Название: Birds, Metals, Stones and Rain
Автор: Russell Thornton
Издательство: Ingram
Жанр: Поэзия
isbn: 9781550176575
isbn:
us to stand trembling in bright, bright light.
Witness our core, the one annunciation.
Hear us: from out of the depths have we
called thee, from out of our will and wonder—
the doors in us so closed, we think the door
to rock is shut. We cannot die or love enough—
and love, though it brings us to its door
and unlocks it for us, will not follow—
and our signatures nestle in time and we
forget them. Wind is in a hand of force
that wraps around wind, and the rock has moved
and taken our hand, our hand made of nothing
other than what the rock is made of—
in death we lose nothing that is not
of the death and life of this rock. The wind
moves endlessly, and the rock moves around
the wind, and the planet moves around
the wind and around the sun, and around
everlasting cosmic debris and dust.
Wind is rushing through the oldest place
we have named. The song it sings is learning
itself, beginning and ending with Earth.
More names than we can know are rushing through,
and within the names the rock is opening.
Burrard Inlet Ships
At a window overlooking water—container ships
and bulk carrier ships lying at anchor
framed in front of us. They’re always there,
I hear a voice say. As if the ships were the same ships
that sat there twenty-four or forty-eight hours ago.
As if, in the middle of the night, the ships did not
arrive and drop anchor at exact latitudes and longitudes.
And tugboats did not come and bring the ships to dock,
and other ships not arrive and take the first ships’ places—
in the middle of the night. As if the ships were not
emptied of what they brought here and loaded up again
while the ships’ sailors took their hours’ shore leave
to go to a bank, visit a doctor, talk with a priest,
buy a blouse or bracelet for a woman back home.
As if, between sundown and dawn, the ships did not depart.
And every two or three days, a new ship and new crew
did not sit at each terminal wharf. As if it was not
now a new ship visible outside the window.
All night, out on the water, the ships’ horns send out
sound signals for their arrivals and departures,
and all night, in inlet-filling fog, the ships’ horns
send out long blasts, long repeating notes—accompaniment
to the circuit of sleep in the houses along the shore.
New ships and crews come, new products are brought
from faraway locales, and new loads of coal, sulphur,
lumber and wheat are taken to faraway locales.
All night, when gulls come up from the inlet
through cloud and rain, gull after gull takes up
the same insane-sounding cry of unfathomable
emergency in a wilderness of water, and circles with the same
single message that seems wound and unwound
as on a wire anchored somewhere unknown to any gull
in the inlet circling and circling through its tides.
All night, the outsized ships come and go—all night.
As if they were not, each of them, the same ship powering
over the glowing deep blue water-globe. As if the voice
at this window had not been with me all along,
waiting inside my hearing. As if it was not
the voice of one more myself than I can know.
As if this one’s home had not always been here
where he could see an anchor-place and hear gulls.
Nest of the Swan’s Bones
She will build a nest of the swan’s bones...
—Robinson Jeffers, “Shiva”
High in the blue air above the dumpster in the back lane,
between the mountains and the tidal flats,
on the thermals and updrafts a summer hawk does slow turns.
The crows pick at the waste on the asphalt.
The men push jingling shopping carts. Or stand and mimic life
in a prison yard. The wild white swan is dead. Where I caught
trout as a child, no trout swim now. The drives
and crescents gouge ravines, make creeks disappear. Where wild
baby fish run, they run the gauntlet of penned fish. They are eaten alive,
their eyes popping out as sea lice feed inside their heads.
The hawk dances. Circles, dances. Its shadow flits
unnoticed СКАЧАТЬ