Essays: Moral, Political, and Literary. David Hume

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СКАЧАТЬ No: You have not erred. I swear by the manes of those heroes, who fought for the same cause in the plains of MARATHON and PLATÆA.⁶ Who could now endure such a bold and poetical figure, as that which CICERO employs, after describing in the most tragical terms the crucifixion of a ROMAN citizen. Should I paint the horrors of this scene, not to ROMAN citizens, not to the allies of our state, not to those who have ever heard of the ROMAN Name, not even to men, but to brute-creatures; or, to go farther, should I lift up my voice in the most desolate solitude, to the rocks and mountains, yet should I surely see those rude and inanimate parts of nature moved with horror and indignation at the recital of so enormous an action.⁷ With what a blaze of eloquence must such a sentence be surrounded to give it grace, or cause it to make any impression on the hearers? And what noble art and sublime talents are requisite to arrive, by just degrees, at a sentiment so bold and excessive: To inflame the audience, so as to make them accompany the speaker in such violent passions, and such elevated conceptions: And to conceal, under a torrent of eloquence, the artifice, by which all this is effectuated! Should this sentiment even appear to us excessive, as perhaps it justly may, it will at least serve to give an idea of the stile of ancient eloquence, where such swelling expressions were not rejected as wholly monstrous and gigantic.^c

      Suitable to this vehemence of thought and expression, was the vehemence of action, observed in the ancient orators. The supplosio pedis, or stamping with the foot, was one of the most usual and moderate gestures which they made use of;⁸ though that is now esteemed too violent, either for the senate, bar, or pulpit, and is only admitted into the theatre, to accompany the most violent passions, which are there represented.

      One is somewhat at a loss to what cause we may ascribe so sensible a decline of eloquence in later ages. The genius of mankind, at all times, is, perhaps, equal: The moderns have applied themselves, with great industry and success, to all the other arts and sciences: And a learned nation possesses a popular government; a circumstance which seems requisite for the full display of these noble talents: But notwithstanding all these advantages, our progress in eloquence is very inconsiderable, in comparison of the advances, which we have made in all other parts of learning.

      Shall we assert, that the strains of ancient eloquence are unsuitable to our age, and ought not to be imitated by modern orators? Whatever reasons may be made use of to prove this, I am persuaded they will be found, upon examination, to be unsound and unsatisfactory.

      First, It may be said, that, in ancient times, during the flourishing period of GREEK and ROMAN learning, the municipal laws, in every state, were but few and simple, and the decision of causes, was, in a great measure, left to the equity and common sense of the judges. The study of the laws was not then a laborious occupation, requiring the drudgery of a whole life to finish it, and incompatible with every other study or profession. The great statesmen and generals among the ROMANS were all lawyers; and CICERO, to shew the facility of acquiring this science, declares, that, in the midst of all his occupations, he would undertake, in a few days, to make himself a complete civilian. Now, where a pleader addresses himself to the equity of his judges, he has much more room to display his eloquence, than where he must draw his arguments from strict laws, statutes, and precedents. In the former case, many circumstances must be taken in; many personal considerations regarded; and even favour and inclination, which it belongs to the orator, by his art and eloquence, to conciliate, may be disguised under the appearance of equity. But how shall a modern lawyer have leisure to quit his toilsome occupations, in order to gather the flowers of PARNASSUS?⁹ Or what opportunity shall he have of displaying them, amidst the rigid and subtile arguments, objections, and replies, which he is obliged to make use of? The greatest genius, and greatest orator, who should pretend to plead before the Chancellor,¹⁰ after a month’s study of the laws, would only labour to make himself ridiculous.

      I am ready to own, that this circumstance, of the multiplicity and intricacy of laws, is a discouragement to eloquence in modern times: But I assert, that it will not entirely account for the decline of that noble art. It may banish oratory from WESTMINSTER-HALL,¹¹ but not from either house of parliament. Among the ATHENIANS, the AREOPAGITES expressly forbad all allurements of eloquence;¹² and some have pretended that in the GREEK orations, written in the judiciary form, there is not so bold and rhetorical a stile, as appears in the ROMAN. But to what a pitch did the ATHENIANS carry their eloquence in the deliberative kind, when affairs of state were canvassed,° and the liberty, happiness, and honour of the republic were the subject of debate? Disputes of this nature elevate the genius above all others, and give the fullest scope to eloquence; and such disputes are very frequent in this nation.

      Secondly, It may be pretended that the decline of eloquence is owing to the superior good sense of the moderns, who reject with disdain all those rhetorical tricks, employed to seduce the judges, and will admit of nothing but solid argument in any debate or deliberation. If a man be accused of murder, the fact must be proved by witnesses and evidence; and the laws will afterwards determine the punishment of the criminal. It would be ridiculous to describe, in strong colours, the horror and cruelty of the action: To introduce the relations of the dead; and, at a signal, make them throw themselves at the feet of the judges, imploring justice with tears and lamentations: And still more ridiculous would it be, to employ a picture representing the bloody deed, in order to move the judges by the display of so tragical a spectacle: Though we know, that this artifice was sometimes practised by the pleaders of old.¹³ Now, banish the pathetic° from public discourses, and you reduce the speakers merely to modern eloquence; that is, to good sense, delivered in proper expression.

      Perhaps it may be acknowledged, that our modern customs, or our superior good sense, if you will, should make our orators more cautious and reserved than the ancient, in attempting to inflame the passions, or elevate the imagination of their audience: But, I see no reason, why it should make them despair absolutely of succeeding in that attempt. It should make them redouble their art, not abandon it entirely. The ancient orators seem also to have been on their guard against this jealousy of their audience; but they took a different way of eluding it.¹⁴ They hurried away with such a torrent of sublime° and pathetic, that they left their hearers no leisure to perceive the artifice, by which they were deceived. Nay, to consider the matter aright, they were not deceived by any artifice. The orator, by the force of his own genius and eloquence, first inflamed himself with anger, indignation, pity, sorrow; and then communicated those impetuous movements to his audience.

      

      Does any man pretend to have more good sense than JULIUS CÆSAR? yet that haughty conqueror, we know, was so subdued by the charms of CICERO’S eloquence, that he was, in a manner, constrained to change his settled purpose and resolution, and to absolve a criminal, whom, before that orator pleaded, he was determined to condemn.¹⁵

      ^dSome objections, I own, notwithstanding his vast success, may lie against some passages of the ROMAN orator. He is too florid and rhetorical: His figures are too striking and palpable: The divisions of his discourse are drawn chiefly from the rules of the schools: And his wit disdains not always the artifice even of a pun, rhyme, or jingle of words. The GRECIAN addressed himself to an audience much less refined than the ROMAN senate or judges. The lowest vulgar of ATHENS were his sovereigns, and the arbiters of his eloquence.¹⁶ Yet is his manner more chaste° and austere than that of the other. Could it be copied, its success would be infallible over a modern assembly. It is rapid harmony, exactly adjusted to the sense: It is vehement reasoning, without any appearance of art: It is disdain, anger, boldness, freedom, involved in a continued stream of argument: And of all human productions, the orations of DEMOSTHENES present to us the models, which approach the nearest to perfection.^d

      Thirdly, It may be pretended, that the disorders of the ancient governments, СКАЧАТЬ