Название: Violence
Автор: Brad Evans
Издательство: Ingram
Жанр: Социология
Серия: City Lights Open Media
isbn: 9780872867802
isbn:
For centuries, black people lived in fear of white terror. That fear partly captures the contradiction of being black and an American. Black people were not the American “we” but the terrorized other. The symbols of white sheets and cross burnings must be recalled. Think here of black World War II veterans who returned home from the war and were severely beaten and lynched by whites, even as they wore their uniforms. They fought against Hitler only to return home, to the land of “democracy,” to be attacked by what might be called white terrorists.
Or think here of the slave trade, the institution of American slavery, black codes, convict leasing, the lynching of black men and women and the flaying of black flesh, the castration of black men, being burned alive. Violence, within these contexts, is a specific racialized form of inculcating black people with fear and controlling their social mobility. There is nothing episodic about it; this form of white violence is historically grounded and systematic.
The coldhearted use of white violence was very effective. Not only were there actual beatings, there was the fear of possibly being beaten. So the black imagination, though never defeated, was weakened. The lynching of a black person wasn’t just a form of theater (where the root meaning suggests a kind of “beholding”) but also a way of communicating fear and terror through mass displays of violence. For someone white, the spectacle was a sport, a kind of national pastime activity, but, for a black person, one could always imagine that one was next and thereby stand in fear of what could happen at any moment.
Cornel West talks about the “death shudder” as a kind of existential moment of realization that one is finite. I think that we are all open to experience that dreadful sense of our existence coming to an end. However, when black life is forever in a “state of exception,” it is an additional weight. Black people not only experience the death shudder but also a specific kind of shudder that involves an emotional intensity that speaks to the disposability of black life.
For example, the other day, a white police officer walked into a store where I was buying some food, and I remember feeling this powerful sense of wanting to flee, of feeling as if the rules and laws that are designed to govern our (white) society didn’t apply to me. I could move “too quickly,” placing my hand into my pocket to pay for my food, and my life would end just like that. The white police officer would explain how he felt “threatened” and had “reasonable” suspicion. And I would be dead.
These connections between the continuum of racial violence and the terrors of the everyday are crucial to understanding the normalization of humiliation and the outright denial of the most basic qualities that make people feel part of a society and “human,” as such. This demands a more serious intellectual engagement with the “marking out” of the black body as incapable of philosophical thought and deliberation. Does this make a return to thinkers such as Aimé Césaire and Frantz Fanon all the more relevant in the contemporary period?
Yes. And racial violence takes many forms and raises larger issues. For example, Judith Butler’s concern about questions of grievability is important. Racial violence is linked to forms of racial vulnerability, disposability, and our tendency as a nation to grieve the deaths of certain racialized persons and not others. The disproportionate number of poor black people affected by Hurricane Katrina, the sentencing disparities when it comes to locking up black people for nonviolent offenses, and the shooting in the back of Walter Scott by the white police officer Michael Slager are all examples of forms of racialized disposability. They speak to how black humanity is deemed of little or no human value.
The process of marking the black body as incapable of philosophical thought is longstanding. It is one of those major myths that grew out of Europe, even as Europe championed “humanism.” The poet Aimé Césaire, through immanent critique, knew that European humanism was a farce. Of course, Jean-Paul Sartre knew this as well. And Fanon knew what it was like to embody reason and have it denied to him. In “Black Skin, White Masks,” he argued that when he was present, reason was not, and when reason was present he was no longer. So one might argue that reason and black embodiment, from this perspective, are mutually exclusive. Yet, at the end of that text, Fanon says, “My final prayer: O my body, make me always a man who questions!”
Fanon appeals to something that is beyond abstract political rights discourse. He appeals to his own body, something concrete and immediate. Fanon asks of his body not to allow him to be seduced by forms of being-in-the-world that normalize violence and dehumanization. Doubt can be linked to critique. In a society that hides beneath the seductions of normalization, critique is undesirable and deemed dangerous. Yet in our contemporary moment, the fulfillment of Fanon’s prayer is desperately needed.
These examples are manifestations of a racialized, selective misanthropy. This is why I have such a negative visceral reaction to Donald Trump’s promises to build a wall along the Mexican border. That discourse is one of labeling certain bodies as “unwanted,” “deviant,” “sub-persons.” And to say that Mexico is sending “rapists” to the United States is a form of deep insult, of marking certain bodies as violent and pathological. Trump is, sadly, able to play on the racist biases and fears in many white people. It is a divisive tactic that exploits both latent and manifest bigoted assumptions in many white Americans. It is not by accident that David Duke, a former grand wizard of the KKK, supports him.
As you point out, a conceptualization of political rights must also include the right for the marginalized to critique power. Does philosophical inquiry have to do with the ways we might reconceptualize the meaning of rights, especially considering that the denial of persons’ humanity often occurs within normative legal frameworks?
Absolutely. After all, slavery, which was a vicious, death-dealing, and violent institution, was legal. I think that rights-based discourse is necessary, but there is this sense in which rights can be given and, by implication, taken away. Within this context, I think that America needs a movement that transcends the civil rights movement. Applicative justice might be necessary but not sufficient. Imagine a scenario where justice is being applied across the board, and the rights of people are being upheld. In a country like ours, saturated by racism, that scenario might still involve blacks being hated, seen as “inferior,” as “sub-persons.” In such a world, white people can continue to insulate themselves from the “others.”
We are desperately in need of a movement that shakes us at the very core of how we think about ourselves as individuals, masters of our own destiny. While this isn’t philosophically fashionable, I want to know what it means to love with courage. What would it mean to make love an integral feature of moral reasoning, the kind of love that risks profound ways of being mutually vulnerable, of placing no limits on who we call our neighbors? This means radically changing how we currently relate to one another. I recall when we killed Osama bin Laden in 2011 that there were Americans who were cheering. As unpatriotic as some will say I’m being, we must keep in mind that bin Laden was someone’s son, father, and husband.
This speaks to the limits of our moral imagination as a nation. Can you imagine President Obama saying at a press conference that he is sorry that we killed bin Laden, that we loved him as a human being despite his violence? Can you imagine what would happen if Israelis and Palestinians were to cease their “peace” talks and radically deploy a discourse of love? Imagine the many whites who read “Dear White America” saying to me: “We return the love to you that you’ve shared with us!” I think that we are an impoverished nation when it comes to loving our “enemies.” God bless America is an empty, politicized gesture if we are not also saying God bless our “enemies.”
There is an ethical aspect to “Dear White America”—particularly the honest reflections put forward regarding your own prejudices and fallibilities when СКАЧАТЬ