Complete Wing Chun. Robert Chu

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       4. Nanyang Wing Chun Kuen

       History and Development

       Basic Movements

       Forms and Training

       Concepts and Principles

       Conclusion

       5. Pan Nam Wing Chun Kuen

       History and Development

       Basic Movements

       Forms and Training

       Concepts and Principles

       Conclusion

       6. Pao Fa Lien Wing Chun Kuen

       History and Development

       Basic Movements

       Forms and Training

       Concepts and Principles

       Conclusion

       7. Hung Suen Wing Chun Kuen

       History and Development

       Forms and Training

       Concepts and Principles

       Conclusion

       8. Jee Shim Wing Chun Kuen

       History and Development

       Basic Movements

       Forms and Training

       Concepts and Principles

       Conclusion

       9. Other Wing Chun Kuen Styles

       Fujian Wing Chun Kuen

       Hung Suen Hay Ban Wing Chun Kuen

       Malaysian Wing Chun Kuen

       Pien San Wing Chun Kuen

       Vietnamese Wing Chun Kuen

       Yiu Kai Wing Chun Kuen

       Other Branches

       Conclusion

       Stage 1, Predecessors of Wing Chun

       Stage 2, Founders of Wing Chun

       Stage 3, Red Junk Ancestors of Wing Chun

       Stage 4, Disseminators of Wing Chun

       Stage 5, Developers of Wing Chun

       Final Thoughts

       The Wing Chun Kuen Family Tree

       Glossary

       About the Authors

      FOREWORD

      I began the study of Wing Chun kung-fu at the age of sixteen. I was already a black belt in taekwondo at the time, and involved in the study of escrima and arnis, but felt an inexplicable attraction to the art by the legacy left behind by the late Bruce Lee. The first book I ever read on the martial arts was Dan Inosanto’s Jeet Kune Do: The Art and Philosophy of Bruce Lee. After reading this book and about the training methods and fighting art of Lee, I knew that if I wanted to become as good as Lee I would have to study the arts he did. As I read on, I discovered that Wing Chun was the nucleus of his new style.

      Fifteen years later, I am still interested and intrigued by this compact martial art system. I never actually perfected or completed the system as a result of poor scheduling (spreading myself too thin among different arts), and moving from place to place. However, I was exposed to the Yip Man system as taught by William Cheung and Moy Yat, and the Jun Fan (Bruce Lee) Wing Chun system as taught by Dan Inosanto and his students.

      Over the years I have read several articles about Wing Chun systems not associated with the art’s legendary master, Yip Man. To my surprise, I discovered that there are actually several lineages of this economical art form, with variations among the forms and in their respective training methods. After reading these articles my interest again peaked. Sadly, however, there was no substantial information on the topic available to the uninitiated.

      While working as the martial arts editor for Tuttle Publishing in Tokyo in 1996, I received a package from their United States office in Boston. It was a manuscript on the art of Wing Chun by Robert Chu, Rene Ritchie, and Y. Wu, with a big rejection notice on it. Since Tuttle already had three books on the subject, and there are dozens of Wing Chun books on the market, the company didn’t think there was a need for the book. I, too, didn’t think this would be much different than a brief history of Yip Man and an overview of the three base forms. To my surprise after scanning the table of contents, however, I discovered that there was much more to this book—and art—than I had initially assumed or ever expected. I immediately contacted the authors and contracted their book.

      The authors have successfully traced the lineages and history of eight Wing Chun styles and present them here as the masters of the respective arts have passed them down through oral traditions. This is particularly insightful as it not only presents many points of view on a variety of topics—such as the real meaning of the term Wing Chun—but stays true to the teachings and traditions of each system by the authors not adding in their own thoughts. All of this information is then presented side-by-side for the interested reader to cross check and make his own decision as to what he chooses to believe and how he then interprets the art form. Given their in-depth research into the many Wing Chun systems, the authors then draw together the various oral histories with fact and construct, in the Conclusion, what they believe to be the actual history and development of the art and its many collateral systems. A detailed Glossary is also presented, with the corresponding Chinese characters for further reference and interpretation.

      Wing Chun instructors (left to right) Robert Chu, Mark Wiley, Hawkins Cheung, Gary Lam.

      Complete Wing Chun is perhaps the best book written on the various schools comprising a single martial art form. The authors have done an excellent job in their tireless research and presentation of material into this comprehensive treatise on one of the most controversial and misunderstood arts of this century. This book is destined to become the classic reference on the subject, and has set a standard by which other researchers and practitioners wishing to uncover their art should follow. I highly recommend this book to all Wing Chun stylists and martial arts researchers alike without hesitation. If ever you were to buy just one book on the art, this should be it.

      —Mark V. Wiley

      ACKNOWLEDGMENTS

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