1968 Shelby Mustang GT350, GT500 and GT500KR. Greg Kolasa

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СКАЧАТЬ or not, it was the first step on an evolutionary journey necessary to ensure the continued survival of the model. They accepted that compromises had to be made in two significant aspects of the GT350: appearance and the rough character that defined the first GT350.

      More visual separation from the base Mustang was needed. Shelby accomplished this through the addition of what may well be the two best-known features of any year of the Shelby Mustang: quarter windows and side air scoops. Those design cues, which are iconic today, provided the Shelby with an identity that was much more visually separated from the Mustang. It was still too easy, however, to characterize the Shelby GT350 as “just a Mustang with stripes” because the two still shared much body sheet metal.

      Ford and Shelby made a few more additions to the GT350 that were intended to make the Shelby product more appealing to a larger client base. These included the availability of colors other than white, a rear seat, and an automatic transmission. A conscious effort was made to lower the cost of the car. Some subtractions were made that enthusiasts would likely miss but that the general driving populace would not. These deletions included the Koni shock absorbers, lowered front upper A-arms, and pricey (and noisy) Detroit Locker differential, which were either shifted to the “added cost” column of the window sticker or deleted entirely. The side-exiting low-restriction exhausts also went.

      All of these revisions, although perhaps not palatable to true performance enthusiasts, nevertheless had a favorable effect on the car’s economics. With the same powerplant and underpinnings as the first-year GT350, the 1966 edition still had the flavor of its brash forefather. However, the car was clearly pursuing a path to a softer (and therefore larger) group of enthusiasts. Although it was certainly not to the true performance enthusiasts’ taste (and perhaps not even to the manufacturer’s), it clearly was appealing to the masses (and to Ford’s bottom line); softer was better.

       Shelby American recognized that, for 1966, its GT350 needed more, not in the performance area, but in the “looks different from a Mustang” area. One of the solutions was a pair of features that have come to be described over the years as “iconic”: side scoops and quarter windows. Not only did they differentiate the GT350 from the Mustang, they channeled air to the rear brakes and provided better visibility for the driver. With the GT350 now available with a rear seat (another move to widen the car’s appeal), back seaters also enjoyed a better view.

       Perhaps the most visually significant step of making the Shelby GT350 palatable to a wider consumer base was a softening of the “any color as long as it’s white with blue stripes” stance. The first year of “other color” availability saw white/blue as the favorite (red was a close second), although the traditional color scheme experienced a steady decline in popularity for the remainder of the car’s existence.

STYLE OVER SUBSTANCE, BY DESIGN

      Every year of the Shelby Mustang is unique and can be thought of as a separate step in the car’s evolution. Because they were built some 2,200 miles from the marque’s birthplace (and, in fact, by an entirely new and different constructor), the 1968 models are often thought as being the turning point in the Shelby Mustang evolution.

      There is, of course, some degree of merit to that assessment, but actually, a more solid argument can be made that in 1967, the Shelby Mustang made its largest single evolutionary leap. The car emerged from the design process with a totally unique look that was the greatest stylistic departure from the Ford Mustang (and the Shelby Mustang of the year prior). Moreover, that design process took a completely different approach, one that would have been unthinkable just two years prior.

       For 1967, the Shelby GT got what it needed: complete stylistic divorce from its Mustang roots. A whole new nose and tail (unfortunately rendered in ill-fitting fiberglass from multiple, small-run suppliers) made the car look, as Carroll Shelby wanted, “like it was going 100 mph standing still.” The ’67 Shelby GT was now looked upon as much more than just a Mustang with stripes. The installation of the 428 gave rise to the GT500 and pushed the Shelby GT into the true “muscle car” category.

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