Название: Thank You, Anarchy
Автор: Nathan Schneider
Издательство: Ingram
Жанр: Культурология
isbn: 9780520957039
isbn:
Then, in early 2003, the same thing happened, only more so. The worldwide protests against the invasion of Iraq were the largest mobilization in history, and the war happened anyway. The newspapers hardly even noticed the opposition. A lot of us who were young enough to believe that we could turn back the bombers if our slogans were loud enough retreated into disappointment and the complacent cynicism of The Daily Show with Jon Stewart. But those protests lodged a question in my head: What would it have taken to make a difference? What would it have taken to capture people’s imaginations and keep them from letting the politicians lead us into disaster again?
For the most part, though, I turned my attention to other things. I converted to Catholicism and studied religion. I went to graduate school and started writing for magazines. By the time the middle of 2011 came around, I was putting off finishing a quixotic book I’d been writing for years about how and why people concoct proofs about the existence of God. This put me in a fidgety mood, primed for apocalyptic distractions.
I had been watching revolutions from a distance since the beginning of the year, when people rose up and expelled dictators in Tunisia and Egypt, stirring up Libya, Bahrain, Syria, Jordan, and more. Continually refreshing my social media feeds, with Al Jazeera on in the background, I tried my best to blog each day about whatever was happening in the Middle East. I wanted to understand where these movements came from, who organized them, and how. Experts in the United States were satisfied with attributing the uprisings to global food prices and Twitter, but the revolutionaries themselves didn’t use the language of economic or technological determinism. In interviews, they seemed instead to talk about having rediscovered their agency, their collective power, their ability to act.
Over the summer, I attended a seminar in Boston with civil resisters from around the world. Some were still glowing from recent success, like the Egyptians who’d helped overthrow Hosni Mubarak, while others, like the Tibetan and the two from Burma, remained so far from what they longed for. They shared their goals and their strategies, as well as their sacrifices—for many of them, imprisonment and torture. They had arguments and epiphanies. They learned from what one another was doing and thinking, and grew stronger as a result.
During a break in the discussion, I noticed a photocopied essay by one of those at the seminar, a memoir of her time in the civil rights movement. The essay opened with a passage from a nineteenth-century poem born of the struggle over slavery. It described a moment arising, or a movement, in which a whole society is forced to choose where it stands: “Some great cause, God’s new Messiah.” When might such a moment, or a movement, come to us in the United States again? Those words became my mission.
I left that meeting with something lit up inside me. I now knew the kinds of stories I needed to learn how to tell—the stories of how people go from wanting to resist to actually doing so, of how by reasoning and creativity they learn to build power. I wasn’t interested so much in reporting on more protests, coming and going with the spectacle; I wanted to experience the planning and organizing by which the spectacle, and whatever comes of it, came about. So when I returned home to New York, I started looking for the planning process of some great cause to follow and to learn from. It turned out that this would be easier than I expected—and that the spectacle would be the process itself.
Revolution didn’t seem like such a crazy idea in 2011. Just a few weeks into the year, two dictators had already bowed to the power of the people. By late February, the victorious Egyptians were phoning in pizza-delivery orders to the occupied Wisconsin state capitol, in Madison. Unrest followed the summer’s heat to Greece, Spain, and England. Europe’s summer was Chile’s winter, but students and unions rose up there too. Tel Aviv grew a tent city.
While Tahrir Square in Cairo was still full, the boutique-y activist art magazine Adbusters published a blog post imagining “A Million Man March on Wall Street.” But the United States appeared to go quiet after Madison, its politics again domesticated by talk of the “debt ceiling” and the Iowa straw poll; when tens of thousands actually did march on Wall Street on May 12, few noticed and fewer remembered.
While following the march that day on Twitter from Florida, however, a thirty-two-year-old drifter using the pseudonym Gary Roland read about another action planned near Wall Street for the next month: Operation Empire State Rebellion, or OpESR. That tweet led him to a dot-commer-turned-activist-journalist named David DeGraw. DeGraw was working through the Internet entity known as Anonymous, which over the past year or two had been emerging from various cesspools online into a swarm of vigilantes for justice. With Anonymous, DeGraw had helped build safe networks for the dissidents of the Arab Spring. Since early 2010 he had also been writing about his vision of a movement closer to home, a movement in which the lower 99 percent of the United States would rebel against the rapacity and corruption of the top 1 percent. An Anonymous unit formed to organize OpESR, calling itself A99.
Through DeGraw’s website, Roland helped make plans. Having recently lost his job as a construction manager for a New York real estate firm, he was familiar with the city’s public spaces and the laws applying to them. He proposed that OpESR try to occupy Zuccotti Park, a publicly accessible place privately owned by Brookfield Office Properties. On June 14—Flag Day—Zuccotti Park would be its target.
Anonymous-branded videos announcing the action had begun to appear in March and got hundreds of thousands of views. Momentum seemed to be building. When the day came, though, only sixteen people arrived at Chase Manhattan Plaza, where the march to Zuccotti was to commence, and of the sixteen only four intended to occupy.
Undeterred, Roland decided to join another occupation that was beginning the same day near City Hall, a few blocks north. Organized by a coalition called New Yorkers against Budget Cuts, the so-called Bloombergville occupation would turn into a three-week stand against the city’s austerity budget. It didn’t seem to amount to much on its own, but it eventually proved to be another step building toward something that would.
“The attention we were able to get online,” David DeGraw wrote after the flop on June 14, “obviously doesn’t translate into action.” Consoling himself with the thought that the attempt was at least spreading awareness, he started talking about trying again on September 10, a date chosen in deference to the Anonymous convention of operating in three-month cycles.
More simultaneity, more synchronicity: September 10 was also the day on which a completely separate mass action was slated to happen in Washington. Seize DC, as it was called, came from a small organization called Citizens for Legitimate Government (CLG), which had experienced a period of some prominence during the Bush years.
“We’re thinking of this as a guerrilla protest,” CLG’s Michael Rectenwald told me on a bench in Washington Square Park. (In addition to being the group’s founder, chair, and “chief editorialist,” he is a professor at New York University who writes about nineteenth-century working-class intellectuals.) The goal was to mount a protest against wars abroad and corporate control at home, beginning on the eve of the tenth anniversary of the September 11 attacks but possibly continuing much longer. “We’re trying to get the maximum impact for the numbers we have,” Rectenwald said. The details would be worked out more or less on the fly.
Numbers, however, were again the problem. CLG had called for Seize DC on its seventy-five-thousand-member e-mail list, but by late August it was clear that a turnout of even a thousand wasn’t likely. This, too, had to be put on hold.
The call that came on July 13 from Adbusters was just one more among the others. Like OpESR and Seize DC, its prospects were entrusted to the Internet. The name was in the idiom of a Twitter hashtag: #OCCUPYWALLSTREET. Accompanying that was an image of a ballerina posed atop the Financial District’s Charging Bull statue, with police in riot gear partly obscured by tear gas in the background. Red letters at the top asked, “WHAT СКАЧАТЬ