Disposable Futures. Brad Evans
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Название: Disposable Futures

Автор: Brad Evans

Издательство: Ingram

Жанр: Политика, политология

Серия: City Lights Open Media

isbn: 9780872866591

isbn:

СКАЧАТЬ disinvestment in and breakdown of institutions and public spheres that have provided the minimal conditions for democracy. A generalized anxiety now shapes neoliberal societies—one that thrives on insecurity, dread of punishment, and a perception of constant lurking threats.

      Such hysteria not only is politically debilitating but also feeds the growing militarization of society, culture, and everyday life. This trend is evident in the paramilitarizing of the police, who increasingly use high-tech scanners, surveillance cameras, and toxic chemicals on those who engage in peaceful protest against the warfare and corporate state. The war on terror has evolved into a war on democracy as local police are now being militarized with the latest combat-grade equipment imported straight from the battlefields of Iraq and Afghanistan to the streets of places like Ferguson, Missouri, and numerous other cities. In the United States, military technologies once used exclusively on the battlefield are now being supplied to police departments across the nation. Drones, machine-gun-equipped armored trucks, SWAT vehicles, and tanks now find themselves in the hands of local police and campus security forces, turning them into the normalized symbols of everyday violence that now plague the neoliberal state. Arming domestic police forces, with paramilitary weaponry ensures their systematic use even in the absence of a terrorist attack; moreover, such weapons will produce more aggressive modes of policing, if not violence, against young people, communities of color, and immigrant families. Criminalization and violence now proceed with a colonial vengeance on the part of the power elite, followed by the stigmatizing and humiliation of those considered disposable, beyond the pale of compassion, justice, and ethical concern.36

      A state of permanent war requires modes of public pedagogy to form obedient subjects who abide by its values, ideology, and narratives of greed and violence. Such legitimation is largely provided through a market-driven culture that advocates for consumerism, militarism, and organized violence, circulated through various registers of popular culture extending from high fashion and Hollywood movies to the creation of violent video games sponsored by the Pentagon. The market-driven spectacle of war demands a culture of conformity, complicit intellectuals obedient to established relations of power and its version of history, and a passive republic of consumers. It also needs compliant subjects who through relentless marketing are cultured both to find pleasure in the spectacle of violence and to divorce its occurrence from political questions raised by personal ethics and social conscience.

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