Название: Iron Mountain
Автор: Mark Frutkin
Издательство: Ingram
Жанр: Поэзия
isbn: 9781770706262
isbn:
Thunder
Death of a Poet
Baudelaire’s Letter to Ancelle
Double
Creation as Fresco Cycle
Tintoretto
Degas in New Orleans
Boulevard du Temple, Paris, 1839
Recipe for Light and the Elements
Extracting the Bull
Love in Its Seasons
Proud Swimmer
Horses in the Fetal Heart Rate
Ragged Edge
Male and Female
Prisoner
Heart of Rust
Early Winter Light
Anatomy Lesson
Night Rain in Summer
Nymphalidae
First Snow of Silence
Tablecloth
A Bird of Three Syllables
To Quench Our Thirst for Stories
Cigar Box
On Reading Submissions to a Poetry Magazine
Crackle-Glaze
The Space Between Two Words
Listening
Old Bones Juggles Three Skulls
When You Will Be a Mountain
Skull
Lombardy Poplars
Old Bones
Once a Great Ruler, This Spider
No One Will Be Counting
Albert
Wilderness
Creation Myths
Nine Haiku
Reinventing the World
Wall
Wilderness
Some of the poems in this book were previously published (in several cases in slightly altered form) in the following anthologies and publications:
Descant: “Prisoner,” “First Snow of Silence,” “Crackle-Glaze” The Fiddlehead: “Wall” The Free Verse Anthology: “Report on the End of Time” Indian Literature (India): “Early Winter Light” Intervox: “Deep Ecology Haiku” Poetry Canada Review: “Baudelaire’s Letter to Ancelle,” “Double,” “Degas in New Orleans,” “Creation Myths” Prism international: “Villa-Lobos Lugs His Cello Through the Amazon Jungle” Revista Española de Estudios Canadienses: “Thunder” Sealed in Struggle (anthology edited by N. Vulpe and M. Albari): “Death of a Poet” Six Ottawa Poets (anthology edited by S. Mayne): “Chinese Exhibition,” “Cigar Box,” “Lombardy Poplars,” “Old Bones,” “On Reading Submissions to a Poetry Magazine,” “Reinventing the World” White Wall Review: “Tintoretto” The Windhorse Review: “Fragments of Heaven and Earth,” “Euclid,” “Blue Sky,” “Horses in the Fetal Heart Rate,” “Once a Great Ruler, This Spider,” “Heart of Rust”
Within the size of a fist can be assembled the beauty of a thousand cliffs…. The Sage (Confucius) once said, “the humane man loves mountains.” … Thus longevity through quietude is achieved through this love.
—Kong Chuan,
preface to Hermit of Cloudy Forest by Du Wan, 1133
The Journey to Shu —A Chinese Landscape
The artist paints with a brush of horsehair
drawn from the horse he is painting.
Mountains and forests, ambiguous,
their folds spontaneous and immeasurable.
Ambiguous too the path
threading through them
like smoke
rising from a mountain hut.
At first it holds steady,
a solid stream,
then splays and shreds
in a thousand branches.
Why are we going to Shu? Remind me, the Emperor on his majestic horse questions his lieutenant.
To see the goddess, the lieutenant replies. The Emperor turns his head, shakes the reins, and the single-file procession stutters on through birch forests.
One day the weather is clear, the next, cloudy.
As the painting unfolds, so do the mountains,
so does the path through the mountains,
and so does the line of men and horses
on the path through the mountains.
Not even the painter knows
why СКАЧАТЬ