Название: Storyworthy
Автор: Matthew Dicks
Издательство: Ingram
Жанр: Маркетинг, PR, реклама
isbn: 9781608685493
isbn:
Matthew came along at a time when the New York storytelling scene needed someone to remind it that storytellers are, first and foremost, a family, no matter how large, no matter how many different shows exist, no matter in how many different cities or countries. The family might be millions of people all over the world at this point, but Matthew Dicks is the guy who makes you realize it was that big all along. That those of us performing on this so-called storytelling scene haven’t been doing anything new at all, just stepping up to a mic to partake in something that’s been happening since the dawn of time.
This book is the helping hand they didn’t have in the caves of Altamira. I mean, in fairness, they didn’t need it back then — they seemed to do just fine at telling stories. But the world has changed a bit over the past thirty-five thousand years, and the book you’re holding is a great resource. I’ve always said that a good storytelling show feels like a cross between therapy, rehab, and hanging out after dinner with friends. The idea of reading a book to get better at telling stories might seem a little academic, but you’re about to find out that this is a book written by someone with a great heart, who believes you’ve got a great life full of stories in you and ahead of you.
I have to admit I have a soft spot for the way Matt fell into storytelling — that he went to a Moth StorySLAM to make good on a promise, secretly hoping deep down that his name wouldn’t get called. And once he was in that room with everybody, he stuck around, but it’s almost as if he didn’t quite know what good could possibly come from it. Matthew Dicks hasn’t so much written a book about storytelling technique, or angling to get ahead in the smallest waters of the entertainment scene, or marshaling the will and ego to elbow your way past folks. He’s written a book about you and how it would be great to have you hanging out and telling stories with everyone. Even if you don’t quite know what good could possibly come from it.
— Dan Kennedy, host of The Moth Podcast
It’s July 12, 2011. I’m sitting in the Nuyorican Poets Café in downtown Manhattan on a Monday night, though the buzz in the room makes it feel like a Saturday. It’s hot and crowded. A possible firetrap. The smell of stale beer lingers in the air. Hipster is piled upon hipster, sitting in metal folding chairs, standing at the rear of the club, and crowded around small, wobbly tables. A spotlight is trained on a small stage peppered with Igloo coolers, black electrical cords, and audio equipment. A single microphone stands at center stage under the spotlight’s warm glow.
Dan Kennedy — a man I’ve never met but whose voice I know from his audiobooks and The Moth Podcast — is standing onstage, hosting the show. Dan is lean, with a wry smile and dark hair. He’s in his midthirties. Relaxed. Confident. Everything that I imagined from listening to his voice so many times. Plus, he’s funny. Effortlessly funny. Also sweet. Within minutes, he’s wormed his way into my heart.
This is my first time attending a Moth StorySLAM. The first time I plan to take the stage and bare my soul. Ten minutes ago, I dropped my name in a canvas tote bag. Dan called it a hat, but I didn’t dare quibble over terminology. All I know is that from that proverbial hat, ten names will be drawn to tell stories.
I’m praying that my name doesn’t get picked.
After months of imagining this moment, the last thing I want to do now is perform for this audience. I’m only here because I stupidly promised my friends that I would someday tell a story at The Moth. Now all I want to do is bolt. Either that or sit here silently for the rest of the night. I’d be willing to remain silent the rest of my life if I could avoid going up on that stage.
Two years ago, my friend Kim recommended that I listen to The Moth’s weekly podcast. The Moth, an international storytelling organization, produces shows that feature true stories told live onstage without notes. Experienced storytellers, terrified rookies like me, and the occasional celebrity take the stage to share meaningful moments from their lives with hundreds and sometimes thousands of people. Kim suspected that I’d enjoy the stories featured on The Moth Podcast, and she was right.
Listening to The Moth’s storytellers, I instantly fell in love with their vulnerability, humor, and honesty. A Moth story offered me a rare glimpse into an entirely new world. I was amazed by the instant connection I felt to storytellers whom I could not see and did not know.
I didn’t know it at the time, but even though storytelling seemed mysterious and impossible, I was already immersed in the craft. Whether I was delivering a talk about my latest novel or speaking to parents during an open house or even flirting with my future wife, it turns out that I have been telling stories for a long time.
More importantly, I also had a natural affinity for sharing my less-than-noble moments with others. I’ve always known that embarrassment could get a laugh. Telling about my most shameful and foolish moments had always brought me closer to listeners. Honesty is attractive. A friend of mine once said that I “live out loud.” It describes me well.
Perhaps I first learned this lesson on the page. Having written a blog since 2004, I’ve long understood the power of unbridled honestly and unflinching vulnerability. I’ve managed to capture the attention of a sizable audience by writing openly and truthfully about my life. I’ve established friendships with people from around the world through the power of my words. But this was new. Listening to a storyteller share a private story so openly in front of an audience captivated me.
I eagerly awaited Tuesday afternoons for the new episodes of The Moth Podcast to drop. I researched other storytelling podcasts and began listening to them too. Consuming stories in greater and greater numbers. I didn’t know it yet, but I had begun my education in storytelling.
Over the course of the next year, The Moth grew in popularity, and as it did, more and more people began finding their podcast. Friends who’d become fans of The Moth were soon calling me, telling me that I should go to New York and tell a story.
“You’ve led such a horrible life!” they’d say. “Your life has really sucked. You’d be great at storytelling.”
Although I wouldn’t say that my life has sucked, they weren’t entirely wrong. To say my life has been colorful would be an understatement. The short list of moments that my friends were referring to includes:
• Paramedics brought me back to life through CPR on two separate occasions.
• I was arrested, jailed, and tried for a crime I did not commit.
• I was robbed at gunpoint. Handguns pressed against my head. Triggers pulled.
• I lived with a family of Jehovah’s Witnesses, sharing a small room off their kitchen with a guy named Rick, who spoke in tongues in his sleep, and with the family’s indoor pet goat.
• I was the victim of a widespread, anonymous smear campaign that included a thirty-seven-page packet of excerpted, highly manipulated blog posts that was sent to the mayor, the town council, the school board, and more than three hundred families in the school district where I teach. This packet compared me to the Virginia Tech killer and demanded that I be fired, along with my wife (who was teaching with me at the time) and my principal. If I wasn’t fired, the authors of the letter warned us, the packet would be СКАЧАТЬ