Virginia Woolf in Manhattan. Maggie Gee

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      8

      ANGELA

      Safety. I still hadn’t got her to safety. That was the mantra in my brain. Through a blur of noise, speed, fear I guided her back to the Waddington.

      Virginia Woolf, that leviathan! How lucky I was to be in this dream – or was she lucky, to share my dream? Did the dead get holidays?

      Briefly, I moved through space beside her, and every step felt dangerous. Thank God it wasn’t very far. The Waddington, Seventh Avenue. The last hotel I would have chosen.

      Perils of last-minute internet packages. Flights were cheap, but what a dreadful flight!

      The lift. I do remember that. She cowered from the walls as if they were shrinking. I slipped my keycard across the room door and saw her eyes fixate, briefly. Then we were in, and she saw the phone. ‘No, Virginia, wait a moment.’

      I expected the dream to fall apart. I think I hoped that waking would save me, but the unspeakable silence extended – she was still there, and I was still there, and the room was as constricting as before, like the small-sized room where everyone dies, for I had looked after Henry and Lorna, and once you have seen your parents die, nothing is quite as it was before.

      Somehow she’d have to be told about Leonard.

      And I began to try to explain.

      VIRGINIA

      ‘The twenty-first century,’ the woman said, for the second time, patiently, slowly, as if I were a child or an idiot.

      And so it all started to scream in my head, the noise of the traffic five floors below us – the moans & gurgles of the radiator – this yellow-haired woman who looked so hard at me, & took my arm, & told me lies – this strange small room full of ugly furniture, the pale telephone like none I had seen that squatted on her bedside table like a sickly, sleeping, dachshund pup, & this dyed stranger did not want me to use it –

       I must wake up It’s time to wake up

      ‘You can’t call him,’ she said to me. ‘I’m so sorry, he – can’t be called. As I said, it’s the twenty-first century.’

      ‘Of course, of course I must call my husband – ’

      I MUST WAKE UP IT’S TIME TO WAKE UP

      I strained to wrench myself out of the dream –

      The detail felt too sharp for a dream. This box-like, tiny, oblong room, the ugly bed with its poor, bare, bedhead – the square black screen staring out from one corner, some awful cinema machine – the cheap brocade curtains, the poisonous smell this woman said I was imagining.

      Could it be true that I had jumped a century?

      Could I be … back?

      I stared out of the window. A strip of sky. A ray of light.

      A sudden jolt of absolute beauty. Through the mean window it signalled to me a world of new signs, flashing, glowing.

      But Leonard. Leonard. Was he here too?

      Odd that I can’t remember how I left him. I can’t remember yesterday. And yet I surely spent it with him. My mongoose love, my beloved mate. With whom I’ve had such happiness. They underrate the joy in marriage. No-one could be happier than we have been –

       I don’t think two people could have been happier

      Stare at the floor, the yellow walls, the painted-over wallpaper. The nameless spots and spills and smears. The human body, leaking stains

      No, look away, that air, that sky

      ‘Virginia do you want some water? Virginia? Virginia?’

      ‘Leave me alone. Please be quiet.’

      For I heard a voice of terrible clarity, reading the note that I had written, picking me up by the scruff of the neck and shaking me with guilt and horror –

      (Somewhere in the room, a loud bell shrilled. The woman started patting her body frenetically, up and down, like a meaningless dance. Then she dragged a small box out of her pocket. Now she was talking and smiling to herself.)

      I understood. Another telephone. In this strange world, some did not need wires, some slept like dogs on bedside tables. I would make her give it to me, and ring Leonard. ‘Sorry,’ she muttered. ‘Sorry, Gerda.’