Название: Time Will Clean the Carcass Bones
Автор: Lucia Perillo
Издательство: Ingram
Жанр: Зарубежные стихи
isbn: 9781619321502
isbn:
with what we were: two sisters, two brothers.
Maybe our parents really were people who walked in the world,
were mean or kind, but you’d have to prove it to us.
They were the keepers of money, the signers of report cards,
the drivers of cars. We had a station wagon.
Back home we even had a dog, who was fed
by a neighbor kid while we toured the Jersey shore.
We waded in the motel pool and clung
to the edge of the deep end, because we couldn’t swim.
Maybe that’s why we never went in the ocean, despite
hours of driving. We could’ve just gone down the block!
Yet each year we made a ritual of this week
spent yelling and cursing and swatting each other,
with none of the analyses we now employ, the past
used as ammunition, the glosses from our latest therapist.
Back then a sock in the jaw could set anyone straight.
On Sunday afternoon, the homeward traffic would grind still
where the turnpike bottlenecked. My father
would slam his forehead against the steering wheel,
start changing lanes and leaning on the horn.
Without breeze through the window, the car would hold
our body heat like an iron skillet, skin peeling
from our burned shoulders as we hurled pretzels
and gave the finger to kids stopped in cars beside us.
My mother wouldn’t mention the turn we’d missed
a few miles back; instead she’d fold the map
and jam it resolutely in the glove box while we crept on.
Perhaps this was our finest hour, as the people
we were becoming took shape and began to emerge:
the honkers of horns and the givers of fingers.
After the sun turned red and disappeared, we rolled
through darkness, wondering if the world knew all its names:
Wickatunk, Colts Neck, Zarephath, Spotswood — in every town
there were houses, in every house there’s a light.
Limits
The dead man.
Every now and again, I see him.
And the wildlife refuge where I worked then,
the shallow ponds of Leslie Salt Company
patchworking the San Francisco Bay edges
and spreading below the hills like broken tiles,
each pond a different color — from blue to green
to yellow until finally the burnished red
of terra-cotta, as the water grew denser
and denser with salt. Dunlins blew upward
like paper scraps torn from a single sheet,
clouds of birds purling in sunlight, harboring
the secret of escaped collision. And
that other mystery: how these weightless tufts
could make it halfway to Tierra del Fuego
and back before spring’s first good day.
On those good days, a group from the charity ward
named after the state’s last concession to saints
would trudge up the hill to the visitor center,
where I’d show them California shorebirds
— a stuffed egret, western sandpiper, and avocet —
whose feathers were matted and worn to shafts
from years of being stroked like puppies.
As I guided their hands over the pelts
questions stood on my tongue — mostly
about what led them to this peculiar life,
its days parceled into field trips
and visits to the library for picture books
with nurses whose enthusiasms were always greater
than their own. Their own had stalled out
before reaching the moist surface of their eyes,
some of the patients fitting pigeonholes built
in my head, like Down syndrome and hydrocephalus.
But others were not marked in any way,
and their defects cut closer to the bones
under my burnt-sienna ranger uniform.
Maybe I was foolish to believe in escape
from the future carried in their uncreased palms:
our lives overseen by the strict, big-breasted nurse
who is our health or our debts or even
our children, the her who is always putting crayons
and lumps of clay in our hands, insisting
we make our lives into some crude but useful thing.
And one day a man, a patient who must have been
supervised by his strict heart, fell down
suddenly and hard, on his way up the hill.
Two nurses prodded him on toward the building,
where he went down again like a duffel bag full of earth
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