3 books to know Paris. Гастон Леру

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      This exclamation afforded him a little solace, and a sort of reddish reflection which he caught sight of at that moment, at the extremity of a long and narrow lane, completed the elevation of his moral tone. “God be praised!” said he, “There it is yonder! There is my pallet burning.” And comparing himself to the pilot who suffers shipwreck by night, “Salve,” he added piously, “salve, maris stella!”

      Did he address this fragment of litany to the Holy Virgin, or to the pallet? We are utterly unable to say.

      He had taken but a few steps in the long street, which sloped downwards, was unpaved, and more and more muddy and steep, when he noticed a very singular thing. It was not deserted; here and there along its extent crawled certain vague and formless masses, all directing their course towards the light which flickered at the end of the street, like those heavy insects which drag along by night, from blade to blade of grass, towards the shepherd’s fire.

      Nothing renders one so adventurous as not being able to feel the place where one’s pocket is situated. Gringoire continued to advance, and had soon joined that one of the forms which dragged along most indolently, behind the others. On drawing near, he perceived that it was nothing else than a wretched legless cripple in a bowl, who was hopping along on his two hands like a wounded field-spider which has but two legs left. At the moment when he passed close to this species of spider with a human countenance, it raised towards him a lamentable voice: “La buona mancia, signor! la buona mancia!”*

      * Alms.

      “Deuce take you,” said Gringoire, “and me with you, if I know what you mean!”

      And he passed on.

      He overtook another of these itinerant masses, and examined it. It was an impotent man, both halt and crippled, and halt and crippled to such a degree that the complicated system of crutches and wooden legs which sustained him, gave him the air of a mason’s scaffolding on the march. Gringoire, who liked noble and classical comparisons, compared him in thought to the living tripod of Vulcan.

      This living tripod saluted him as he passed, but stopping his hat on a level with Gringoire’s chin, like a shaving dish, while he shouted in the latter’s ears: “Senor cabellero, para comprar un pedaso de pan!”*

      * Give me the means to buy a bit of bread, sir.

      “It appears,” said Gringoire, “that this one can also talk; but ‘tis a rude language, and he is more fortunate than I if he understands it.” Then, smiting his brow, in a sudden transition of ideas: “By the way, what the deuce did they mean this morning with their Esmeralda?”

      He was minded to augment his pace, but for the third time something barred his way. This something or, rather, some one was a blind man, a little blind fellow with a bearded, Jewish face, who, rowing away in the space about him with a stick, and towed by a large dog, droned through his nose with a Hungarian accent: “Facitote caritatem!”

      “Well, now,” said Gringoire, “here’s one at last who speaks a Christian tongue. I must have a very charitable aspect, since they ask alms of me in the present lean condition of my purse. My friend,” and he turned towards the blind man, “I sold my last shirt last week; that is to say, since you understand only the language of Cicero: Vendidi hebdomade nuper transita meam ultimam chemisan.”

      That said, he turned his back upon the blind man, and pursued his way. But the blind man began to increase his stride at the same time; and, behold! the cripple and the legless man, in his bowl, came up on their side in great haste, and with great clamor of bowl and crutches, upon the pavement. Then all three, jostling each other at poor Gringoire’s heels, began to sing their song to him,—

      “Caritatem!” chanted the blind man.

      “La buona mancia!” chanted the cripple in the bowl.

      And the lame man took up the musical phrase by repeating: “Un pedaso de pan!”

      Gringoire stopped up his ears. “Oh, tower of Babel!” he exclaimed.

      He set out to run. The blind man ran! The lame man ran! The cripple in the bowl ran!

      And then, in proportion as he plunged deeper into the street, cripples in bowls, blind men and lame men, swarmed about him, and men with one arm, and with one eye, and the leprous with their sores, some emerging from little streets adjacent, some from the air-holes of cellars, howling, bellowing, yelping, all limping and halting, all flinging themselves towards the light, and humped up in the mire, like snails after a shower.

      Gringoire, still followed by his three persecutors, and not knowing very well what was to become of him, marched along in terror among them, turning out for the lame, stepping over the cripples in bowls, with his feet imbedded in that ant-hill of lame men, like the English captain who got caught in the quicksand of a swarm of crabs.

      The idea occurred to him of making an effort to retrace his steps. But it was too late. This whole legion had closed in behind him, and his three beggars held him fast. So he proceeded, impelled both by this irresistible flood, by fear, and by a vertigo which converted all this into a sort of horrible dream.

      At last he reached the end of the street. It opened upon an immense place, where a thousand scattered lights flickered in the confused mists of night. Gringoire flew thither, hoping to escape, by the swiftness of his legs, from the three infirm spectres who had clutched him.

      “Onde vas, hombre?” (Where are you going, my man?) cried the cripple, flinging away his crutches, and running after him with the best legs that ever traced a geometrical step upon the pavements of Paris.

      In the meantime the legless man, erect upon his feet, crowned Gringoire with his heavy iron bowl, and the blind man glared in his face with flaming eyes!

      “Where am I?” said the terrified poet.

      “In the Court of Miracles,” replied a fourth spectre, who had accosted them.

      “Upon my soul,” resumed Gringoire, “I certainly do behold the blind who see, and the lame who walk, but where is the Saviour?”

      They replied by a burst of sinister laughter.

      The poor poet cast his eyes about him. It was, in truth, that redoubtable Cour des Miracles, whither an honest man had never penetrated at such an hour; the magic circle where the officers of the Châtelet and the sergeants of the provostship, who ventured thither, disappeared in morsels; a city of thieves, a hideous wart on the face of Paris; a sewer, from which escaped every morning, and whither returned every night to crouch, that stream of vices, of mendicancy and vagabondage which always overflows in the streets of capitals; a monstrous hive, to which returned at nightfall, with their booty, all the drones of the social order; a lying hospital where the bohemian, the disfrocked monk, the ruined scholar, the ne’er-do-wells of all nations, Spaniards, Italians, Germans,—of all religions, Jews, Christians, Mahometans, idolaters, covered with painted sores, beggars by day, were transformed by night into brigands; an immense dressing-room, in a word, where, at that epoch, the actors of that eternal comedy, which theft, prostitution, and murder play upon the pavements of Paris, dressed and undressed.

      It was a vast place, irregular and badly paved, like all the squares of Paris at that date. Fires, around which swarmed strange groups, blazed here and there. Every one was going, coming, and shouting. Shrill laughter was to be heard, the wailing of children, the voices of women. The hands and heads of this throng, black against the luminous СКАЧАТЬ