Essential Novelists - Ford Madox Ford. Ford Madox Ford

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      In all matrimonial associations there is, I believe, one constant factor — a desire to deceive the person with whom one lives as to some weak spot in one’s character or in one’s career. For it is intolerable to live constantly with one human being who perceives one’s small meannesses. It is really death to do so — that is why so many marriages turn out unhappily.

      I, for instance, am a rather greedy man; I have a taste for good cookery and a watering tooth at the mere sound of the names of certain comestibles. If Florence had discovered this secret of mine I should have found her knowledge of it so unbearable that I never could have supported all the other privations of the régime that she extracted from me. I am bound to say that Florence never discovered this secret.

      Certainly she never alluded to it; I dare say she never took sufficient interest in me.

      And the secret weakness of Florence — the weakness that she could not bear to have me discover, was just that early escapade with the fellow called Jimmy. Let me, as this is in all probability the last time I shall mention Florence’s name, dwell a little upon the change that had taken place in her psychology. She would not, I mean, have minded if I had discovered that she was the mistress of Edward Ashburnham. She would rather have liked it. Indeed, the chief trouble of poor Leonora in those days was to keep Florence from making, before me, theatrical displays, on one line or another, of that very fact. She wanted, in one mood, to come rushing to me, to cast herself on her knees at my feet and to declaim a carefully arranged, frightfully emotional, outpouring as to her passion. That was to show that she was like one of the great erotic women of whom history tells us. In another mood she would desire to come to me disdainfully and to tell me that I was considerably less than a man and that what had happened was what must happen when a real male came along. She wanted to say that in cool, balanced and sarcastic sentences. That was when she wished to appear like the heroine of a French comedy. Because of course she was always play acting.

      But what she didn’t want me to know was the fact of her first escapade with the fellow called Jimmy. She had arrived at figuring out the sort of low-down Bowery tough that that fellow was. Do you know what it is to shudder, in later life, for some small, stupid action — usually for some small, quite genuine piece of emotionalism — of your early life? Well, it was that sort of shuddering that came over Florence at the thought that she had surrendered to such a low fellow. I don’t know that she need have shuddered. It was her footling old uncle’s work; he ought never to have taken those two round the world together and shut himself up in his cabin for the greater part of the time. Anyhow, I am convinced that the sight of Mr Bagshawe and the thought that Mr Bagshawe — for she knew that unpleasant and toadlike personality — the thought that Mr Bagshawe would almost certainly reveal to me that he had caught her coming out of Jimmy’s bedroom at five o’clock in the morning on the 4th of August, 1900 — that was the determining influence in her suicide. And no doubt the effect of the date was too much for her superstitious personality. She had been born on the 4th of August; she had started to go round the world on the 4th of August; she had become a low fellow’s mistress on the 4th of August. On the same day of the year she had married me; on that 4th she had lost Edward’s love, and Bagshawe had appeared like a sinister omen — like a grin on the face of Fate. It was the last straw. She ran upstairs, arranged herself decoratively upon her bed — she was a sweetly pretty woman with smooth pink and white cheeks, long hair, the eyelashes falling like a tiny curtain on her cheeks. She drank the little phial of prussic acid and there she lay. — Oh, extremely charming and clear-cut — looking with a puzzled expression at the electric-light bulb that hung from the ceiling, or perhaps through it, to the stars above. Who knows? Anyhow, there was an end of Florence.

      You have no idea how quite extraordinarily for me that was the end of Florence. From that day to this I have never given her another thought; I have not bestowed upon her so much as a sigh. Of course, when it has been necessary to talk about her to Leonora, or when for the purpose of these writings I have tried to figure her out, I have thought about her as I might do about a problem in algebra. But it has always been as a matter for study, not for remembrance. She just went completely out of existence, like yesterday’s paper.

      I was so deadly tired. And I dare say that my week or ten days of affaissement — of what was practically catalepsy — was just the repose that my exhausted nature claimed after twelve years of the repression of my instincts, after twelve years of playing the trained poodle. For that was all that I had been. I suppose that it was the shock that did it — the several shocks. But I am unwilling to attribute my feelings at that time to anything so concrete as a shock. It was a feeling so tranquil. It was as if an immensely heavy — an unbearably heavy knapsack, supported upon my shoulders by straps, had fallen off and left my shoulders themselves that the straps had cut into, numb and without sensation of life. I tell you, I had no regret. What had I to regret? I suppose that my inner soul — my dual personality — had realized long before that Florence was a personality of paper — that she represented a real human being with a heart, with feelings, with sympathies and with emotions only as a bank-note represents a certain quantity of gold. I know that sort of feeling came to the surface in me the moment the man Bagshawe told me that he had seen her coming out of that fellow’s bedroom. I thought suddenly that she wasn’t real; she was just a mass of talk out of guidebooks, of drawings out of fashion-plates. It is even possible that, if that feeling had not possessed me, I should have run up sooner to her room and might have prevented her drinking the prussic acid. But I just couldn’t do it; it would have been like chasing a scrap of paper — an occupation ignoble for a grown man.

      And, as it began, so that matter has remained. I didn’t care whether she had come out of that bedroom or whether she hadn’t. It simply didn’t interest me. Florence didn’t matter.

      I suppose you will retort that I was in love with Nancy Rufford and that my indifference was therefore discreditable. Well, I am not seeking to avoid discredit. I was in love with Nancy Rufford as I am in love with the poor child’s memory, quietly and quite tenderly in my American sort of way. I had never thought about it until I heard Leonora state that I might now marry her. But, from that moment until her worse than death, I do not suppose that I much thought about anything else. I don’t mean to say that I sighed about her or groaned; I just wanted to marry her as some people want to go to Carcassonne.

      Do you understand the feeling — the sort of feeling that you must get certain matters out of the way, smooth out certain fairly negligible complications before you can go to a place that has, during all your life, been a sort of dream city? I didn’t attach much importance to my superior years. I was forty-five, and she, poor thing, was only just rising twenty-two. But she was older than her years and quieter. She seemed to have an odd quality of sainthood, as if she must inevitably end in a convent with a white coif framing her face. But she had frequently told me that she had no vocation; it just simply wasn’t there — the desire to become a nun. Well, I guess that I was a sort of convent myself; it seemed fairly proper that she should make her vows to me. No, I didn’t see any impediment on the score of age. I dare say no man does and I was pretty confident that with a little preparation, I could make a young girl happy. I could spoil her as few young girls have ever been spoiled; and I couldn’t regard myself as personally repulsive. No man can, or if he ever comes to do so, that is the end of him. But, as soon as I came out of my catalepsy, I seemed to perceive that my problem — that what I had to do to prepare myself for getting into contact with her, was just to get back into contact with life. I had been kept for twelve years in a rarefied atmosphere; what I then had to do was a little fighting with real life, some wrestling with men of business, some travelling amongst larger cities, something harsh, something masculine. I didn’t want to present myself to Nancy Rufford as a sort of an old maid. That was why, just a fortnight after Florence’s suicide, I set off for the United States.

      II

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