The Complete Poetry of Walt Whitman. Walt Whitman

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СКАЧАТЬ the yoke or halt in the shade, what is that you express in your eyes?

       It seems to me more than all the print I have read in my life.

      My tread scares the wood-drake and wood-duck on my distant and daylong ramble,

       They rise together, they slowly circle around. . . . . I believe in those winged purposes,

       And acknowledge the red yellow and white playing within me,

      And consider the green and violet and the tufted crown intentional;

       And do not call the tortoise unworthy because she is not something else,

       And the mockingbird in the swamp never studied the gamut, yet trills pretty well to me,

       And the look of the bay mare shames silliness out of me.

      The wild gander leads his flock through the cool night,

       Ya-honk! he says, and sounds it down to me like an invitation;

       The pert may suppose it meaningless, but I listen closer,

       I find its purpose and place up there toward the November sky.

      The sharphoofed moose of the north, the cat on the housesill, the chickadee, the prairie-dog,

       The litter of the grunting sow as they tug at her teats,

       The brood of the turkeyhen, and she with her halfspread wings,

       I see in them and myself the same old law.

      The press of my foot to the earth springs a hundred affections,

       They scorn the best I can do to relate them.

      I am enamoured of growing outdoors,

       Of men that live among cattle or taste of the ocean or woods,

       Of the builders and steerers of ships, of the wielders of axes and mauls, of the drivers of horses,

       I can eat and sleep with them week in and week out.

      What is commonest and cheapest and nearest and easiest is Me,

       Me going in for my chances, spending for vast returns,

       Adorning myself to bestow myself on the first that will take me,

       Not asking the sky to come down to my goodwill,

       Scattering it freely forever.

      The pure contralto sings in the organloft,

       The carpenter dresses his plank . . . . the tongue of his foreplane whistles its wild ascending lisp,

       The married and unmarried children ride home to their thanksgiving dinner,

       The pilot seizes the king-pin, he heaves down with a strong arm,

       The mate stands braced in the whaleboat, lance and harpoon are ready,

       The duck-shooter walks by silent and cautious stretches,

       The deacons are ordained with crossed hands at the altar,

       The spinning-girl retreats and advances to the hum of the big wheel,

       The farmer stops by the bars of a Sunday and looks at the oats and rye,

       The lunatic is carried at last to the asylum a confirmed case,

       He will never sleep any more as he did in the cot in his mother’s bedroom;

       The jour printer with gray head and gaunt jaws works at his case,

       He turns his quid of tobacco, his eyes get blurred with the manuscript;

       The malformed limbs are tied to the anatomist’s table,

       What is removed drops horribly in a pail;

       The quadroon girl is sold at the stand . . . . the drunkard nods by the barroom stove,

       The machinist rolls up his sleeves . . . . the policeman travels his beat . . . . the gate-keeper marks who pass,

       The young fellow drives the express-wagon . . . . I love him though I do not know him;

       The half-breed straps on his light boots to compete in the race,

       The western turkey-shooting draws old and young . . . . some lean on their rifles, some sit on logs,

       Out from the crowd steps the marksman and takes his position and levels his piece;

       The groups of newly-come immigrants cover the wharf or levee,

       The woollypates hoe in the sugarfield, the overseer views them from his saddle;

      The bugle calls in the ballroom, the gentlemen run for their partners, the dancers bow to each other;

       The youth lies awake in the cedar-roofed garret and harks to the musical rain,

       The Wolverine sets traps on the creek that helps fill the Huron,

       The reformer ascends the platform, he spouts with his mouth and nose,

       The company returns from its excursion, the darkey brings up the rear and bears the well-riddled target,

       The squaw wrapt in her yellow-hemmed cloth is offering moccasins and beadbags for sale,

       The connoisseur peers along the exhibition-gallery with halfshut eyes bent sideways,

       The deckhands make fast the steamboat, the plank is thrown for the shoregoing passengers,

       The young sister holds out the skein, the elder sister winds it off in a ball and stops now and then for the knots,

       The one-year wife is recovering and happy, a week ago she bore her first child,

       The cleanhaired Yankee girl works with her sewing-machine or in the factory or mill,

       The nine months’ gone is in the parturition chamber, her faintness and pains are advancing;

       The pavingman leans on his twohanded rammer -- the reporter’s lead flies swiftly over the notebook -- the signpainter is lettering with red and gold,

       The canal-boy trots on the towpath -- the bookkeeper counts at his desk -- the shoemaker waxes his thread,

       The conductor beats time for the band and all the performers follow him,

       The child is baptised -- the convert is making the first professions,

       The regatta is spread on the bay . . . . how the white sails sparkle!

       The drover watches his drove, he sings out to them that would stray,

       The pedlar sweats with his pack on his back -- the purchaser higgles about the odd cent,

      The camera and plate are prepared, the lady must sit for her daguerreotype,

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