Название: Dangerous Goods
Автор: Sean Hill
Издательство: Ingram
Жанр: Зарубежные стихи
isbn: 9781571318954
isbn:
Bemidji Blues
Against the Snow
Sam Kee, I imagine
Rara avis, 1913
Spring in Bemidji
Sugaring, 1915
Sugaring Redux
Still Life with Starlings and Man
A Photograph Taken in Duluth
after James Wright
The Wall
DANGEROUS GOODS
At a certain point I lost track of you.
—AGHA SHAHID ALI “FAREWELL”
POSTCARD TO WRONG ADDRESS
Yesterday I was, one place to begin
and Today I saw, another, but I
know I doesn’t matter to you. You
don’t know I or me for that matter.
But you are appropriate—
appropriately unfit like the not it
we sang out in our childhood games.
You’re like a confessional or, maybe,
the restaurant suggestion box;
you don’t care if I’m penitent
or cynical. I could tell you about
the side of paradise I hiked
today with its flora and fauna—
the birds! or the Sidle Parade,
a subtle spectacle I saw yesterday,
and it matters not. I could tell
you how I really feel about my
father or my shoe size, and they’d
both have the same weight like
the Weighing of the Heart—the soul
needs to balance the feather to gain
entry into heaven. Tomorrow
I intend to go to the Dead Man’s
Button Museum. They’re also
called dead man’s throttles—installed
in trains in case an engineer keels
over. Without pressure, the brakes engage.
for E. Corral
Leaving Dickinson, ND, on 94W with the sun
rising at our backs, a tractor trailer in front
and from the height of my vision, from nowhere,
or from heaven, a wine-soaked handkerchief, trailing
its edges, falls as quiet as a bruise into the next
lane over—a barn swallow caught in the truck’s wash.
They once lived in caves, but now make their nests
in man-made shelters, under bridges and barn eaves—
barns where might be kept a horse’s harness,
the parts of which you recited to me once—crupper,
martingale, throatlatch—rolling your r’s, lashing those
words lavishly for all they’re worth. I’ve since been told
one should always keep the throatlatch nice and loose.
I’ve heard a man would need a keel
bone six feet long
to cradle muscle enough to pull him
up on his own, keep him in the air,
or wind between a breeze and a gale,
a bit more than enough water
to drown in, and a sense
of displacement to set sail.
A keel bone is not a rudder, but
either can get you here.
I suppose I should say, it was warm
and clear here today, or
boats have keels and birds
have keel bones.
Was I the space between the ruffled
feathers on a robin’s red breast
—a wispy yen for warmth—before
you knew me?
A keel’s leading edge
is called a cutwater,
not to be confused with
a shearwater—a seabird
seldom seen from shore.
This note could fit in a bottle; one’s
being emptied; the last red drop rolls
down its neck.
Soon dregs will rest in the curve
of the wineglass’s belly—a hammock’s
sag here, where the day’s dregs sit on the sea
at the far edge of everything.
Here is me; I am here; I am desire; СКАЧАТЬ