Letters of Light. Kalonymus Kalman Epstein
Чтение книги онлайн.

Читать онлайн книгу Letters of Light - Kalonymus Kalman Epstein страница 13

Название: Letters of Light

Автор: Kalonymus Kalman Epstein

Издательство: Ingram

Жанр: Религия: прочее

Серия:

isbn: 9781498226806

isbn:

СКАЧАТЬ href="#ulink_527315c1-ba62-587f-9947-db93aa435d0f">50. Maʾor va-shemesh, I, 11a.

      Vayera

      “The Lord appeared (to him) . . . .” (Gen 18:1)

      And this is alluded in the Gemara in reference to the pearl hanging from the neck of our father, Abraham, in that any ill person who would see it was immediately healed, meaning that the sick person was cured through the presence of the Divine situated with the patriarch. And that is the good pearl which alludes to God’s presence.

      . . . And the verse concludes, “. . . he was sitting at the entrance of the tent as the day grew hot” (Gen 18:1), meaning that though Abraham was in a state of inner warmth and exalted enthusiasm, he nevertheless felt very humble in the presence of the blessed Holy One. It always seemed to Abraham that he was situated only at the very opening of the tent and had not entered further to any extent at all.

      In the transformation of the talmudic passage at the hands of the Kraków master, however, the purely magical element gives way to a different kind of theme, namely the effect of t’shuvah (repentance). The cure occurs not via some kind of magic object, but rather as the effect of an awakening of thoughts of repentance which begin to stir within the person’s consciousness. (Of course, that implies that a person’s illness results from some fault of the ill person or reflects a spiritual stagnancy on the person’s part.)

      The reader or listener feels that Abraham, referred to in the passage as a tzaddik, calls to mind the Hasidic holy man, who was similarly felt to convey a sense of the divine Presence and who is associated, in much of more popular Hasidic lore, with the power to heal. In the above passage, however, the pearl itself is understood only symbolically.

      “Now Abraham and Sarah were old, advanced in years; Sarah had stopped having the periods of women. (And Sarah laughed to herself, saying, ‘Now that I am withered, am I to have enjoyment—with my husband so old?’ Then the Lord said to Abraham, ‘Why did Sarah laugh, saying, “Shall I in truth bear a child, old as I am?” Is anything too wondrous for the Lord?) I will return to you at the time that life is due, and Sarah shall have a son.’” (Gen 18:11–14)

      It is important to grasp how our mother, Sarah, was so lacking in faith that she could not believe in the wonders of the blessed Creator who is able to give her seed even in her old age. And we will attempt to explain. It is known that sexual intercourse requires a pronounced aura of holiness and purity. However, with that alone it is not possible to draw down a pure soul from the high world to bring it into this lowly and physical world except by means of its fusing, even to some small extent, with physical delight in intercourse, even when it takes place in holiness and purity. For the body comes about through the physical aspect of intercourse, and without that bodily act it is impossible to give birth. And to do so the body requires at least some small measure of physical desire and pleasure.

      Comment: The reader might well connect this passage with a rather implicit theme found within one of the passages found above, “The Function of Shabbat,” on parashat B’reiʾshit. It becomes obvious that to the mind of the Kraków master, a desirable balance between materiality and physicality, on one hand, and spirituality, on the other, is required, a delicate balance allowing a place for both. Just as the very possibility of spiritual consciousness and awareness can be devastated by the world’s becoming materialized beyond a certain point, so here the birth of a child requires that spirituality include a necessary space for physical desire and pleasure. Both poles must be accommodated. This sense of balance is one of the implied underlying themes that typify Maʾor va-shemesh.