janitor, a tall and dignified black World War II vet she remembers only as Mr. Reed. While the two of them chatted in the hallway one day, a secretary in the office stormed up and hissed that Toot should never, ever, “call no nigger ‘Mister.’” Not long afterward, Toot would find Mr. Reed in a corner of the building weeping quietly to himself. When she asked him what was wrong, he straightened his back, dried his eyes, and responded with a question of his own.

      “What have we ever done to be treated so mean?”

      My grandmother didn’t have an answer that day, but the question lingered in her mind, one that she and Gramps would sometimes discuss once my mother had gone to bed. They decided that Toot would keep calling Mr. Reed “Mister,” although she understood, with a mixture of relief and sadness, the careful distance that the janitor now maintained whenever they passed each other in the halls. Gramps began to decline invitations from his coworkers to go out for a beer, telling them he had to get home to keep the wife happy. They grew inward, skittish, filled with vague apprehension, as if they were permanent strangers in town.

      This bad new air hit my mother the hardest. She was eleven or twelve by this time, an only child just growing out of a bad case of asthma. The illness, along with the numerous moves, had made her something of a loner—cheerful and easy-tempered but prone to bury her head in a book or wander off on solitary walks—and Toot began to worry that this latest move had only made her daughter’s eccentricities more pronounced. My mother made few friends at her new school. She was teased mercilessly for her name, Stanley Ann (one of Gramps’s less judicious ideas—he had wanted a son). Stanley Steamer, they called her. Stan the Man. When Toot got home from work, she would usually find my mother alone in the front yard, swinging her legs off the porch or lying in the grass, pulled into some solitary world of her own.

      Except for one day. There was that one hot, windless day when Toot came home to find a crowd of children gathered outside the picket fence that surrounded their house. As Toot drew closer, she could make out the sounds of mirthless laughter, the contortions of rage and disgust on the children’s faces. The children were chanting, in a high-pitched, alternating rhythm:

      “Nigger lover!”

      “Dirty Yankee!”

      “Nigger lover!”

      The children scattered when they saw Toot, but not before one of the boys had sent the stone in his hand sailing over the fence. Toot’s eyes followed the stone’s trajectory as it came to rest at the foot of a tree. And there she saw the cause for all the excitement: my mother and a black girl of about the same age lying side by side on their stomachs in the grass, their skirts gathered up above their knees, their toes dug into the ground, their heads propped up on their hands in front of one of my mother’s books. From a distance the two girls seemed perfectly serene beneath the leafy shade. It was only when Toot opened the gate that she realized the black girl was shaking and my mother’s eyes shone with tears. The girls remained motionless, paralyzed in their fear, until Toot finally leaned down and put her hands on both their heads.

      “If you two are going to play,” she said, “then for goodness sake, go on inside. Come on. Both of you.” She picked up my mother and reached for the other girl’s hand, but before she could say anything more, the girl was in a full sprint, her long legs like a whippet’s as she vanished down the street.

      Gramps was beside himself when he heard what had happened. He interrogated my mother, wrote down names. The next day he took the morning off from work to visit the school principal. He personally called the parents of some of the offending children to give them a piece of his mind. And from every adult that he spoke to, he received the same response:

      “You best talk to your daughter, Mr. Dunham. White girls don’t play with coloreds in this town.”

      It’s hard to know how much weight to give to these episodes, what permanent allegiances were made or broken, or whether they stand out only in the light of subsequent events. Whenever he spoke to me about it, Gramps would insist that the family left Texas in part because of their discomfort with such racism. Toot would be more circumspect; once, when we were alone, she told me that they had moved from Texas only because Gramps wasn’t doing particularly well on his job, and because a friend in Seattle had promised him something better. According to her, the word racism wasn’t even in their vocabulary back then. “Your grandfather and I just figured we should treat people decently, Bar. That’s all.”

      She’s wise that way, my grandmother, suspicious of overwrought sentiments or overblown claims, content with common sense. Which is why I tend to trust her account of events; it corresponds to what I know about my grandfather, his tendency to rewrite his history to conform with the image he wished for himself.

      And yet I don’t entirely dismiss Gramps’s recollection of events as a convenient bit of puffery, another act of white revisionism. I can’t, precisely because I know how strongly Gramps believed in his fictions, how badly he wanted them to be true, even if he didn’t always know how to make them so. After Texas I suspect that black people became a part of these fictions of his, the narrative that worked its way through his dreams. The condition of the black race, their pain, their wounds, would in his mind become merged with his own: the absent father and the hint of scandal, a mother who had gone away, the cruelty of other children, the realization that he was no fair-haired boy—that he looked like a “wop.” Racism was part of that past, his instincts told him, part of convention and respectability and status, the smirks and whispers and gossip that had kept him on the outside looking in.

      Those instincts count for something, I think; for many white people of my grandparents’ generation and background, the instincts ran in an opposite direction, the direction of the mob. And although Gramps’s relationship with my mother was already strained by the time they reached Hawaii—she would never quite forgive his instability and often-violent temper and would grow ashamed of his crude, ham-fisted manners—it was this desire of his to obliterate the past, this confidence in the possibility of remaking the world from whole cloth, that proved to be his most lasting patrimony. Whether Gramps realized it or not, the sight of his daughter with a black man offered at some deep unexplored level a window into his own heart.

      Not that such self-knowledge, even if accessible, would have made СКАЧАТЬ