To Live Like a Moor. Olivia Remie Constable

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СКАЧАТЬ New Christians continued to dress differently from Old Christians, and this was especially the case in Granada, where the population had only recently come under the rule of Fernando and Isabel.¹²² Comments from Christian administrators, inquisitors, visiting travelers and artists, and the Moriscos themselves all testified that Granadan fashions were completely unlike those of Castile, though they might disagree as to whether this was a factor of religion, region, or culture. A famous series of illustrations by the German artist Christoph Weiditz, who traveled in Spain in 1528–29, includes depictions of Moriscos and Moriscas in Granada, with special attention to their costume and its differences from other contemporary Iberian dress (see Figures 4 and 5).¹²³

      These detailed descriptions of women in Granada draw our attention to a striking difference, in terms of gender, between medieval comments on Muslim appearance and sixteenth-century descriptions of Moriscas. Whereas almost all medieval legislation about Mudejar hair and dress was directed toward male appearance, with only passing comments on female dress, early modern attention was very strongly focused on women. Sixteenth-century Christian authors were fascinated by the Moriscas’ voluminous white veils (almalafas), baggy trousers (zaragüelles; from Arabic sarāwīl), marlotas, distinctive shoes, and hennaed fingers. Legislative and inquisitorial attention to clothing was also mainly directed toward women, requiring that they give up these earlier styles in favor of decent Christian skirts and mantles (sayas and mantos), no matter what it cost to replace an entire wardrobe. Yet even after years of such legislation, Morisca dowry documents from 1565 still listed almalafas, marlotas, and other items of characteristically Granadan clothing.¹²⁴

      Figure 4. Christoph Weiditz, Trachtenbuch (1529). Germanisches Nationalmuseum Hs. 22474, fols. 97–98. Visiting German artist’s illustration of a Morisca woman in almalafa.

      Figure 5. Christoph Weiditz, Trachtenbuch (1529). Germanisches Nationalmuseum Hs. 22474, fols. 99–100. Depiction of Morisco casual home wear; note child’s sábana.

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