In the Tracks of Historical Materialism. Perry Anderson
Чтение книги онлайн.

Читать онлайн книгу In the Tracks of Historical Materialism - Perry Anderson страница 2

Название: In the Tracks of Historical Materialism

Автор: Perry Anderson

Издательство: Ingram

Жанр: Социальная психология

Серия:

isbn: 9781784787905

isbn:

СКАЧАТЬ of its rivals in this field, developed an extensive discourse on literature in this century. There are a number of reasons for this, but one of them is no doubt to be found in the very intransigence of the critique which the founders of historical materialism made of the capitalist order in which they lived. Radically and inexpugnably critical in outlook from the start, Marxism was carried swiftly by its own impetus, as it were, onto the terrain of literary criticism. Marx’s correspondence with Lassalle shows how natural this movement was, in its inaugural gesture. This is not to say that there was any easy concord between social and literary discourses within Marxism, then or later. On the contrary, the record of their relations has been a complex, tense and uneven one, riven by multiple breaks, displacements and deadlocks. If no complete rupture has ever occurred, since the days more or less of Mehring, it is doubtless due to the fact that beyond their common critical starting-point, there has always been an ultimate historical line of flight along the horizon of each. It is not entirely fortuitous, then, that the contemporary locution ‘critical theory’ should have two dominant connotations: on the one hand a generalized body of theory about literature, on the other a particular corpus of theory about society descending from Marx. It is the latter that customarily acquires capitals, a shift into upper case essentially effected by the Frankfurt School in the 1930s. Horkheimer, who codified this sense in 1937, intended to recover with it the sharp philosophical edge of Marx’s materialism, unduly blunted — as his generation saw it — by the heritage of the Second International. Politically, Horkheimer declared, the ‘only concern’ of the critical theorist was to ‘accelerate a development that should lead to a society without exploitation’.1 Intellectually, however, he sought – in Adorno’s later words – ‘to make men theoretically conscious of what it is that distinguishes materialism’.2 The main thrust of the Frankfurt School’s interventions over the years lay in just this direction — a long and passionate critical elucidation of the bequests and contradictions of classical philosophy and its contemporary successors, one which led increasingly, over the years, towards the domains of literature and art in the work of Adorno or Marcuse, each of whom brought their careers to rest in the realm of aesthetics. Still, to define Marxism as a critical theory simply in terms of the goal of a classless society, or the procedures of a consciously materialist philosophy, is obviously insufficient. The real propriety of the term for Marxism lies elsewhere.