The Greatest Works of Saki (H. H. Munro) - 145 Titles in One Edition. Saki

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      Van Cheele began to feel that there was something positively uncanny about the strange-eyed, strange-tongued youngster.

      "I can't have you staying in these woods," he declared authoritatively.

      "I fancy you'd rather have me here than in your house," said the boy.

      The prospect of this wild, nude animal in Van Cheele's primly ordered house was certainly an alarming one.

      "If you don't go I shall have to make you," said Van Cheele.

      The boy turned like a flash, plunged into the pool, and in a moment had flung his wet and glistening body half-way up the bank where Van Cheele was standing. In an otter the movement would not have been remarkable; in a boy Van Cheele found it sufficiently startling. His foot slipped as he made an involuntarily backward movement, and he found himself almost prostrate on the slippery weed-grown bank, with those tigerish yellow eyes not very far from his own. Almost instinctively he half raised his hand to his throat. The boy laughed again, a laugh in which the snarl had nearly driven out the chuckle, and then, with another of his astonishing lightning movements, plunged out of view into a yielding tangle of weed and fern.

      "What an extraordinary wild animal!" said Van Cheele as he picked himself up.

      And then he recalled Cunningham's remark: "There is a wild beast in your woods."

      Walking slowly homeward, Van Cheele began to turn over in his mind various local occurrences which might be traceable to the existence of this astonishing young savage.

      Something had been thinning the game in the woods lately, poultry had been missing from the farms, hares were growing unaccountably scarcer, and complaints had reached him of lambs being carried off bodily from the hills. Was it possible that this wild boy was really hunting the countryside in company with some clever poacher dog? He had spoken of hunting "four-footed" by night, but then, again, he had hinted strangely at no dog caring to come near him, "especially at night." It was certainly puzzling. And then, as Van Cheele ran his mind over the various depredations that had been committed during the last month or two, he came suddenly to a dead stop, alike in his walk and his speculations. The child missing from the mill two months ago—the accepted theory was that it had tumbled into the millrace and been swept away; but the mother had always declared she had heard a shriek on the hill side of the house, in the opposite direction from the water. It was unthinkable, of course, but he wished that the boy had not made that uncanny remark about child-flesh eaten two months ago. Such dreadful things should not be said even in fun.

      Van Cheele, contrary to his usual wont, did not feel disposed to be communicative about his discovery in the wood. His position as a parish councillor and justice of the peace seemed somehow compromised by the fact that he was harbouring a personality of such doubtful repute on his property; there was even a possibility that a heavy bill of damages for raided lambs and poultry might be laid at his door. At dinner that night he was quite unusually silent.

      "Where's your voice gone to?" said his aunt. "One would think you had seen a wolf."

      Van Cheele, who was not familiar with the old saying, thought the remark rather foolish; if he had seen a wolf on his property his tongue would have been extraordinarily busy with the subject.

      At breakfast next morning Van Cheele was conscious that his feeling of uneasiness regarding yesterday's episode had not wholly disappeared, and he resolved to go by train to the neighbouring cathedral town, hunt up Cunningham, and learn from him what he had really seen that had prompted the remark about a wild beast in the woods. With this resolution taken, his usual cheerfulness partially returned, and he hummed a bright little melody as he sauntered to the morning-room for his customary cigarette. As he entered the room the melody made way abruptly for a pious invocation. Gracefully asprawl on the ottoman, in an attitude of almost exaggerated repose, was the boy of the woods. He was drier than when Van Cheele had last seen him, but no other alteration was noticeable in his toilet.

      "How dare you come here?" asked Van Cheele furiously.

      "You told me I was not to stay in the woods," said the boy calmly.

      "But not to come here. Supposing my aunt should see you!"

      And with a view to minimising that catastrophe, Van Cheele hastily obscured as much of his unwelcome guest as possible under the folds of a Morning Post. At that moment his aunt entered the room.

      "This is a poor boy who has lost his way—and lost his memory. He doesn't know who he is or where he comes from," explained Van Cheele desperately, glancing apprehensively at the waif's face to see whether he was going to add inconvenient candour to his other savage propensities.

      Miss Van Cheele was enormously interested.

      "Perhaps his underlinen is marked," she suggested.

      "He seems to have lost most of that, too," said Van Cheele, making frantic little grabs at the Morning Post to keep it in its place.

      A naked homeless child appealed to Miss Van Cheele as warmly as a stray kitten or derelict puppy would have done.

      "We must do all we can for him," she decided, and in a very short time a messenger, dispatched to the rectory, where a page-boy was kept, had returned with a suit of pantry clothes, and the necessary accessories of shirt, shoes, collar, etc. Clothed, clean, and groomed, the boy lost none of his uncanniness in Van Cheele's eyes, but his aunt found him sweet.

      "We must call him something till we know who he really is," she said. "Gabriel-Ernest, I think; those are nice suitable names."

      Van Cheele agreed, but he privately doubted whether they were being grafted on to a nice suitable child. His misgivings were not diminished by the fact that his staid and elderly spaniel had bolted out of the house at the first incoming of the boy, and now obstinately remained shivering and yapping at the farther end of the orchard, while the canary, usually as vocally industrious as Van Cheele himself, had put itself on an allowance of frightened cheeps. More than ever he was resolved to consult Cunningham without loss of time.

      As he drove off to the station his aunt was arranging that Gabriel-Ernest should help her to entertain the infant members of her Sunday-school class at tea that afternoon.

      Cunningham was not at first disposed to be communicative.

      "My mother died of some brain trouble," he explained, "so you will understand why I am averse to dwelling on anything of an impossibly fantastic nature that I may see or think that I have seen."

      "But what did you see?" persisted Van Cheele.

      "What I thought I saw was something so extraordinary that no really sane man could dignify it with the credit of having actually happened. I was standing, the last evening I was with you, half-hidden in the hedge-growth by the orchard gate, watching the dying glow of the sunset. Suddenly I became aware of a naked boy, a bather from some neighbouring pool, I took him to be, who was standing out on the bare hillside also watching the sunset. His pose was so suggestive of some wild faun of Pagan myth that I instantly wanted to engage him as a model, and in another moment I think I should have hailed him. But just then the sun dipped out of view, and all the orange and pink slid out of the landscape, leaving it cold and grey. And at the same moment an astounding thing happened—the boy vanished too!"

      "What! vanished away into nothing?" asked Van Cheele excitedly.

      "No; that is the dreadful part of it," answered the artist; "on the open hillside where СКАЧАТЬ