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СКАЧАТЬ powers and influences touched his life.

      A vision came of higher realms than ours,

      A consciousness of brighter fields and skies,

      Of beings less circumscribed than brief-lived men

      And subtler bodies than these passing frames,

      Objects too fine for our material grasp,

      Acts vibrant with a superhuman light

      And movements pushed by a superconscient force,

      And joys that never flowed through mortal limbs,

      And lovelier scenes than earth’s and happier lives.

      A consciousness of beauty and of bliss,

      A knowledge which became what it perceived,

      Replaced the separated sense and heart

      And drew all Nature into its embrace.

      *

      Words of the Mother

      In the supramental vision one has a direct and total and immediate knowledge of things, in the sense that one sees everything at the same time, complete in itself, total. The truth of a thing in all its aspects at the same time and... simultaneous, complete. And as soon as one wants to explain that or to describe it, one is obliged to come down, so to say, to a plane which he calls here “the Mind of Light”, where things have to be said or even thought or expressed one after another, in a certain order and a certain relation with one another; the simultaneity disappears, for in the present state of our mode of expression, to say everything at the same time, all at once, is impossible, and we are compelled to veil one part of what we see or know in order to bring it out one thing after another; and this is what he calls the “veil”, which is transparent, for one sees everything, knows everything at the same time; one has the total knowledge of a thing, but one cannot express it fully all at once. There are no words or any possibility of expression, so long as we are what we are. We must necessarily make use of an inferior process to express ourselves, and yet, at the same time we have the full knowledge; it is only the necessity of transmitting his knowledge in words which compels us to veil, so to say, a part of what we know and to let it come out only successively. But it is a transparent veil, for we know the thing – we know it, see it, understand it in its totality – but we cannot express it all at the same time. We have to say it, one thing after another, successively. It is the veil of the expression adapted to our needs both of utterance and understanding. The knowledge is there, it is there in reality – not that one is searching for it and expressing it as one goes on finding it – it is there in its totality but the expression demands that one says it one thing after another; and so this naturally diminishes the omnipotence of which he speaks, for omnipotence is the total vision of the thing expressed in its totality. Omniscience is there in principle, it is there, perceptible, but the total power of this omniscience cannot act since it needs to come down one plane to be able to express itself.

      To be able to live fully in the supramental knowledge requires other means of expression than the ones we have now. New means of expression must be worked out to make it possible to express the supramental knowledge in a supramental way.... Now, we are obliged to raise our mental capacity to its utmost so that there is only, so to say, a sort of hardly perceptible borderline, but one that still exists, for all our means of expression still belong to this mental world, do not have the supramental capacity. We do not have the necessary organs for that. We would have to become beings of the supermind, with a supramental substance, a supramental inner organisation, in order to be able to express the supramental knowledge in a supramental way. So far we are... half way; we can, somewhere in our consciousness, rise entirely into the supramental vision and knowledge, but we cannot express it. We have to come down again one plane in order to express ourselves.

      * * *

      Part III

      THE CREATIVE WORD

      The function of a mantra is to create vibrations in the inner consciousness that will prepare it for the realisation of what the mantra symbolises and is supposed indeed to carry within itself. — Sri Aurobindo

      Chapter 1

      Theory of the Mantra

      The Supreme Word

      Words of Sri Aurobindo

      ...We must recollect that in the Vedic system the Word was the creatrix; by the Word Brahma creates the forms of the universe. Moreover, human speech at its highest merely attempts to recover by revelation and inspiration an absolute expression of Truth which already exists in the Infinite above our mental comprehension. Equally, then, must that Word be above our power of mental construction.

      All creation is expression by the Word; but the form which is expressed is only a symbol or representation of the thing which is. We see this in human speech which only presents to the mind a mental form of the object; but the object it seeks to express is itself only a form or presentation of another Reality. That reality is Brahman. Brahman expresses by the Word a form or presentation of himself in the objects of sense and consciousness which constitute the universe, just as the human word expresses a mental image of those objects. That Word is creative in a deeper and more original sense than human speech and with a power of which the utmost creativeness of human speech can be only a far-off and feeble analogy.

      The word used here for utterance means literally a raising up to confront the mind. Brahman, says the Upanishad, is that which cannot be so raised up before the mind by speech.

      Human speech, as we see, raises up only the presentation of a presentation, the mental figure of an object which is itself only a figure of the sole Reality, Brahman. It has indeed a power of new creation, but even that power only extends to the creation of new mental images, that is to say of adaptive formations based upon previous mental images. Such a limited power gives no idea of the original creative puissance which the old thinkers attributed to the divine Word.

      If, however, we go a little deeper below the surface, we shall arrive at a power in human speech which does give us a remote image of the original creative Word. We know that vibration of sound has the power to create – and to destroy – forms; this is a commonplace of modern Science. Let us suppose that behind all forms there has been a creative vibration of sound.

      Next, let us examine the relation of human speech to sound in general. We see at once that speech is only a particular application of the principle of sound, a vibration made by pressure of the breath in its passage through the throat and mouth. At first, beyond doubt, it must have been formed naturally and spontaneously to express the sensations and emotions created by an object or occurrence and only afterwards seized upon by the mind to express first the idea of the object and then ideas about the object. The value of speech would therefore seem to be only representative and not creative.

      But, in fact, speech is creative. It creates forms of emotion, mental images and impulses of action. The ancient Vedic theory and practice extended this creative action of speech by the use of the Mantra. The theory of the Mantra is that it is a word of power born out of the secret depths of our being where it has been brooded upon by a deeper consciousness than the mental, framed in the heart and not originally constructed by the intellect, held in the mind, again concentrated on by the waking mental consciousness СКАЧАТЬ