Название: 39 Steps to Better Screenwriting
Автор: Paul Chitlik
Издательство: Ingram
Жанр: Музыка, балет
isbn: 9781615932122
isbn:
The Frame in Spain Stays Mainly on the Plain
The Second Draft Is Killing Me
The Olympics and Screenwriting
What Film School Should I Go To?
When to Abandon an Idea; When to Plow Through; When to Revise
Writing Is Rewriting. Writing Is Rewriting. Writing Is Rewriting.
Acknowledgments
To Ryan Dixon, of Baseline Research, for giving me the forum that Scriptshark.com provides. To Ken Lee and Michael Wiese for their continuing support and encouragement. To Beth McCauley for her insight and love. To the MWP family for their sense of community. To my students, a never-ending source of amazement, material, and excuses. And to Arthur Dreifuss, who believed in me thirty years ago.
Introduction
There are a lot of books on screenwriting, one of which is my own — Rewrite, A Step-by-Step Guide to Strengthen Structure, Characters, and Drama in Your Screenplay — which help you get started on the process of writing a screenplay. This is not one of those books. This is a companion book to those. This is an easy-reading book of short chapters which you can peruse just before nodding off, or even skim while in the smallest room in the house.
The chapters, none of which is more than a thousand words, deal with a wide range of subjects related to screenwriting and movie and television making in general. Some of them could be classified as purely opinions, while others are very specific craft issues ranging from punctuation to meaning in your screenplay.
Originally blog posts on Scriptshark.com, a subsidiary of The New York Times Company, these chapters don’t necessarily need to be read in order to be appreciated. As a matter of fact, I encourage you to cruise the table of contents and then read an entry that interests you or that relates to an issue you’re having with your screenplay at the moment. Are you struggling with creating a viable antagonist? There’s a chapter on that: “The Antagonist as a Good Guy.” Do you have problems establishing an emotional core in your script? Then read “Three Stories, One Script.” Is story your issue? There are several chapters dealing with story including one on Katy Perry’s use of story in her concerts.
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