First Time Director. Gil Bettman
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Название: First Time Director

Автор: Gil Bettman

Издательство: Ingram

Жанр: Кинематограф, театр

Серия:

isbn: 9781615931002

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       Identifying the Most-Playable Objective

       Ultraplayable Objectives

       Adjustments

       “The More Adjustments, the Better” – How Come?

       All Adjustments Are Gerunds or Adverbs

       Improvisation

       Script Breakdown – Layout

       Summary Points

       Chapter 7. Rehearsal

       Preparation

       Credibility versus Interpretation

       Objectives and Adjustments in Rehearsal

       Physicalization As a Rehearsal Tool

       Improvisation As a Rehearsal Tool

       Making Weak Actors Believable and Good Actors Great – Improv As a Versatile Tool for Rehearsal

       Preparation Is Everything

       Summary Points

       PART FOUR – SET POLITICS

       Chapter 8. On the Set

       Getting Ahead by Getting Along

       Successful Collaboration

       Collaborating with the 1st AD

       The First Walk-Through for Camera

       Collaborating with the Cinematographer

       Making Your Stars Shine during Production – Off the Set

       During Production – On the Set

       On the Set in Front of the Camera and Crew

       Collaborating with Your Lead Actors During the First Walk-Through for Camera

       Taming the Actors Who Chew the Scenery

       Collaborating with Yourself

       Summary Points

       PART FIVE – POSTPRODUCTION

       Chapter 9. To the Answer Print and Beyond

       Collaborating with Your Editor

       Reshoots

       Inserts

       Post Sound – An Overview

       Spotting the Picture for Sound Effects and ADR

       On the ADR Stage

       Hiring a Composer

       Working with the Composer

       Sound Mixing or Rerecording

       Promotion

       To the Answer Print and the Sweet Hereafter

       Signing with a Manager/Agent

       Signing with a Publicist

       Coping with Success or the Lack Thereof

       Summary Points

       About the Author

      FOREWORD

      by Robert Zemeckis, Director, Cast Away; What Lies Beneath; Contact; Forrest Gump; Back to the Future I, II & III; Who Framed Roger Rabbit; Romancing the Stone

      By writing First Time Director, Gil Bettman has done for directing what Lajos Egri did for screenwriting when he wrote The Art of Dramatic Writing—, put out the first book which explains how the craft is practiced professionally. Until I picked up First Time Director, I had never read anything that went right to the heart of what a director must do to succeed. Most texts on directing are filled with information about things that most directors never concern themselves with — not the case with Gil's book. He has lucidly set down the ABCs of directing so that dedicated students can learn exactly what will be required of them when they step onto a set.

      Better yet, the book is tailored specifically for the director taking on his or her first professional assignment — the only logical approach for a textbook on directing. Success on the first assignment is crucial. Without it, it's effectively impossible to launch a career. Since no textbook can teach like on-the-job experience, especially in a three-dimensional medium like directing, you don't need a textbook after you have survived your first professional assignment. The fact that Gil Bettman has built this truth into the approach of his book is both brilliant and good common sense.

      I always knew Gil could write and direct. I set up a deal for him to write and direct a film for Universal, and later on, one for Warner Bros. As is often the case, neither project made it onto the screen. But First Time Director proves that he has found a great way to put his talents as a writer and a director to good use. People who are as good as Gil is at writing and directing are usually too preoccupied making Hollywood movies. But in Gil's case, the film industry's loss has been the film student's gain. First Time Director reveals to those still on the outside what's going to be expected of them when they get on the inside, and it is spot-on accurate, because it has been written by somebody who has been there and done that. I wish somebody had handed me this book the day I got out of USC.

      PREFACE

      When I first started teaching directing, I read every “how to” book on the subject that I could find. I knew what I was looking for: a text that taught what I had learned during my 20-year career as a director in Hollywood. My plan was to draw on those lessons in order to provide my students with the information they wanted above all else. I had gone through the M.F.A. program at UCLA when I was an aspiring director. I could remember what I had wanted then, and I could not imagine it being any different today. I wanted my professors to teach me the directing skills that I needed to know to break through and start a career in Hollywood. Now, 25 years later, I knew that the particular nature of my industry experience made me especially qualified to teach them this. After all, I had broken into the business not once, but three times — first as an episodic television director, then as a rock video director, and finally СКАЧАТЬ