Straight Lead. Teri Tom
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Название: Straight Lead

Автор: Teri Tom

Издательство: Ingram

Жанр: Спорт, фитнес

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isbn: 9781462907366

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СКАЧАТЬ of top two knuckles at point of impact. Using the top two knuckles necessitates a bend at the wrist, which is often the cause of injuries.

      Now compare this with the proper thumbs-up, bottom-three-knuckles fist in JKD, as demonstrated in Figure 20. You should be feeling a lot more solid.

      Figure 20: Correct use of bottom three knuckles at point of impact. There is no bend at the wrist, and the power line is not disrupted.

      Keep in mind that one of the underlying principles of the straight lead design is Newton’s third law, which states that when an object exerts a force on another object, that second object exerts an equal and opposite force on the first. You’ve probably heard it stated as, “For every action, there is an equal and opposite reaction.”

      Physicists will tell you that the application of force is not so much one thing acting on another as it is an interaction between two objects. So in our example of tapping the wall with the top two knuckles, you exert a force on the wall, and that jarring you feel through your shoulder and elbow is the wall exerting a force on you.

      Another example would be the focus pads. You can only exert as much force on the mitt as your trainer is exerting back toward you. Notice that when your trainer doesn’t give you much resistance, you cannot punch with very much force. But if your trainer gives you more resistance, you punch with more force (and have a lot more fun). As another example, think of trying to punch a piece of paper, versus hitting the heavy bag. No matter how hard you try, you can only hit that piece of paper so hard, because it cannot exert much force back. The heavy bag, on the other hand, allows you to hit much harder because it sends back a much greater force.

      As you can see from our experiment with the power line, then, the JKD stance is designed to best withstand whatever force is coming back at you. It puts you in the best possible alignment to absorb the force returning from your punches. One of the benefits, of course, is that the power line makes for an efficient punch. Nothing is wasted. All of your force is focused and concentrated and directed toward your target. There is no dissipation at the weak links at the wrist, as is the case when a punch is incorrectly landed with the top two knuckles. In a properly constructed JKD stance, there are no weak links.

      The second benefit of the bottom-three-knuckle landing is a “big picture” argument. Since the straight lead is the most frequently thrown punch in JKD, it makes sense that we want to incur the least wear and tear on our bodies from throwing it. Good form is what will keep you in JKD for the long haul. It is why Ted Wong, at sixty-five as of this writing, is still actively practicing, while many of his contemporaries have been sidelined with injuries. He’ll tell you that he even hits harder than he did more than thirty years ago, and he attributes this to the sound mechanics he’s honed over those years. As Bruce observed, “The older athlete regards form as a means of energy conservation and the great athlete saves energy because his extra skill makes each motion more effective—he makes fewer needless motions and his conditioned body uses less energy per movement.”14

      So if you have any intentions of practicing JKD for a long time, you must be able to feel and utilize the power line.

      R E A R H A N D

      The rear hand is positioned for protection, to parry and block blows aimed at your head. You’ll want to keep your left hand close to the left side of your chin. A good left hand and judgment of distance can make you nearly impossible to hit. Parrying with the left hand also gives you a feel for your opponent’s range.

      You’ll also want to keep your elbow close, to protect your side. By simply turning your trunk, you can deflect most blows to the body with your left arm, as shown in Figure 21.

      Figure 21: With a slight turn to the right, the left arm provides protection as you roll with the punch.

      T H E F R O N T H A N D

      To correctly position the front hand, stand in the stance as we’ve discussed so far, with your lead hand extended and resting at your side. Keeping your shoulder completely relaxed, bend your arm at the elbow at about a forty-five-degree angle. See Figure 22.

      Figure 22: Correct position of the front hand. There is no space between my arm and my side. This allows for complete relaxation of the arm.

      Figure 23: Incorrect position of the front hand. The slight extension at the shoulder places unnecessary tension on the arm, which will slow your punch.

      There should be little space, if any, between your arm and your side. Holding your arm away from your body places tension on your shoulder, and you’ll be wasting energy holding your arm out. This will slow you down.

      Some people incorrectly think that holding your arm out gives you a speed advantage, by keeping the hand closer to the target, but it will only fatigue your poor deltoids, making you slow. As with our phasic bent knee, keeping the arm close gives you more potential energy. You have somewhere from which to lash out. If your arm is already extended, you have a tired arm with nowhere left to go. See Figure 23.

      THE GUNSIGHT

      Now let’s be a little more precise about positioning the lead hand. Have someone stand in front of you, and with your right hand up, extend your right index finger. Where is your finger pointing? It should be toward the target, your opponent’s nose. If you find yourself pointing too low—say, at your opponent’s foot—readjust your hand so that you’re pointing at the nose. Likewise, if you find yourself pointing at the sky, you’re aiming too high. Again, adjust your hand so that you’re pointing at your opponent’s head. Now close your fist. This is the correct position of the hand. See Figures 24 through 26.

      Figure 24: To check if your hand position is correct, extend your index finger. It should point directly at your target—in this case, my opponent’s face.

      Figure 25: Close your fist. This is your correct lead hand position.

      Figure 26: From the correct hand position, shoot your fist straight out. This is the fastest way to reach your target with the lead hand.

      Think of your right hand as a gunsight. You always want to keep your target within range of this gunsight, which is your correctly placed hand. This will increase your accuracy, of course, but it will also increase your speed, because your hand is already positioned to hit the target without any other adjustments. You just shoot your hand out. No fuss, no muss.

      If the hand is positioned too high or too low, you’ll have to lower or raise both your hand and forearm first and then shoot out. This extra movement not only slows you down but telegraphs your attack as well. See Figures 27 through 30.

      Figure 27: If your front hand is kept too low (left), you’ll be pointing at your opponent’s kneecap.

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