Название: The Anti-Grief
Автор: Marianne Boruch
Издательство: Ingram
Жанр: Зарубежные стихи
isbn: 9781619322103
isbn:
at it at it leaping, failing spectacular
upstarts all over again
human. What it means to
love is speechless.
The Museum of Silence
Those Poor Clares must wonder why the racket
louder than usual, three-euros-a-pop
tourists queueing up outside,
weekends the convent on pause.
It’s the noise in their heads, the old nun
might say with what’s left
in her head, the girlhood part: war,
a low-flying plane, the loud, hoarse agony
of cows shattered from above into petal by
red petal, garish sprays in grass
north of these olive groves.
(Museum of Silence as secret or
scent, day of misjudgment,
Italy, the baffling website, our
stop-start train to Fara Sabina.)
Quiet is what’s after, the old nun
tells the young nun who has
an edge, that eye thing, she has a look.
This too I invent: is it vanity or just
the old woman in wonder, going on
so vividly the long-ago boy in that cockpit
can’t even have a thought, he’s so scared.
And the younger nun: So now it’s
forgive us their trespasses?
Not out loud. In her head. Belief can narrow
for good like that. What’s left is
a lever, a simple jack of amazement to
pry open the very first museum on earth,
a sanctuary for the muses.
Of course. From the Greek mουσεῖον,
part cemetery. Latin’s closer,
mūsēum, its small banquet room to keep
the dead living, a spot for reverent
frolic and grief. The Ancients
mourn, loving the lost off to their
out-of-body nowhere or somewhere,
eating with them one last time.
The original church-basement lunch
after the funeral, I suppose.
And those ladies who
toil among the fruit salad, ham spread,
the muted voices—
O long-robed muses of oldest days,
(for Poetry lyric and epic and sacred,
for Music, History, Dance, et al) come hither!
Even you, wordless stricken one
called Tragedy, the start over,
dark forever thus
in such places, that bright
moth bitten-blind ring of leaves you wear.
May Day
The child, the miniature
old person waiting in her was worry,
all that sitting alone in a tree thinking the tree
knew her thoughts.
Walking home, just walking like that…
A kind of radar. It does ache,
scanning the waters Is
turning to Was turned to who can recall
the inch-by-inch days of school.
What got learned piled up or it morphed
to the next thing and left behind
a little smoke.
There are children with
no child inside. But here’s a bird for you, says Spring,
brought back from the dead of
snow and ice. Plus flowers, the first blue (sweet
low-to-the-ground vinca), first yellow
(forsythia’s wild reach every which way).
And those hearts in the garden again, their red
and their white bleed so meticulously
minting sorrow—classic, ridiculous, too many—
one might think them fake, stamped out in some factory
an ocean away, two continents. A good third of
the workers underage, trying so hard.
That Thing
I have a lot of rue in me.
A bicycle tire to fix.
World peace to attend to.
Bones in the x-ray not lighting up right.
I have an ear
for that scratching in the wall that
keeps one awake in the short run,
like: whether to tell you
that thing or not.
That thing. So many names for it but certain
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